Una oficial de crédito desaloja a una anciana y recibe a consecuencia una maldición. Desesperada, se dirige a un vidente para tratar de salvar su alma.Una oficial de crédito desaloja a una anciana y recibe a consecuencia una maldición. Desesperada, se dirige a un vidente para tratar de salvar su alma.Una oficial de crédito desaloja a una anciana y recibe a consecuencia una maldición. Desesperada, se dirige a un vidente para tratar de salvar su alma.
- Premios
- 7 premios y 24 nominaciones en total
Reseñas destacadas
Drag me to Hell is, really, a throwback in so many ways to the fun of The Evil Dead 2. The camera angles, the excellent score - it all recalls how Raimi played with us in his earlier trilogy. What has changed however, is the sense of pace. We know its coming and Raimi employs all his skills to draw out the tension. The thrills are all there in place, I jumped like there was an electric buzzer under my seat. Perhaps a little too much CGI is indulged in but its easy to forgive in a film as wicked and blackly comic as this. I genuinely found the film disturbing for a 15 as well, again I think this is a mark of tension that Raimi creates with the score and camera work throughout the film. So incredibly refreshing to see a horror film with out the hallmarks of the recent saw franchise. Special mention for the ending, which has conviction and guts and was the proverbial cherry on top of the cake. throughly entertaining.
"Drag Me to Hell" might be the victim of unfair expectations, or just plain incorrect assumptions. This might partially be down to the advertising campaign, which could lead audiences to believing this is purely serious horror, when in fact it is pulp silliness in the vein of the old EC comics, and fully aware of it. Sam Raimi, for whom the childhood experience of reading those pulp tales served as an inspiration for his now-legendary "Evil Dead" movies, and hence gave him his career, has made his most fun and entertaining film since "Army of Darkness", and probably his best since then as well (although I do need to see "A Simple Plan" again) in "Drag Me to Hell", which feels like it could be an adaptation of one of those horror tales.
Hopefully audiences will be expecting something along the lines of "Evil Dead" mixed with its sequels when they go in, or they could leave disappointed. Unless you're scared by old women and supernatural mumbo jumbo, unless you're a superstitious person, "Drag Me to Hell" probably won't be giving you any nightmares. Then again, I'm not scared by anything really. Still, one can't help but feel that this sort of thing (if done seriously) doesn't belong in today's age of rationality and would work only in the 50's, or maybe even then would be too late to really pack a punch.
That's why this is, like the "Evil Dead" movies, a cartoon. It is one cartoony horror set-piece after the other, more often than not with an overt comedic edge, and always, always with its tongue firmly in cheek. The characters are well-realized enough for the movie to be endurable, and well-played too (Justin Long is perfect for the role regardless of how limited his range is and I can't imagine anyone but Lohman playing this particular role), but Raimi doesn't really care about them. He cares more about piling on the pulp gross-outs, resorting here to all sorts of unsavory things (including embalming fluid gushing out of a corpse into Lohman's mouth, one of a multitude of things Raimi takes pleasure in introducing to that particular orifice of Lohman's body), but not much blood at all. It isn't needed either, the PG-13 rating may sound like a limitation but it's hard to imagine this movie with much more gore, although there are a few things that happen off-screen that I would have LOVED to see on-screen, but that might be because I'm a horribly sick person.
Utilizing an active, expressive camera akin to the sort of thing we saw in the "Evil Dead" movies, Raimi stages these ridiculous scenes with gusto and passion. This is not going to terrify many people, but it is absolutely terrific at being what it sets out to be- a live action EC comic. As long as you go in expecting that, you'll probably leave satisfied. I'd like to leave you with the wise words of AV Club critic Scott Tobias: "He wants viewers to jump out of their chairs, to laugh and scream and cheer, and to nudge each other over the transcendent ridiculousness of what they're witnessing. This is junk film-making at its finest."
Hopefully audiences will be expecting something along the lines of "Evil Dead" mixed with its sequels when they go in, or they could leave disappointed. Unless you're scared by old women and supernatural mumbo jumbo, unless you're a superstitious person, "Drag Me to Hell" probably won't be giving you any nightmares. Then again, I'm not scared by anything really. Still, one can't help but feel that this sort of thing (if done seriously) doesn't belong in today's age of rationality and would work only in the 50's, or maybe even then would be too late to really pack a punch.
