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IMDbPro

Footloose

  • 2011
  • 7
  • 1h 53min
PUNTUACIÓN EN IMDb
5,9/10
54 mil
TU PUNTUACIÓN
POPULARIDAD
4286
708
Kenny Wormald and Julianne Hough in Footloose (2011)
City kid Ren McCormack (Kenny Wormald) moves to a small town where rock 'n' roll and dancing have been banned, and his rebellious spirit shakes up the populace.
Reproducir trailer0:33
20 vídeos
99+ imágenes
ComediaComedia románticaDramaHistorias de iniciación y madurezMúsicaRomance

Ren MacCormack, un adolescente de ciudad, se traslada a un pequeño pueblo donde la música rock y el baile han sido prohibidos, y su espíritu rebelde sacude a la población.Ren MacCormack, un adolescente de ciudad, se traslada a un pequeño pueblo donde la música rock y el baile han sido prohibidos, y su espíritu rebelde sacude a la población.Ren MacCormack, un adolescente de ciudad, se traslada a un pequeño pueblo donde la música rock y el baile han sido prohibidos, y su espíritu rebelde sacude a la población.

  • Dirección
    • Craig Brewer
  • Guión
    • Dean Pitchford
    • Craig Brewer
  • Reparto principal
    • Kenny Wormald
    • Julianne Hough
    • Dennis Quaid
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,9/10
    54 mil
    TU PUNTUACIÓN
    POPULARIDAD
    4286
    708
    • Dirección
      • Craig Brewer
    • Guión
      • Dean Pitchford
      • Craig Brewer
    • Reparto principal
      • Kenny Wormald
      • Julianne Hough
      • Dennis Quaid
    • 189Reseñas de usuarios
    • 157Reseñas de críticos
    • 58Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 3 nominaciones en total

    Vídeos20

    Footloose (2011)
    Music Video 3:24
    Footloose (2011)
    MTV VMA Spot #2
    Trailer 0:33
    MTV VMA Spot #2
    MTV VMA Spot #2
    Trailer 0:33
    MTV VMA Spot #2
    MTV VMA Spot #1
    Trailer 1:04
    MTV VMA Spot #1
    Trailer #2
    Trailer 1:54
    Trailer #2
    Trailer #1
    Trailer 2:34
    Trailer #1
    "Line Dance"
    Clip 1:32
    "Line Dance"

    Imágenes188

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    + 180
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    Reparto principal99+

    Editar
    Kenny Wormald
    Kenny Wormald
    • Ren
    Julianne Hough
    Julianne Hough
    • Ariel
    Dennis Quaid
    Dennis Quaid
    • Rev. Shaw Moore
    Andie MacDowell
    Andie MacDowell
    • Vi Moore
    Miles Teller
    Miles Teller
    • Willard
    Ray McKinnon
    Ray McKinnon
    • Wes Warnicker
    Patrick John Flueger
    Patrick John Flueger
    • Chuck
    Kim Dickens
    Kim Dickens
    • Lulu Warnicker
    Ziah Colon
    • Rusty
    Ser'Darius Blain
    Ser'Darius Blain
    • Woody
    L. Warren Young
    L. Warren Young
    • Andy Beamis
    Brett Rice
    Brett Rice
    • Roger Dunbar
    Maggie Elizabeth Jones
    Maggie Elizabeth Jones
    • Amy Warnicker
    • (as Maggie Jones)
    Mary-Charles Jones
    Mary-Charles Jones
    • Sarah Warnicker
    Enisha Brewster
    Enisha Brewster
    • Etta
    Josh Warren
    Josh Warren
    • Rich
    Corey Flaspoehler
    Corey Flaspoehler
    • Russell
    • (as Corey Flaspoler)
    Anessa Ramsey
    Anessa Ramsey
    • Caroline
    • Dirección
      • Craig Brewer
    • Guión
      • Dean Pitchford
      • Craig Brewer
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios189

    5,954.4K
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    Reseñas destacadas

    5SnoopyStyle

    Kenny Wormald is a better dancer than actor

    The small town of Bomont imposed curfews and banned loud music and dancing after an accident killed five teenagers including Rev. Shaw Moore (Dennis Quaid)'s son. Three years later, Ren MacCormack (Kenny Wormald) moves from Boston to live with his aunt and uncle after his mother's death from leukemia. He finds the small town restrictive. He also finds reverent's daughter Ariel (Julianne Hough) rebelling against the system. He makes a friend in Willard (Miles Teller).

