The Retaliators

Michael Lombardi is the aptly named "Bishop" - he's a rural pastor - who traditionally shuns confrontation and generally encourages others to do the same. Until, that is, his daughter has a run in with a gangland hoodlum who has a car stashed with cocaine, loot - and a man who is not in great shape. She attempts to flee but while being chased chooses to ring her dad, rather than 911 (or maybe drive off in the general direction of the police station!?). Anyway, the remainder of this terribly lacklustre revenge thriller follows dad's attempts to avenge his daughter. For a previously gentle man, he adapts to the brutality of his new environment with an ease that made me think that if Sigourney Weaver had had him in the "Alien" films, those acid bleeding critters wouldn't have lasted twenty minutes. That's really the problem here. The scenario is just daft. Right from the get go when we have an altercation over a Christmas tree through to the very end, it's all just predictable and implausible tosh. The acting is college project standard, as is the writing and the direction. Indeed, quite how this got a cinema release at all is a far more worthy and ponderous question than anything raised by the script. Nope, I really wouldn't bother.

I'm struggling to review this film as I didn't actually hate it, but it's littered with flaws.

My main complaint is that it never really settled on a tone. At times this film is dark as hell, with some properly gruesome and grotesque ideas and scenes.

At other times it strays into Evil Dead style comedy horror with some of its action scenes and sequences. This shift was quite jarring and had they picked one route and gone for it might have been more effective.

The acting was quite hit and miss, with no particularly solid performances to mention.

In terms of plot it actually had some interesting ideas, but took way too long to get stuck into the meat of the story.

The soundtrack is pretty great though I must say.

Overall a bit hit and miss. There's plenty for horror fans to enjoy and I did enjoy large parts of this film, but it felt a bit rough around the edges.

This is simply bad and not worth watching based on the acting and poor directing. Definitely feels like someone had some resources meaning money to do a move but wasn't able to cast properly and hire directors capable of making something good and worthwhile.

I felt like there was also an innovative movie here. The antihero was very interesting and should have been the focus of the movie. Instead it just became a run of the mill revenge flick and focused on the wrong character.

It's well acted and has good production value but, in the end, the redeeming qualities surrounded the cameos and the soundtrack. The rotating one-night only releases is also a marketing gimmick. I fell for both of them...

I feel like the names (i.e. Jacoby Shaddix, Five Finger Death Punch, Tommy Lee) was more of a marketing gimmick than of any real value.

Best leave this for when it becomes available on a streaming service.

Following the death of his daughter, a grief-stricken priest sets out to seek revenge for the person responsible, eventually finding him in the form of an underground criminal kingpin being sought by a multitude of organizations for his work and must dig deeper into his own resolve to escape the situation.

There was quite a lot to like with this one. Among the better features found here is the incredibly enjoyable setup that provides quite a fun setup to the later insanity featured here. The initial setup with the easy-going lifestyle of the priest trying not to get into confrontation or violence and then wretched with grief when his daughter is killed and eventually learning to stand up for himself works rather nicely, while the secondary setup of the need to catch up with the drug-deal gone wrong featuring the criminals scouring their own underworld trying to discover who the psychopath is and what he's done with the money. This gives the film quite a unique setup that brings some rather interesting points along the way. As well, the film manages quite a lot to like with the brutal and over-the-top confrontations with the killers coming into play. With the strong opening about the girls being stranded in the van and then finding the attempted saviors getting dispatched gruesomely before the graphic final scene, this one manages quite a lot to like almost immediately in a fast, frenetic sequence. The car chase and resulting accident that sets this one in motion are quite thrilling, and the relentless attacks that come about in the finale where the freed prisoners are let loose bringing upon a ton of frantic, furious sequences together as they attack the group in the underground dungeon and eventually make their way out into the woods which features all sorts of impressive effects-work on the graphic kills throughout here, giving this some likable features. There are some flaws to be had with this one. The main problem is that so much of the film's first half is so generally unappealing as a horror film that it's easy to think this one doesn't even fall into the genre. The opening attack is very misleading to the later scenes as the main setup that gets focused on the search for the figures in the criminal underworld that revolve around the killer that kills his daughter than it is about the deaths being dished out. This plays far more like a crime thriller than a genre effort with the way the scenes play out as the drug deal gone wrong involving the brutal murder of the courier which is not that interesting or features anything remotely close to what's going on later on in the film so it just isn't that good to get started. That early setup highlights the films' other issue in that there's such a pronounced and obvious stylistic change between the first and second half that is awkward and clumsily put together. The sluggish pacing from the non-genre first half gives way to a furious, fast-paced second half that's quite different not just in style but also in presentation. There's so little about what's going on here that feels cohesive and connected to what's come before it as the turn from crime thriller to horror is not that well-defined and comes out of nowhere with how it's played off. The shift in tone is drastic much like the content of the action featured here which all combine together to knock this back a bit.

Rated Unrated/R: Extreme Graphic Violence, Graphic Language, Nudity, and heavy drug use.