That's why this is, like the "Evil Dead" movies, a cartoon. It is one cartoony horror set-piece after the other, more often than not with an overt comedic edge, and always, always with its tongue firmly in cheek. The characters are well-realized enough for the movie to be endurable, and well-played too (Justin Long is perfect for the role regardless of how limited his range is and I can't imagine anyone but Lohman playing this particular role), but Raimi doesn't really care about them. He cares more about piling on the pulp gross-outs, resorting here to all sorts of unsavory things (including embalming fluid gushing out of a corpse into Lohman's mouth, one of a multitude of things Raimi takes pleasure in introducing to that particular orifice of Lohman's body), but not much blood at all. It isn't needed either, the PG-13 rating may sound like a limitation but it's hard to imagine this movie with much more gore, although there are a few things that happen off-screen that I would have LOVED to see on-screen, but that might be because I'm a horribly sick person.
Utilizing an active, expressive camera akin to the sort of thing we saw in the "Evil Dead" movies, Raimi stages these ridiculous scenes with gusto and passion. This is not going to terrify many people, but it is absolutely terrific at being what it sets out to be- a live action EC comic. As long as you go in expecting that, you'll probably leave satisfied. I'd like to leave you with the wise words of AV Club critic Scott Tobias: "He wants viewers to jump out of their chairs, to laugh and scream and cheer, and to nudge each other over the transcendent ridiculousness of what they're witnessing. This is junk film-making at its finest."
Sam Raimi hasn't made a bad movie yet, and while Drag Me To Hell has emerged as a case of you hate it or you love it (like Apocalypse Now, Forrest Gump, and Avatar). It turns out to be a fun ride.
Christine Brown is a loan officer in L.A. and is trying to get the position of assistant manager. She decides that in order to impress her boss, she has to be tougher. So when an old gypsy woman comes and asks her for a third extension on mortgage payment, Christine denies her that. Feeling shamed, the old woman puts a curse on Christine, and sends a demon after her. Her life is suddenly in ruins, but with the help of a fortune teller, and his Latin American friends, Christine attempts to rid herself of the demon, before it takes her down to hell.
the ending of the film is more than somewhat controversial, and in fact you could even spend the rest of the day going over it in your mind, trying to figure out what the Raimi bros were thinking. In fact considering what they choose, the entire story is kind of pointlessly staged, but at least it is fun. Raimi takes us on a crazy ride, we the viewers are treated to a handful of shocking and humorous moments, many of which directly resemble, the Evil Dead flicks. You can tell from this that after fifteen years, Raimi is still a master at horror. He has tackled every genre but it is clear now that he is most at home with this genre. I would not say it's lovable, but it doesn't disappoint either.
Christine Brown is a loan officer in L.A. and is trying to get the position of assistant manager. She decides that in order to impress her boss, she has to be tougher. So when an old gypsy woman comes and asks her for a third extension on mortgage payment, Christine denies her that. Feeling shamed, the old woman puts a curse on Christine, and sends a demon after her. Her life is suddenly in ruins, but with the help of a fortune teller, and his Latin American friends, Christine attempts to rid herself of the demon, before it takes her down to hell.
the ending of the film is more than somewhat controversial, and in fact you could even spend the rest of the day going over it in your mind, trying to figure out what the Raimi bros were thinking. In fact considering what they choose, the entire story is kind of pointlessly staged, but at least it is fun. Raimi takes us on a crazy ride, we the viewers are treated to a handful of shocking and humorous moments, many of which directly resemble, the Evil Dead flicks. You can tell from this that after fifteen years, Raimi is still a master at horror. He has tackled every genre but it is clear now that he is most at home with this genre. I would not say it's lovable, but it doesn't disappoint either.
People who gave this a very low score don't get Sam Raimi. I found it entertaining and I enjoyed the humour. A homage to classic horror films with a mix of humour and old school special effects.
This garbage is considered to be a masterpiece??? Why does this have 90 percent on rotten tomatoes. I don't understand the positive reviews and praise? This movie was terrible disgusting schlock. Also, a complete rip-off of Stephen King's Thinner which also a shitty movie.
This was supposed to be a horror comedy? First of all this movie is neither scary or funny. They might as well called this jump scare the movie. Take a drink every time there a loud jump scare scene. There's an unnecessary scene where the main character stabs and kills her cat. She got what she deserved when she was dragged to hell at the end. Good riddance!
The acting is horrible and dry. Alison Lohman is an awful actress. No wonder her acting career ended after she did this movie. Her line delivery is horrid. You never believe anything coming out of her mouth especially when she tries to act angry or swears. She sounds like she's reading off cue cards. She also lacks reaction to anything crazy going on around her. She pretty much ruined this movie for me with her bland emotionless performance. She had that same stupid blank worried face the entire movie. I just wanted to punch her in the face! I was rooting for the gypsy woman to kill her!
Justin Long and Alison Lohman have zero chemistry and make for boring leads. I felt like they were both miscast. Justin Long felt outta place in this movie. He looked like belonged on set of Two and a Half Men with Charlie Sheen and Jon Cryer. He pretty much phoned in his performance as he slept walked all his scenes. The gypsy came off more hilarious than scary. Every scene with her was a joke!
