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IMDbPro

The Beach House

  • 2019
  • 16
  • 1h 28min
PUNTUACIÓN EN IMDb
5,3/10
9,3 mil
TU PUNTUACIÓN
Liana Liberato in The Beach House (2019)
Ver Official Trailer
Reproducir trailer2:07
2 vídeos
23 imágenes
Ciencia ficciónDramaHorror corporalMisterioTerror

La escapada romántica de una pareja de universitarios se convierte en pesadilla cuando se dan cuenta de que visitantes inesperados exhiben signos de una infección fatal.La escapada romántica de una pareja de universitarios se convierte en pesadilla cuando se dan cuenta de que visitantes inesperados exhiben signos de una infección fatal.La escapada romántica de una pareja de universitarios se convierte en pesadilla cuando se dan cuenta de que visitantes inesperados exhiben signos de una infección fatal.

  • Dirección
    • Jeffrey A. Brown
  • Guión
    • Jeffrey A. Brown
  • Reparto principal
    • Liana Liberato
    • Noah Le Gros
    • Jake Weber
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,3/10
    9,3 mil
    TU PUNTUACIÓN
    • Dirección
      • Jeffrey A. Brown
    • Guión
      • Jeffrey A. Brown
    • Reparto principal
      • Liana Liberato
      • Noah Le Gros
      • Jake Weber
    • 150Reseñas de usuarios
    • 141Reseñas de críticos
    • 64Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 3 nominaciones en total

    Vídeos2

    Official Trailer
    Trailer 2:07
    Official Trailer
    The Beach House
    Trailer 2:07
    The Beach House
    The Beach House
    Trailer 2:07
    The Beach House

    Imágenes23

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    + 19
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    Reparto principal9

    Editar
    Liana Liberato
    Liana Liberato
    • Emily
    Noah Le Gros
    Noah Le Gros
    • Randall
    Jake Weber
    Jake Weber
    • Mitch
    Maryann Nagel
    • Jane
    Michael Brumfield
    • Police Officer
    Matt Maisto
    • Creature in basement
    Steven Corkin
    • Infected neighbor
    Dan Zakarija
    • CB Radio Voice
    Veronica Fellman
    • Radio
    • Dirección
      • Jeffrey A. Brown
    • Guión
      • Jeffrey A. Brown
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios150

    5,39.3K
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    Reseñas destacadas

    7Hawk_Jones

    The Fog + Rabid = The Beach House

    The reviews for this movie are incredibly inconsistent. However it seems like people are agreeing about certain aspects. Everyone seems to agree with the sentiment that the movie is a slow burn. I personally found the first half of the film to be interesting and it increasingly built tension. Others will say it was boring.

    The film is also being hammered on for being mysterious and accused of offering no real explanation as to why certain things are happening. Not true, there are several scenes/conversations that offer theories and possible answers to what is happening. However, the theories are presented indirectly. I personally found the explanations interesting enough.

    The climax of the film is ultimately why I recommend this movie. Around the 50 minute mark is when this film separates itself from the pack. There are 2 horrific set pieces in particular that are extremely well shot and present genuine creepy imagery.
    7kuarinofu

    A good mix of ideas

    The Beach House is a great little horror film that borrows from many other films and books of renown authors like Stephen King and H. P. Lovecraft, there are some elements of Cronenberg's trademark body horror and more.

    I don't want to spoil too much, so I'll just go ahead and recommend this film to horror fans, it is well-made and all the ideas that they have borrowed really work in this story.

    This film was a pleasant surprise for me since I didn't expect much, and they delivered more than I hoped for.
    5totalovrdose

    Some Entertainment Washes up on the Shore of The Beach House, yet it has Not Nearly Enough Horror or Explanation to be a Satisfying Horror Hit

    The Beach House contains themes and ideas akin Prometheus, The Fog, Trespassers, The Creature Below and the more recent, The Color Out of Space, with a unique focus on astrobiology. Despite some of the aforementioned films listed, keep in mind this is very much an independent feature.

    The film centers on Emily (Liana Liberato), who has returned to her boyfriend, Randall (Noah Le Gros). Their relationship is, shall we say, turbulent. To patch things up, he invites her to his family's beach house. Upon arrival however, it is not as vacant as they were led to believe, with Mitch (Jake Weber) and his wife, Jane (Maryann Nagel) currently occupying it. Unlike other creature-oriented thrillers, this does not lead to an all-out war of words. Instead, both couples calmly allow the other to stay. After some beach-side shenanigans, they begin to notice inexplicable phenomena happening in the area, resulting in, let's say, further weirdness.

    The use of camera shots lingering on water and food, with a tense, foreboding non-diegetic soundtrack, adds to the movie's ominous appeal. Director Jeffrey A. Brown delightfully shows us beautiful wide angles of nature, before zooming in to show the potential threat hiding in plain sight, subtly growing the film's disturbing ambiance. Additionally, the use of ultra-violet fluorescent colors in some of the environments adds to the alien atmosphere, while the use of bright and grainy camera shots to show the affect the surrounds are having on characters is a nice touch.

    The film is not particularly blood-thirsty; that said, the mild sequences of body horror are very effective and will leave anyone feeling squeamish. Similar to The Thing, The Beach House infuses the narrative with a fear of having the body physically invaded by another entity, while making us second guess everything we put into our stomachs.

