CODA: Los sonidos del silencio

Greetings again from the darkness. Ruby Rossi is a high school student. She is also a CODA - Child of Deaf Adults. Her older brother is deaf too, meaning Ruby's life has been spent as an interpreter for her family, while also working on the family fishing boat in Gloucester, Massachusetts, where they are treated as outcasts and viewed as oddities by others. Ruby also loves to sing and listen to music, activities she can't share with her family. This is no coming-of-age tale, as Ruby has long been wise beyond her years. It is, however, a story of a young person finding their true self and breaking from the ties that bind to the only life she's known.

Emilia Jones (HIGH-RISE, 2015) stars as Ruby, and we first see her slinging fish on the boat with her father Frank (Troy Kutsor) and brother Leo (newcomer Daniel Durant). Ruby belts out songs while the two men handle their duties, unaware of the lovely melodies filling the air. At home, the dinner table conversation is handled through ASL (American Sign Language) with mom/wife Jackie (Oscar winner Marlee Matlin, CHILDREN OF A LESSER GOD, 1986) leading the way.

At school, Ruby is an outcast due to her clothes, the lingering aroma of fish, and her "weird" family. With a silent crush on Miles (Ferdio Walsh-Peelo from the excellent SING STREET, 2016), Ruby signs up for choir, but freezes during the audition. The choir director, Bernardo (roll the r's) Villalobos, is played energetically and colorfully by Eugenio Derbez (OVERBOARD, 2018), and he offers encouragement to Ruby - mostly because she has a beautiful singing voice. Bernardo explains how her singing voice offers a path to college, something she's never before considered due to family responsibilities.

There is a lot going on in this film from writer-director Sian Heder (TALLULAH, 2016). It's obviously adapted from the 2014 French film LA FAMILLE BELIER, and plays as a mainstream crowd-pleaser, when it just as easily could have been a deep cut indie film. Ms. Heder's approach means a larger viewing audience, though there are elements we wish had been further explored. The teen romance never really clicks, and there are hints that Bernardo's story holds more levels than we get. However, the Rossi family dynamics are quite something to behold. Father Frank wears his emotions on his sleeve. Sometimes those emotions are angry and bitter, while other times quite comical or even horny (for his wife). Brother Leo wants desperately to lead the family business towards prosperity. He has ideas for growth, but is frustrated being dependent on Ruby as a conduit to the community.

Mother Jackie and Ruby have a typical mother-teenage daughter relationship. The mother wants status quo where the daughter remains an integral part of the family, while the daughter wants her mom to acknowledge the dreams for a different life - one that capitalizes on her talents. When Jackie questions her daughter on her singing, she does so in the most hurtful way possible (brilliant writing). And yet, when mom recounts Ruby's birth, the love is as clear as the disconnect ... and likely to draw a tear or two. Filmmaker Hader serves up numerous strong scenes, but two really stood out for this viewer. First, when Ruby is singing on stage, we "hear" what the parents hear, and their pride is obvious. The second occurs when dad asks Ruby to sing for him as they are perched on the backend of the car. It's phenomenal acting by Kutsor, and further clarifies a lifelong father-daughter bond ... and the first time he fully comprehends her talent. All four leads give strong performances, and it's a star-making performance from Ms. Jones (think a young Saoirse Ronan).

Apple paid a record-breaking $25 million for the film's rights at Sundance, and the mainstream appeal of this family drama sprinkled with comedy and life messages is indisputable. So while my preference would have been more focus on the 'outsider' aspect of the Rossi family in the community, it's easy to see why this choice was made. It's an entertaining film that will likely land on many year-end "Best" lists. Maybe even mine.

Streaming on AppleTV+ on August 13, 2021.

I could complain about how they felt the need to adapt a French movie from years ago... but I am just happy that this story gets to be shared with more people. Lovely story, coming off age, family relations. The resulting movie is a great feat, showing people a world they are not familiar with.

There's nothing wrong with making a predictable and formulaic film, as long as you succeed in producing the emotion and reaction out of your audience. You can see where CODA is going, but it's so effective at what it does. There's a few laugh out loud moments (which I didn't expect) and the 3rd act is just as moving as films like Almost Famous and Sing Street, both movies with similar music/dream themes. There's something about those types of stories that appeal to me more than most people.

9.3/10.

This is a beautiful and heart warming film about a teenage girl in a marginalised family. I am very happy that someone made a film about the challenges of a marginalised and forgotten group.

Me and my brother grow up in a family with both of my parents deaf, both of us were born not deaf and we had to go through the same thing that the movie captured, people used to laugh at us and our parents and we were young and we couldn't even understand why we were treated differently.

The movie truly is a masterpiece with the acting specially the deaf acting and the way they described how deaf people live their life is very realistic.

CODA (Child of Deaf Adults) The story of Ruby, a child who grow up in a deaf family, they depended on her as she the only one who could speak, and when she found her passion about singing, she has to decide whether she continue helping her family or leave them for college.

It's enjoyable and different I highly recommend this movie.