This movie is way over the top and just plain old disgusting. They're replacing suspense and horror with blood, guts, and potty humor. This movie basically Alison Lohman getting attack absurdly and nastily every 5 minutes. This movie is full of gross. Burping up a fly, dentures flying out of mouths, old lady sucking on people's chins, vomiting bugs and maggots in somebody's mouth, bloody nose squirting blood everywhere, shoving arms don people's throats, possessed talking goat spouting profanities, spooky flying handkerchief's. None of this is scary or funny. Just childish, cheesy and stupid.
If this wasn't made by Sam Raimi it would have gotten negative reviews and trashed by fans and critics. This movie sucked! Forgettable characters you don't care about, not scary, not funny, bad acting, dull plot, repetitive fake out scenes, gross out humor, lack of a musical score. It's is one of the most overrated horror films in the last couple of years.
Sorry fans, this crap has nothing the on Evil Dead films. Those films were classics. This garbage is forgotten tripe.
This was supposed to be a horror comedy? First of all this movie is neither scary or funny. They might as well called this jump scare the movie. Take a drink every time there a loud jump scare scene. There's an unnecessary scene where the main character stabs and kills her cat. She got what she deserved when she was dragged to hell at the end. Good riddance!
The acting is horrible and dry. Alison Lohman is an awful actress. No wonder her acting career ended after she did this movie. Her line delivery is horrid. You never believe anything coming out of her mouth especially when she tries to act angry or swears. She sounds like she's reading off cue cards. She also lacks reaction to anything crazy going on around her. She pretty much ruined this movie for me with her bland emotionless performance. She had that same stupid blank worried face the entire movie. I just wanted to punch her in the face! I was rooting for the gypsy woman to kill her!
Justin Long and Alison Lohman have zero chemistry and make for boring leads. I felt like they were both miscast. Justin Long felt outta place in this movie. He looked like belonged on set of Two and a Half Men with Charlie Sheen and Jon Cryer. He pretty much phoned in his performance as he slept walked all his scenes. The gypsy came off more hilarious than scary. Every scene with her was a joke!
This movie is way over the top and just plain old disgusting. They're replacing suspense and horror with blood, guts, and potty humor. This movie basically Alison Lohman getting attack absurdly and nastily every 5 minutes. This movie is full of gross. Burping up a fly, dentures flying out of mouths, old lady sucking on people's chins, vomiting bugs and maggots in somebody's mouth, bloody nose squirting blood everywhere, shoving arms don people's throats, possessed talking goat spouting profanities, spooky flying handkerchief's. None of this is scary or funny. Just childish, cheesy and stupid.
If this wasn't made by Sam Raimi it would have gotten negative reviews and trashed by fans and critics. This movie sucked! Forgettable characters you don't care about, not scary, not funny, bad acting, dull plot, repetitive fake out scenes, gross out humor, lack of a musical score. It's is one of the most overrated horror films in the last couple of years.
Sorry fans, this crap has nothing the on Evil Dead films. Those films were classics. This garbage is forgotten tripe.
¿Sabías que...?
- CuriosidadesAlison Lohman did almost all of her own stunts.
- PifiasMrs. Ganush's body gushes a large quantity of embalming fluid onto Christine's face, but in the next scene, her hair is completely dry.
- Créditos adicionalesThe film opens with the 1963 "Van Allen belts" Universal logo.
- Versiones alternativasThe unrated director's cut DVD adds four notable extended shots/sequences:
- 1. The scene where Christine's nose squirts blood is extended, adding a shot of blood pouring out of her mouth. She covers her mouth, causing the fountain of blood to erupt from her nose.
- 2. The shot of Christine raising the knife above her cat is extended, showing Christine plunging the knife down several times, with some squirting blood.
- 3. We also see the cat's bloodied body fall into the hole in Christine and Clay's yard, just before Christine begins to shovel dirt upon it.
- 4. When Christine drops the anvil on Mrs. Ganush, Christine still gets splattered with Mrs. Ganush's eyeballs and brain matter, but now it's blood red colored.
- ConexionesFeatured in HBO First Look: Making 'Drag Me to Hell' (2009)
- Banda sonoraRock Ballad (Unused Theme from The Exorcist)
Written and Performed by Lalo Schifrin
Courtesy of Warner Bros. Entertainment
Played in the end credits
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- Títulos en diferentes países
- Arrossega'm a l'infern
- Localizaciones del rodaje
- 1031 Everett St, Los Ángeles, California, Estados Unidos(Christine's house)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 30.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 42.100.625 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 15.825.480 US$
- 31 may 2009
- Recaudación en todo el mundo
- 90.843.550 US$
- Duración1 hora 39 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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