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IMDbPro

Miracle at St. Anna

  • 2008
  • R
  • 2h 40min
PUNTUACIÓN EN IMDb
6,1/10
20 mil
TU PUNTUACIÓN
Miracle at St. Anna (2008)
This is the first theatrical trailer for Spike Lee's Miracle at St. Anna.
Reproducir trailer2:33
7 vídeos
56 imágenes
¿GuerraAcciónDramaDrama de épocaÉpica bélicaÉpico

Ambientada en la Italia de 1944, narra la historia de cuatro soldados negros estadounidenses atrapados en un pueblo toscano durante la Segunda Guerra Mundial.Ambientada en la Italia de 1944, narra la historia de cuatro soldados negros estadounidenses atrapados en un pueblo toscano durante la Segunda Guerra Mundial.Ambientada en la Italia de 1944, narra la historia de cuatro soldados negros estadounidenses atrapados en un pueblo toscano durante la Segunda Guerra Mundial.

  • Dirección
    • Spike Lee
  • Guión
    • James McBride
  • Reparto principal
    • Derek Luke
    • Michael Ealy
    • Laz Alonso
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,1/10
    20 mil
    TU PUNTUACIÓN
    • Dirección
      • Spike Lee
    • Guión
      • James McBride
    • Reparto principal
      • Derek Luke
      • Michael Ealy
      • Laz Alonso
    • 202Reseñas de usuarios
    • 140Reseñas de críticos
    • 37Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 1 premio y 10 nominaciones en total

    Vídeos7

    Miracle at St. Anna: Theatrical Trailer #1
    Trailer 2:33
    Miracle at St. Anna: Theatrical Trailer #1
    Miracle at St. Anna
    Clip 1:36
    Miracle at St. Anna
    Miracle at St. Anna
    Clip 1:36
    Miracle at St. Anna
    Miracle at St. Anna
    Clip 1:15
    Miracle at St. Anna
    Miracle At St. Anna: Moving Haystack
    Clip 1:00
    Miracle At St. Anna: Moving Haystack
    Miracle At St. Anna: We Will Not Come With You
    Clip 0:23
    Miracle At St. Anna: We Will Not Come With You
    Miracle At St. Anna: Miracles
    Clip 0:55
    Miracle At St. Anna: Miracles

    Imágenes56

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    Reparto principal99+

    Editar
    Derek Luke
    Derek Luke
    • 2nd Staff Sergeant Aubrey Stamps
    Michael Ealy
    Michael Ealy
    • Sergeant Bishop Cummings
    Laz Alonso
    Laz Alonso
    • Corporal Hector Negron
    Omar Benson Miller
    Omar Benson Miller
    • Private First Class Sam Train
    Pierfrancesco Favino
    Pierfrancesco Favino
    • Peppi 'The Great Butterfly' Grotta
    Valentina Cervi
    Valentina Cervi
    • Renata
    Matteo Sciabordi
    • Angelo Torancelli (The Boy)
    John Turturro
    John Turturro
    • Detective Antonio 'Tony' Ricci
    Joseph Gordon-Levitt
    Joseph Gordon-Levitt
    • Tim Boyle
    John Leguizamo
    John Leguizamo
    • Enrico
    Kerry Washington
    Kerry Washington
    • Zana Wilder
    D.B. Sweeney
    D.B. Sweeney
    • Colonel Driscoll
    Robert John Burke
    Robert John Burke
    • General Ned Almond
    Omari Hardwick
    Omari Hardwick
    • Platoon Commander Huggs
    Omero Antonutti
    Omero Antonutti
    • Ludovico
    Sergio Albelli
    Sergio Albelli
    • Rodolfo
    Lidia Biondi
    Lidia Biondi
    • Natalina
    • (as Lydia Biondi)
    Matteo Romoli
    • Gianni
    • Dirección
      • Spike Lee
    • Guión
      • James McBride
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios202

    6,119.5K
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    Reseñas destacadas

    5amornegro

    Not Happy

    As a black man who fully believes in black pride and progress, I must say I am truly disappointed with spike lee's new movie right now. I don't know where to begin in regards to expressing my disappointment but I will try. Considering how spike tries to come off as being very afro-centric, his portrayal of black characters was very insulting. There were so many typical blacks in film stereotypes in the movie that I just shook my head most of the time. For instance you had a black man with a gold tooth and stocking cap on, another that was enormous in size but brainless and country, and then to put the cherry on top the 2 guys are fighting over a white woman they met like 2 days ago and kept drooling over. Contrary to popular belief most of the white American soldiers didn't look like the actors in the movies made in the 50's and 60's. The actors looks were ploy to just associate good looks and chivalry with American soldiers in order to build moral for soldiers when they left and came home and to keep ppl interested in the movie. Another thing that really bothered me was that black films don't always need to be funny or trying to evoke laughter. This movie was suppose to be dramatic touching upon a serious subject and should have been directed in the same manner. Then the scoring of the movie was horrible. Even the little parts where he tries to show difference between African Americans and black puerto ricans was off and unnecessary. During that time those hispanics that were black or mulatto didn't try to act like there was a difference between the 2 other than language and maybe certain foods because they faced the same discriminations in PR, DR, and CUBA as in the US. These are just some of the issues I had with this movie. I think antoine faqua, who did training day and arthur, should have done this movie. I am just waiting now to see the mockery of hannibal that vin diesel does.
    8sheroman

    Almost excellent.

