PUNTUACIÓN EN IMDb
7,0/10
70 mil
TU PUNTUACIÓN
Los chicos de Jackass han vuelto, así que prepárate para contemplar, desde una distancia segura e higiénica, las increíbles, explícitas y no censuradas actividades de estos entrañables idiot... Leer todoLos chicos de Jackass han vuelto, así que prepárate para contemplar, desde una distancia segura e higiénica, las increíbles, explícitas y no censuradas actividades de estos entrañables idiotas.Los chicos de Jackass han vuelto, así que prepárate para contemplar, desde una distancia segura e higiénica, las increíbles, explícitas y no censuradas actividades de estos entrañables idiotas.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 4 nominaciones en total
Jason 'Wee Man' Acuña
- Self
- (as Jason "Wee Man" Acuna)
Ehren McGhehey
- Self
- (as "Danger Ehren" McGhehey)
Reseñas destacadas
How does one review "Jackass 3D"? The tertiary installment in MTV's prank and stunt franchise is basically immune to criticism because you get exactly what you pay for. Love it or hate it, "Jackass 3D" accomplishes just about everything it sets out to; in effect, Johnny Knoxville scores a goal on an empty net.
I am the anomaly, but I'd wager next to no one is 'on the fence' about whether or not they should see this film. They either contributed to the massive $50 million opening weekend box office cume, or they immediately dismissed it. In my case, however, having never seen the "Jackass" films wasn't a conscious snub. Believe it or not, there just always seemed to be something better to watch.
But mine's not a high horse. I sought out and watched "Jackass" and "Jackass: Number Two" the week prior to my first theater experience with the series, and I'm glad I did. After all, I grew up on "America's Funniest Home Videos" and throughout high school religiously followed the English hidden camera show "Trigger Happy TV." "Jackass" is not as clever as the latter, but by measure of unbridled chutzpah, Knoxville and Co. are the reigning kings.
Like a Victorian freak show or museum of oddities, the often self-destructive experiments of the "Jackass" crew are the guilty pleasures of our generation. There's something almost gladiatorial about watching the elaborate dangers these brave idiots subject themselves to. Man vs. bull, man vs. mule, man vs. man—our fascination with competition, spectacle, and injury is nothing new.
"Jackass 3D" being my first chance to observe others' response to these shenanigans, I was most amazed by the two-pronged reaction the audience had to the physical trauma the performers sustained. A given stunt would be executed, typically resulting in its participant doubling over in pain. The crowd laughed, as they'd been cued to. The film would then play back the moment in slow motion and suddenly everyone would groan or sharply inhale. Though we paid to laugh at people injuring themselves, what's more interesting is our ability to empathize with the depiction of human pain. That the "Jackass" films achieve both is not an insignificant feat.
This isn't the definitive "Jackass" experience, however. Having watched all three films in the span of a single week, I did discern a distinct arc that left me somewhat letdown with Knoxville's most recent effort. "Jackass: Number Two" improved upon the original with a more polished, professional look, and more elaborate and inventive stunts. It gave the genuine impression that the crew was pushing its boundaries and trumping itself wherever possible. That same sense of pioneering is largely missing from "Jackass 3D." The glasses- gimmick seems to supplant genuine innovation in their routine, and on the whole it feels slapdash in comparison to the conceptual genius of its prequel.
But what survives in "Jackass 3D," and what ultimately endeared me to the franchise is its creativity. Where it won me over was not in the painful payoff of each trick, but rather in the setup. The use of the camera to disorient, spotlight, and surprise is what really makes the series sing, and the trilogy is full of epiphanic moments of hilarity. "Jackass" has and always will be a potpourri of comedic elements, not all of which directly appeal to my specific sensibilities, but the variety is essential and the whole is somehow more than the sum of its parts.
I only wish "Jackass 3D" had more of the entrepreneurial spirit that so distinguished the second film. It may not be ambitious, but hey, a goal made on an empty net still counts.
I am the anomaly, but I'd wager next to no one is 'on the fence' about whether or not they should see this film. They either contributed to the massive $50 million opening weekend box office cume, or they immediately dismissed it. In my case, however, having never seen the "Jackass" films wasn't a conscious snub. Believe it or not, there just always seemed to be something better to watch.