    I don't think it's a wise move to show the accident. It makes the ban more reasonable and harder to oppose. The Reverend is supposed to be overreaching and becoming unreasonable over the years. However the bigger problem has to be Kenny Wormald. He's more of a dancer than an actor. He doesn't have the charisma or the likability to lead. Julianne Hough comes off better. Although I would have prefer she has better separation between her two lives. She needs to dress down more as the preacher's daughter. This is a functional dance movie but not much else. It's also sad to see that the filmmaker can't think of ways to change up the story. This is obviously a Julianne Hough star vehicle. So it would be so much better to make her the newcomer to town and the lead of the movie.
    7tavm

    This version of Footloose is a pretty good remake of the original

    Full disclosure time: I saw the original 1984 version at the now-defunct Cinema 8 multiplex at the also-now defunct Bon Marche Mall (the buildings have been renovated into other places) and I remember enjoying it very much at the one time I watched it in its entirety. I had also bought the soundtrack LP album beforehand and had highly enjoyed that several times as a teenager. Then there were also videos of several of its hits like Deniece Williams' "Let's Hear It for the Boy", Bonnie Tyler's "Holding Out for a Hero", and Kenny Loggins' title song which consisted mainly of clips of Kevin Bacon's (or his dance double's) movements. So it was with all that in mind that I saw this remake with an open head. The verdict: I still had a good time though my excitement factor wasn't as overwhelming perhaps because of my fond memories of the original and some of the changes didn't seem necessary. Still, having the actor Miles Teller playing the same role done by Chris Penn nearly 30 years before in learning to dance and enjoying himself as a result was still a highlight in both versions. And former "Dancing with the Stars" pro Julianne Hough shows some chops in reenacting the Lori Singer role. And while Kenny Wormald won't make you forget Bacon in his iconic role, he's not too bad either. And the same goes for Dennis Quaid playing the John Lithgow part. So on that note, this version of Footloose is recommended.
    6MovieBuff-fest

    Not a bad movie, but pointless as a remake

    I was a teen when the original movie came out, and I also live near Lehi, Utah where it was filmed which made me think fondly of the movie whenever I drove by the Lehi Roller Mills. (Today it is a sprawling metropolis, resembling little of the sleepy little town like in the movie.) When I heard another pointless remake was coming out, I decided to give it the Redbox treatment instead of completely boycotting it.

    After watching it with my wife who had never seen the original, I was able to say, "Not so bad, but pointless as a remake." Most of the original music (which I still love) was recycled into something recognizable but not lovable. The scenes played out nearly identical to the original but with different actors. The whole way through it, I had the feeling that the director was watching the original on a hand-held device, then turned to the actors and said, "I have an idea for this next scene." If I recall correctly, even the dialog where it wasn't modernized with MP3 players (instead of cassette players) and cell phones (instead of...what the heck did we have?) was word for word.

    Usually remakes are for big block busters where today's technology and special effects can outshine the feeble attempts of the past and make a great story better by sucking the audience in. This movie had none of that, and in summary, became another pointless Hollywood rehash for quick cash. The only improvement I could acknowledge was a sub-plot that explained Ren's actions a little better, but it was still not an excuse to remake a classic.

    My advice: watch the original. It's much better.
    4estreet-eva

    Suffers as much by miscasting as the original benefited by its casting

    To the same extent Ava Gardner movies lingered on her face in the 1950's and Jessica Alba movies visually caressed her abdomen in 1990's movies so does this moving on the backside of Julianne Hough. Likely this has partially to do with Craig Brewer's personal interests and a lack of other interesting images to look at in a pointless remake of the Kevin Bacon "classic" (assuming you grew up in the 80's). The main drag on the film grows from the lack of a Kevin Bacon-level compelling talent among the cast. When Kenny Womald utters the iconic "let's dance" to the camera you could picture yourself opting to sit this one out instead. When Dennis Quaid as Ariel's father and town elder finally has his change of heart, it comes as no really emotional catharsis given Quaid's earnestness and track record as the good guy leading man. Now Randy Quaid would have made an interesting and likely challenging from a product standpoint casting choice. Julianne Hough plays Ariel as more sleazy than fun-loving and her dance moves do kind of make you agree to an extent with the Reverend. As always, Andie MacDowell brings her inexcusably flat line readings to a part that could have been cut from the film with little effect. Everyone else in the film comes across as the indistinguishable chorus line from a traveling company version of the Footloose Musical. Having said all that, the movie brings some entertaining visuals although it someone screws up the soundtrack; the version of "Holding Out for a Hero" used her is a sacrilege of the original Bonnie Tyler version of the Jim Steinman song. In short, see the original instead; although it wasn't very good either, the music was amazing.
    wendyluhardy

    Give me the original!