    The film is quite slow however, with the unease and tension creeping along. Brown demands his audience have patience, giving elusive clues that said patience will be rewarded. In a movie just over 80 minutes in length, it takes well over half of the run time before (to keep this review PG rated) crap gets real.

    Emily never becomes a 'dragon slayer', instead using her scientific knowledge to solve some of the conflicts. At the same time though, she, and others, randomly make decisions that are typical silly horror movie clichés, which can seem glaringly contradictory.

    For all of the credit I give to the horror aspects of the film, and despite the occasional grotesque nature of the content, it wasn't as terror-inducing as I was hoping for. This is caused by two factors.

    One, characterization, or lack-of. In describing the main characters, I can say: Jane is ill; Mitch is a husband; Randall wants to spend his life vacationing; Emily wants to undertake a postgraduate science course and ummm....ummm....yeah, that's about it. I didn't know nearly enough about the characters to genuinely care about them when things went wrong. Combined with the occasional bizarre behavior and mild unease between the couples, it can be difficult to establish a close-bond with all of them as the film wants us to question whether everyone can be trusted. You can't have it both ways, film.

    This is not helped by the addendum we are thrown straight into the deep end in the movie's opening. This is a daring move, and fits perfectly with Brown's aesthetic of show don't tell. I don't mind playing catch-up, yet there is so much merely alluded to, that it can be hard to clearly know things we ought to in the moment. Example, when Emily and Randall arrive, I had no idea if Mitch and Jane were supposed to be there or not, because it had not been established.

    Second, there is no real sustained threat, as we don't concretely know what 'it' is. Again, I admire the use of show don't tell, and this fits perfectly with the Lovecraftian theme of the unknowable that Brown taps into. I understand, the less we know about something, the more we should fear it. To be frank though, all horror movies have rules. Example; in a slasher, we usually know; who is the bad guy; what are they doing; how will they do it. Maybe not the best comparison, but in this film, we see quite a lot, and yet none of it really fits. At the start of the movie we see an incomplete puzzle, and that is a good metaphor for the film's horror; there are lots of pieces, but there is no evolution to it.

    The Beach House is a film that will leave you with a lot more questions than answers. It is not a movie that holds your hand, and so much of what is shown could be interpreted in over a dozen ways. This is a good thing, though this narrative decision will frustrate about as many viewers as it enthralls.
    7brettkins

    Above Average Environmental Body Horror

    The Beach House's relatively short runtime is filled with a sense of impending doom. It's slow to get started, but once the infection begins the film manages to offer up enough dread to keep you locked in. Well-acted and plenty of eerie atmosphere. Overall, this turned out to be a pleasant surprise. It's far from perfect and suffers from a few cliches and dumb character moments. There is one particular reveal in the last block that disturbed me. I always find the scariest films revolve around body horror and what Mother Nature could have in store for us. I highly recommend watching something a little more upbeat after you finish it. The film has managed to stay on my mind the last few days.
    7jtindahouse

    A patient film with all the pay-off

    'The Beach House' is the perfect type of film to know as little about as possible before going in. I knew basically nothing about it and it made it an absolute treat. Some could call the first half of the film slow, and they'd probably be right, but I loved it. It did what so few horror movies do and took the time to let us care about the characters and their fate. For a cast of relative unknowns I thought the cast were terrific. The main couple were nothing flashy, but they were likeable and realistic enough to get onboard with.

    The film features some very clever foreshadowing. It was hard to fully appreciate all of it at the time, whilst knowing so little about what the future of the film had in store, but in retrospect it was very clever. I really didn't know what direction the film was going to go in. It holds its cards close to its chest for quite a while. The path that it does ultimately go down has not always been my favourite genre of film in the past, but I really liked the way 'The Beach House' went about it.

    The film has a very strange ending, that I think makes sense, but I also suspect is not going to be to everyone's liking. It was a bold way to end the film though, and like it or not you should at least give it respect for that much. I had a good time with 'The Beach House' and would recommend it as one to check out.

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    Argumento

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    ¿Sabías que...?

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    • Curiosidades
      Writer/director Jeffrey Brown said he wrote the script around a personal experience where a trip to Cape Cod resulted in ending a relationship with a woman he was dating. He then weaved in his deep affection for '50s sci-fi.
    • Pifias
      In the closing driving scene both of Emily's hands can be seen on the steering wheel multiple times from the behind shots, whereas in the face-on shots she's shown to be clearly only driving with one hand on the wheel whilst she holds the oxygen mask.
    • Créditos adicionales
      The beach appears in the background of the end credits while waves are heard crashing onto shore.
    • Conexiones
      Referenced in Film Theory: Hazbin Hotel, There Is NO Redemption! (2021)
    • Banda sonora
      Subaquatic Swerves
      Written and performed by Tradition

      Courtesy of Bokeh Versions

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    Preguntas frecuentes16

    • How long is The Beach House?Con tecnología de Alexa
    • Where can I watch this?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 9 de julio de 2020 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Пляжний будинок
    • Localizaciones del rodaje
      • North Truro, Massachusetts, Estados Unidos
    • Empresas productoras
      • Low Spark Films
      • Uncorked Productions
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 28min(88 min)
    • Color
      • Color
    • Relación de aspecto
      • 1.85 : 1

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