    I don't know why everyone here keeps telling that this movie is bad, because it's definitely rather good. Only thing to take out of plot was mas execution of civilians which I couldn't take and just pressed "skip the scene". From the very beginning, where troops advancing to enemy lines got under artillery and machine-gun fire dialogs are interesting and realistic, let alone so called hook from first minutes where black postman kills his customer for no apparent reason. It cost $45M to produce and true that commercially it has become a screw up but not everything revolves around money. I say it has no major faults in plot, definitely no more than any other picture does. And that story with Italian girl - Renata was her name, all is fair in love and war. Definitely worth seeing. Comparison to Save Private Ryan is not applicable.
    6Franchescanado

    Great Story, But Execution Could Have Been Better

    Let me begin by saying that this movie was okay. But it could have been way better.

    The story itself is great and kept me interested until the end, but it's execution could have been much better. Throughout the movie, some of the acting ranged from good to bad to downright lame. Jon Turturro's cameo as a detective was extremely disappointing, for instance. The acting picks up when the flashback begins, but every so often it rockets down.

    The battle scenes were, for lack of a better word, comical. They were over the top and stereotypical of any other war movie, complete with bodies being flung from explosions in an exaggerated fashion and people sobbing over amputated rubber limbs.

    The characters were all over the place on the sympathy scale. Stamps and Trey (or is it Train?) elicit plenty of sympathy, whereas Bishop and whatever the girl's name was only brought out anger from me.

    The worst part of the movie is the editing, though. Some of the battle scenes are choppy, and there are entire cuts to different scenes for split seconds that we could have done without (they serve no purpose whatsoever).

    My biggest problem was the stereotypical racism of the white characters in the movie. The only American white people in the movie are shown as black-hating jerks who's ignorance leads them to destruction.

    Overall, the movie was good. Not amazing, not great, definitely not a masterpiece, but it wasn't terrible or bad or crappy. It was a great story, but it could have been executed much better.

    6.5 Stars.
    4Nighthawk1

    Miracle at St. Anna fails to meet my lofty expectations

    I attended the world premier of Miracle at St. Anna at Toronto International Film Festival. Unfortunately as much as I respect Spike Lee as a filmmaker I thought the movie was a bit dull and kind of boring. At 166 minutes I found that the movie was overlong and dragged too much. I became restless after awhile as the movie progressed. The story didn't seem to go anywhere, was uninteresting and I had trouble connecting with it. It was hard to follow at times as well. The movie jumped all over the place at several points to different years in the history of the characters. I found this to be jarring and irritating. Spike Lee should have taken more time to edit his film because each of the scenes went longer than they should have. It's not the worst movie I have ever seen although it could have been better. My expectations were high. I came away somewhat disappointed.
    8af_xander

    From Another Perspective

    Length is a factor for this film, and it's not the normal action driven war film. I was lucky enough to attend the premier in NY and from the perspective of a Cadet at West Point, I would say that I respected this film BECAUSE it "jumped around." It showed all perspectives and that there were people with good intentions on all sides. The bad intentions were included as well, and though it doesn't grab you the entire time, it tells an interesting tale. Sadly, most people don't go to see a war film for this reasons, they all want Saving Private Ryan these days. But that's not what war is always about, and this film shows the other aspects. The black soldiers are each equally representative of varying perspectives that these men had. With a lot of duality also represented, this film leaves a lot to think about if you watch it with the right eye. It seems most people I've talked to have a problem with length and action, but if you don't pay so much attention to that and just enjoy it, you'll find a nice film that takes a different approach.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Samuel L. Jackson turned down the offer to play as Corporal Hector Negron to work on Protegidos por su enemigo (2008).
    • Pifias
      When the professor examines the marble head he recognizes it as the "Primavera" from Santa Trinità in Florence. He assumes it is by Bartolomeo Ammannati, but the bridge is by Ammannati; the sculpture is by Pietro Francavilla.
    • Citas

      Livingston: Safety is the greatest risk of all, because safety leaves no room for miracles and miracles are the only sure thing in life.

    • Conexiones
      Featured in Siskel & Ebert & the Movies: How To Lose Friends & Alienate People/Flash of Genius/Beverly Hills Chihuahua/Nick & Norah's Infinite Playlist/Rachel Getting Married (2008)
    • Banda sonora
      Faccetta Nera
      Written by Gustavo Cacini (as Cascini) / Giuseppe Micheli (as Micheli) / Vincenzo Raimondi / Arnaldo Stazzonelli (as Stazzonelli)

      Edizioni Bixio C.E.M.S.A.

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    Preguntas frecuentes

    • How long is Miracle at St. Anna?Con tecnología de Alexa
    • Is 'Miracle at St. Anna' based on a book?
    • How closely does the movie follow the book?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 26 de septiembre de 2008 (Estados Unidos)
    • Países de origen
      • Italia
      • Estados Unidos
    • Sitio oficial
      • Distributor's official website for private individuals
    • Idiomas
      • Inglés
      • Alemán
      • Italiano
    • Títulos en diferentes países
      • Untitled Spike Lee WWII Project
    • Localizaciones del rodaje
      • Roma, Lacio, Italia
    • Empresas productoras
      • Touchstone Pictures
      • 40 Acres & A Mule Filmworks
      • On My Own
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 45.000.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 7.919.117 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 3.477.996 US$
      • 28 sept 2008
    • Recaudación en todo el mundo
      • 9.333.654 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      2 horas 40 minutos
    • Color
      • Color
    • Mezcla de sonido
      • SDDS
      • DTS
      • Dolby Digital
    • Relación de aspecto
      • 2.39 : 1

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