    I can't believe I wasted $7.50 last night to see this horrendous remake of "Footloose," but I was desperate to see a movie and nothing good was playing at the $1.50 theater. Why can't Hollywood leave remakes alone? Are screenwriters nowadays that unoriginal? Even though I felt that the 1984 film had a lame script (and acting), I loved the score, dancing, and scenery and the movie remains one of my favorite "guilty pleasures." Dean Pitchford wrote this script, which is almost a carbon copy of the original movie. Most of the same songs were used but were "updated." The only big difference is that the two leads--Kenny and Julianna--can actually dance whereas Kevin Bacon and Lori Singer couldn't (or at least not much). I'm still fuming at wasting all my money last night and would have walked out if I had paid only $1.50. Sorry to be so harsh in this review but I was not impressed. But I do hope that a better "dancing movie" comes along for Kenny and Julianna, because they are terrific dancers.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Justin Timberlake recommended Kenny Wormald to be in the film as he was a back up dancer for him.
    • Pifias
      When Ren is pulled over and his license is being examined by the police, his license is an Over-21 Massachusetts license. The difference between Under-21 and Over-21 is that Under-21 licenses are vertical and Over-21 licenses are horizontal.
    • Citas

      Ren MacCormack: [addressing the town council] I wasn't here three years ago, when tragedy struck this town. And I know it's not my place to mourn the lives that were lost because I didn't know them. But it doesn't mean that I don't think about them every day. Like a lot of students at Bomont, I see those pictures every day at school. And each time I see their faces, I think of how precious life is and how quickly it can be taken from us. I know this firsthand... in my own way. And three years ago, nearly a dozen laws were introduced to this council in order to protect the children of Bomont. And most of these laws, I can see, as a parent, how they make sense to you. But my right to dance... when I want, where I want, and how I want is a right that you cannot take away! It is mine. See, we don't have that much time left. All us teenagers, pretty soon we're gonna be just like you. We're gonna have jobs, and bills, and families. And we're gonna have to worry about our own children, because that is the job of a parent. To worry. I get that. But ours, as teenagers, is to live! To play our music way too loud and to act like idiots! And to make mistakes. Aren't we told in Psalm 149: "Praise the Lord. Sing unto the Lord a new song. And let them praise His name in the dance." Now if anybody else brought their Bible, like I did, will you please turn it into the Book of Samuel, 6:14. "David... David danced before the Lord with all his might, leaping and dancing before the Lord." Celebrating his love of God and celebrating his love of life. With what? With dancing! That's all we're doing here. Ecclesiastes assures us, "There is a time for each purpose under heaven. There's a time to weep. There's a time to mourn. And there is a time to dance." And this is our time! There was once a time for that law, but not anymore. Thank you.

    • Créditos adicionales
      The opening credits are in the same font/typeface as those for the original Footloose (1984), albeit a different color.
    • Conexiones
      Featured in The Tonight Show with Jay Leno: Episodio #20.12 (2011)
    • Banda sonora
      Footloose
      Written by Dean Pitchford and Kenny Loggins

      Performed by Kenny Loggins

      Produced by Kenny Loggins with Lee De Carlo (as Lee DeCarlo)

      Courtesy of Columbia Records

      By arrangement with Sony Music Licensing

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    Preguntas frecuentes

    • How long is Footloose?
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 4 de noviembre de 2011 (España)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Official site
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Bước Nhảy Vui Nhộn
    • Localizaciones del rodaje
      • Kennesaw, Georgia, Estados Unidos
    • Empresas productoras
      • Paramount Pictures
      • Spyglass Entertainment
      • Dylan Sellers Productions
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 24.000.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 51.802.742 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 15.556.113 US$
      • 16 oct 2011
    • Recaudación en todo el mundo
      • 63.546.519 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 53 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
      • SDDS
      • Datasat
      • Dolby Surround 7.1
    • Relación de aspecto
      • 2.35 : 1

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