But mine's not a high horse. I sought out and watched "Jackass" and "Jackass: Number Two" the week prior to my first theater experience with the series, and I'm glad I did. After all, I grew up on "America's Funniest Home Videos" and throughout high school religiously followed the English hidden camera show "Trigger Happy TV." "Jackass" is not as clever as the latter, but by measure of unbridled chutzpah, Knoxville and Co. are the reigning kings.
Like a Victorian freak show or museum of oddities, the often self-destructive experiments of the "Jackass" crew are the guilty pleasures of our generation. There's something almost gladiatorial about watching the elaborate dangers these brave idiots subject themselves to. Man vs. bull, man vs. mule, man vs. man—our fascination with competition, spectacle, and injury is nothing new.
"Jackass 3D" being my first chance to observe others' response to these shenanigans, I was most amazed by the two-pronged reaction the audience had to the physical trauma the performers sustained. A given stunt would be executed, typically resulting in its participant doubling over in pain. The crowd laughed, as they'd been cued to. The film would then play back the moment in slow motion and suddenly everyone would groan or sharply inhale. Though we paid to laugh at people injuring themselves, what's more interesting is our ability to empathize with the depiction of human pain. That the "Jackass" films achieve both is not an insignificant feat.
This isn't the definitive "Jackass" experience, however. Having watched all three films in the span of a single week, I did discern a distinct arc that left me somewhat letdown with Knoxville's most recent effort. "Jackass: Number Two" improved upon the original with a more polished, professional look, and more elaborate and inventive stunts. It gave the genuine impression that the crew was pushing its boundaries and trumping itself wherever possible. That same sense of pioneering is largely missing from "Jackass 3D." The glasses- gimmick seems to supplant genuine innovation in their routine, and on the whole it feels slapdash in comparison to the conceptual genius of its prequel.
But what survives in "Jackass 3D," and what ultimately endeared me to the franchise is its creativity. Where it won me over was not in the painful payoff of each trick, but rather in the setup. The use of the camera to disorient, spotlight, and surprise is what really makes the series sing, and the trilogy is full of epiphanic moments of hilarity. "Jackass" has and always will be a potpourri of comedic elements, not all of which directly appeal to my specific sensibilities, but the variety is essential and the whole is somehow more than the sum of its parts.
I only wish "Jackass 3D" had more of the entrepreneurial spirit that so distinguished the second film. It may not be ambitious, but hey, a goal made on an empty net still counts.
I really liked the last Jackass movie, because there was an intelligence at work there, beyond just a desire to be shocking and gross (though "shocking" and "gross" is being too mild). And this was just a lot more of the same.
The film is not for the squeamish, especially due to the delight taken in excrement. Excrement here is treated like confetti on New Years Eve. I don't want to get into details, because much of my enjoyment of this film is due to the shock factor. There were a few scenes that I was just too scared to watch.
I won't get into trying to describe or give a list of what's shown here. Let me just say that if Thomas Edison had ever thought his invention would show something like THIS, he'd have destroyed his camera and killed himself. But for about 80% of this film, I was howling with laughter, though terribly embarrassed I was carrying on like that.
The only thing I can say specific to a scene in this movie is that the Midget Bar Fight has got to be, no doubt about it, the most hilarious "Candid" scene I've ever watched.
I had major qualms about going to see a film so crude, gross, violent, and obviously marketed to an audience about 40 years younger. I saw it. I loved it. I'm so embarrassed. And I saw it in 2-D. Which was at least one D more than I needed. The idea of watching some of these scenes in 3-D . . .
The film is not for the squeamish, especially due to the delight taken in excrement. Excrement here is treated like confetti on New Years Eve. I don't want to get into details, because much of my enjoyment of this film is due to the shock factor. There were a few scenes that I was just too scared to watch.
I won't get into trying to describe or give a list of what's shown here. Let me just say that if Thomas Edison had ever thought his invention would show something like THIS, he'd have destroyed his camera and killed himself. But for about 80% of this film, I was howling with laughter, though terribly embarrassed I was carrying on like that.
The only thing I can say specific to a scene in this movie is that the Midget Bar Fight has got to be, no doubt about it, the most hilarious "Candid" scene I've ever watched.
