El placer de la caza

The backwoods/survivalist horror genre is one of my favourites, but the films do have a tendency to follow the same formula, Manhunt being no exception. A typical example of 'doing things by the book', it starts in time-honoured fashion with four friends travelling through the wilderness in their VW camper-van (the film is set in 1974, a tribute to that classic of the genre, The Texas Chain Saw Massacre perhaps). After the predictable run in with hostile locals at a roadside diner, they do the expected thing by picking up a scared hitch-hiker, inadvisably stop in the middle of nowhere, and, in yet another retelling of The Most Dangerous Game, fall prey to a group of hunters who prefer killing humans to animals.

Despite all of the familiar trappings, this sort of thing can work very well just so long as there are regular thrills and inventive bloody kills, the protagonists are likable, and they don't behave like absolute idiots; Manhunt is suitably vicious in tone and features some reasonable splatter (although it's not as creatively bloody as I would have liked), but sadly its young victims aren't very appealing and act like morons. They constantly bicker with each other, stupidly insult the locals, and repeatedly make ill-advised decisions that only worsen their already dire situation. In short, I couldn't care less if they survived or ended up as trophies lashed to the bonnet of a Norwegian maniac's Landrover.

The movie received great reviews here in Norway, and I was looking forwards to seeing it. Being a Norwegian production, I guess the critics put on their patriot pants, because this is not that great a movie.

The story we've seen before. Some young people gets captured, are hunted, with blood and gore following in ample amounts. The only thing that differentiates this movie from its many siblings is the betrayal within the group, and the charters being somewhat interesting and real. They lack depth thought, and are quite frankly not that well played or presented.

The biggest exception to this is the villains, and their behavior. Without giving any spoilers, let me just say they are a bit to evil and cold. A tad more insight into them would make the movie allot more interesting.

What does deserve praise is the visual side of the movie, with the effects especially in mind. The movie is well shot, and really drags you into it by virtue of this. The effects look so real it's frightening. So frightening in fact, that it is one of the movies greatest flaws. It's just too much.

Now, I'm not a very gentle soul, and enjoy the odd horror movie without problems, but this movie is not that enjoyable. That said, I'm sure if I went hunting moose this autumn, I'd probably not sleep very well having seen it.

Ugly, scary and outright ultra-voilent? Yes.

Exciting, interesting and progressive? No.

Patrick Syversen and Ninni Robsahm must be the most dangerous couple in Norway. Together they transformed the harmonic Norwegian woods into a dark nightmare. When this film kicks in you can either love or hate it, but that's how it should be with this kind of movies.

The title music by David Hess(taken from Last House on the Left) sets the mood and from there on you can just lean back and get scared out of your mind. This is not the sterile dreamy and slightly funny kind of horror that we usually see these days. Rovdyr has taken back the hardcore thrill ride story telling we saw in American and Italian horror movies during the 70's.

I hope Syversen and Robsahm will continue on the route they have started because they are most interesting as makers of Norwegian horror.

I think the rating for this is a tad unfair. Okay, its pretty unoriginal, and doesn't particularly contribute anything new to the genre, but there was plenty that it did right. The acting throughout was great, especially the first girl. I also liked the 70's Scandinavia feel, it really gave it a tone and an atmosphere that sucked you into its world. It had a lovely texture and aesthetic to how it looked, and I think the contrast of the dated, distressed visuals with the shocking effects and edge-of-your-seat sound design was really brilliant. Yes I must say that I usually prefer a tad more story to get invested in, but it was fast, tense, believable, and I genuinely enjoyed it! Hopefully the filmmakers have more to give than this next time around- they clearly have the technical skills for the genre, lets see what they have to give in the story department. A great debut film.

This has got to be one of the most rudimentary plotted and primitively accomplished horror movies of the (still relatively young) new Millennium, but personally I appreciated it a lot more than the vast majority of hi-tech computerized and wannabe trendy & intellectual flicks nowadays. And yes, I do realize I sound like an embittered old man! "Manhunt" is a prototypic so-called backwoods survival thriller and, moreover, a straightforwardly obvious ode to the pioneer and granddaddy of ALL backwoods survival thrillers "The Texas Chainsaw Massacre". The resembling plot is the most apparent tribute, of course, but director/co-writer Patrik Syversen expresses his respect and admirations for Tobe Hooper's horror landmark through a handful of minor details in particular, like for example the characters' similar minivan and the year in which the events supposedly take place, 1974, the release year of TCM. Setting the film in the early 70's has another great advantage, by the way, namely the elimination of some horrible clichés like the adolescent characters talking about their Facebook account the entire time and – most importantly – the elimination of the phrase: "I can't get a signal on my mobile phone!". Back then, girls also weren't as stupid as to go on a camping trip wearing make-up and stiletto heels, which makes it a lot easier for them to run from their assailants later on in the film. Anyways, so the year is 1974 and this quartet of youngsters – I deliberately refrain from calling them friends – are heading out to the middle of Norwegian nowhere to go camping. They pick up an extremely nervous female hitch-hiker at a roadside diner and this quickly turns out to be a very bad idea. Shortly after, they find themselves relentlessly pursued by a trio of seemingly motiveless but ultimately savage huntsmen. The biggest trump of "Manhunt" is undeniably the tense and ominous atmosphere. The film isn't just set in the year 1974; it often actually feels like you're watching a 70's flick, what with its raw cinematography and nihilistic tone. Another big trump here is the characterization of the villains. I usually prefer to know a bit about the bad guys' background and/or motivations, but the fact that they remain mysterious, vague and silent throughout the entire film here actually contributes to the gritty overall tone and disturbance level. We only know that they hunt down and set booby traps for human beings instead of animals and that they're unbelievably cruel. For example, they use barb wire to tie up their victims instead of regular rope and stab women in the back of their necks without hesitating. Needless to say "Manhunt" can be considered quite shocking and sick. I assume that the majority of the available budget went to the make-up department to buy blood and fake intestines. Money well spent, as the killing sequences are truly a horror fanatic's delight! The filming locations, acting performances and rough editing are also very suitable to the type of film the makers wanted to deliver.