I had major qualms about going to see a film so crude, gross, violent, and obviously marketed to an audience about 40 years younger. I saw it. I loved it. I'm so embarrassed. And I saw it in 2-D. Which was at least one D more than I needed. The idea of watching some of these scenes in 3-D . . .
Jackass 3D has intentionally done something I did not expect it to do. It purposely tugs at your heart if you have been watching the show since it's original inception in 2000. Seeing these guys at their age now and how well their chemistry is evoked on the screen makes you long for the early 2000's so this crew can always be around.
The purpose to see this film is to be grossed out of your mind right? Well rest assured you will laugh hard and be extremely grossed out. The film flows with a great pace just as the predecessors did.
As I said before, if you are a huge fan of the show, like I am, the closing credits of the film unexpectedly tugs at your emotions. It really is nostalgic to see this cast at their current age. Though they are all still in good physical shape, you can't help but wonder how much longer their bodies can handle the abuse.
Heres to more good times.
The purpose to see this film is to be grossed out of your mind right? Well rest assured you will laugh hard and be extremely grossed out. The film flows with a great pace just as the predecessors did.
As I said before, if you are a huge fan of the show, like I am, the closing credits of the film unexpectedly tugs at your emotions. It really is nostalgic to see this cast at their current age. Though they are all still in good physical shape, you can't help but wonder how much longer their bodies can handle the abuse.
Heres to more good times.
Jackass is childish . Jackass is stupid . Jackass is sick . Jackass is right up my street!
In this latest instalment Johnny Knoxville and the boys go all three dimensional on our arse and although i only saw this in glorious 2 D it still looked amazing.
The contents are much the same as what we're used to. This time we are exposed to stunts such as " Super Mighty Glue" where Wee Man & Preston are super glued together. . "The High Five" , where a giant hand springs out and hits people unexpectedly and " The helicockter" well , Use your imagination on that one!.
My only disappointment is that i didn't get to see this in 3D as i think it might have looked great.
I'm not sure how much longer these guys can keep doing these stunts because sooner rather than later someone is going to get seriously hurt or failing that they will get too old but while they can i will still enjoy watching them.
In this latest instalment Johnny Knoxville and the boys go all three dimensional on our arse and although i only saw this in glorious 2 D it still looked amazing.
The contents are much the same as what we're used to. This time we are exposed to stunts such as " Super Mighty Glue" where Wee Man & Preston are super glued together. . "The High Five" , where a giant hand springs out and hits people unexpectedly and " The helicockter" well , Use your imagination on that one!.
My only disappointment is that i didn't get to see this in 3D as i think it might have looked great.
I'm not sure how much longer these guys can keep doing these stunts because sooner rather than later someone is going to get seriously hurt or failing that they will get too old but while they can i will still enjoy watching them.
I find it hard to imaging that there are many people who stumble across a film called 'Jackass 3D,' not knowing what 'Jackass' is all about. Then they put the film on, watch it to the end and thus hate every moment of it and are disgusted by what they just watched.
However, in case you're thinking that 'Jackass' is merely a mildly offensive term for someone who is a 'little bit silly,' then you really need to swat up on your pop culture. I believe it started out on a cable channel as one of those ridiculously over-the-top late night shows that gains a cult following for all the wrong reasons. Basically, the premise is a bunch of men hurt each other. No, this is not 'scripted' in the traditional sense. It's literally a bunch of guys coming up with weird and imaginative ways to hurt and humiliate each other (and sometimes unsuspecting members of the public or their family).
If you're therefore thinking of something vaguely clever or surreal (ala 'Triggerhappy TV') then you're wildly off course. There is nothing clever about 'Jackass' and there never will be. It's pure 'shock TV' and, if that's your thing, then you'll have a blast with this film.
Naturally, there's no story. It's just one wacky clip after the next of guys doing painful and disgusting 'stunts' (or 'pranks,' depending on who you ask). Again, if you like that sort of thing then you'll enjoy the film.
If you're in two minds about whether to watch this (or any of the 'Jackass' films or TV) then I'm sure you can find many a clip on the internet. Watch it then decide if it's for you. Trust me... it'll save you an hour and a half of watching grown men pull each other's teeth out with sports cars and sitting in a port-a-loo (full of human 'you-know-what') and then getting jettisoned high into the air, making the *ahem* 'brown stuff' go all over the man entombed within. Yes, that actually happens.
This sequel in the 'Jackass' franchise is 3D. I didn't watch it in the cinema using glasses, only at home on the telly, so I can't really tell how much the 3D adds to the effect. Either way, it's pretty disgusting. But, at the end of the day, I'm almost ashamed to admit that I enjoyed this film (and the previous two). No, I don't watch them often, but, if I'm in the mood for something so low brow that I can almost feel the IQ points diminishing as the runtime progresses, then this is it.
However, in case you're thinking that 'Jackass' is merely a mildly offensive term for someone who is a 'little bit silly,' then you really need to swat up on your pop culture. I believe it started out on a cable channel as one of those ridiculously over-the-top late night shows that gains a cult following for all the wrong reasons. Basically, the premise is a bunch of men hurt each other. No, this is not 'scripted' in the traditional sense. It's literally a bunch of guys coming up with weird and imaginative ways to hurt and humiliate each other (and sometimes unsuspecting members of the public or their family).
If you're therefore thinking of something vaguely clever or surreal (ala 'Triggerhappy TV') then you're wildly off course. There is nothing clever about 'Jackass' and there never will be. It's pure 'shock TV' and, if that's your thing, then you'll have a blast with this film.
Naturally, there's no story. It's just one wacky clip after the next of guys doing painful and disgusting 'stunts' (or 'pranks,' depending on who you ask). Again, if you like that sort of thing then you'll enjoy the film.
If you're in two minds about whether to watch this (or any of the 'Jackass' films or TV) then I'm sure you can find many a clip on the internet. Watch it then decide if it's for you. Trust me... it'll save you an hour and a half of watching grown men pull each other's teeth out with sports cars and sitting in a port-a-loo (full of human 'you-know-what') and then getting jettisoned high into the air, making the *ahem* 'brown stuff' go all over the man entombed within. Yes, that actually happens.
This sequel in the 'Jackass' franchise is 3D. I didn't watch it in the cinema using glasses, only at home on the telly, so I can't really tell how much the 3D adds to the effect. Either way, it's pretty disgusting. But, at the end of the day, I'm almost ashamed to admit that I enjoyed this film (and the previous two). No, I don't watch them often, but, if I'm in the mood for something so low brow that I can almost feel the IQ points diminishing as the runtime progresses, then this is it.
¿Sabías que...?
- CuriosidadesJohnny Knoxville had one of his teeth knocked out by a flying dildo.
- PifiasIn the final 'explosive' scene, before the plunger is pushed, the corner of the room that Bam Margera is sitting in is relatively empty. However, when the Johnny Knoxville orders everyone to put on their goggles and proceeds to push the plunger, a bookcase appears in the corner.
- Versiones alternativasThere's an unrated version of Jackass 3 released on DVD and Blu-Ray.
- It has an extended version of the "Super Mighty Glue" scene were Dunn has his ass glued to Phil's back, then Bam glues his hand to Dunn's face.
- An extended version of "Will The Farter" were Bam smokes a cigarette that was in Will's butt, throws up and see's something in a cup and throws up again.
- Another extended scene, during the "Duck Hunting" scene, Parks Bonifay has to act as a target as well.
- There's also an additional scene, in another part of the Rocky bit, Rick Kosick gets smacked in the head.
- There's another extended scene, during the "Lamborghini Tooth Pull", Pontius brushes his teeth with an electric toothbrush and says: "If you wanna walk the walk you gotta talk the talk. Or no one will take you serious.".
- During the ending credits, there's alternative footage. The theatrical version shows Dunn sitting on Phil's back while Bam glues his hand to Dunn's face. Because this has already been shown in the Unrated, this version shows a conclusion to Ehren's tooth removal.
- Banda sonoraCorona
(Jackass Opera Mix)
Written by D. Boon
Produced and Performed by Sam Spiegel (as Squeak E. Clean)
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- How long is Jackass 3D?Con tecnología de Alexa
- What are the differences between the Theatrical Version and the Unrated Version?
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Jackass 3
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 20.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 117.229.692 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 50.353.641 US$
- 17 oct 2010
- Recaudación en todo el mundo
- 171.685.887 US$
- Duración1 hora 34 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
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What was the official certification given to Jackass 3D (2010) in Mexico?
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