John Wick descubre una forma de derrotar a la Alta Mesa. Pero antes de que pueda ganar su libertad, debe enfrentarse a un nuevo enemigo con poderosas alianzas en todo el mundo y fuerzas que ... Leer todoJohn Wick descubre una forma de derrotar a la Alta Mesa. Pero antes de que pueda ganar su libertad, debe enfrentarse a un nuevo enemigo con poderosas alianzas en todo el mundo y fuerzas que convierten a viejos amigos en enemigos.John Wick descubre una forma de derrotar a la Alta Mesa. Pero antes de que pueda ganar su libertad, debe enfrentarse a un nuevo enemigo con poderosas alianzas en todo el mundo y fuerzas que convierten a viejos amigos en enemigos.
- Dirección
- Guión
- Reparto principal
- Premios
- 38 premios y 51 nominaciones en total
Aimée Kwan
- Mia
- (as Aimee Kwan)
Julia Asuka Riedl
- Operator
- (as Asuka Riedl)
Milena Rendón
- Operator
- (as Milena Rendon)
Resumen
Reviewers say 'John Wick: Chapter 4' is lauded for its intense action, impressive stunts, and Keanu Reeves' performance. The film's high-octane action, stunning visuals, and expanded universe are highlighted. However, criticisms include its lengthy runtime, lack of plot development, and repetitive action scenes. Story inconsistencies and character motivations are also noted. Despite these issues, many find the film enjoyable for its thrilling action and engaging performances.
Reseñas destacadas
By now you know what to expect from a John Wick movie. I thought the franchise was losing a little momentum in chapter 3 so I was worried this could be disappointing. It's not. It's even more on steroids than any Wick before! Even close to 3 hours it doesn't feel to long which is very special for a action movie. This franchise has set new standards. If anybody says a movie is good like John Wick, it better f'n be! The set pieces as everyone mentioned before are really insane this time. The Tokyo sceney with illuminated cherry blossoms was beautiful. The only super illogical thing that bothered me was that nobody flinched at the nightclub, eventually they did but after a whole 10 minute beatdown through the whole club, but then again it's a shady nightclub for high table people. If you liked the first three movies, get your ass to the cinema. Yeah.
Previous movies had a better story with more dialogues to make it interesting. Just felt like the movie was running out of ideas for the story and dialogues. But the action scenes were amazing shooting & fight scenes were taken to another level. Filming one shooting scene from above to see what is going on the other side of the room was awesome and interesting.
Hopefully this will be a lesson for the producer, that people want dialogues aswell as action in movies. Not just Keanu saying sorry and you owe me... The dialogues were to few for today's audience to completely enjoy this movie. Story and dialogues are as important as action in a movie.
Hopefully this will be a lesson for the producer, that people want dialogues aswell as action in movies. Not just Keanu saying sorry and you owe me... The dialogues were to few for today's audience to completely enjoy this movie. Story and dialogues are as important as action in a movie.
If you enjoy watching other people play video games then you'll definitely enjoy this.
There's lots of action, weapons and style - all the things we've come to expect from a John Wick film.
Of course it's ridiculous - all of them are. The mere idea that you can deflect bullets with a jacket lapel gives you an indication of how far from reality this film is. Keanu Reeves sustains what would be critical injuries half a dozen times - and shakes it off without any ill effects.
With one exception, the amount of damage a character can sustain appears to be directly related to how important they are to the story. Most of the victims in the extensive gun battles (at one point it appears Keanu Reeves is single-handedly depopulating Paris) are gone after a couple of shots. If you have a speaking part then you can take much more damage than any of the extras.
The whole idea of the "secret assassin society" only works if you don't draw attention to yourself". So having a full blown Blackwater Contracting reunion at the Arc de Triumph isn't exactly the best way of keeping things on the down low.
Throw in a Mr Chow-esque (from the hangover) character and then deciding to make him blind really shows how silly things have got. Last time I checked, gunfighting requires you to be able to at least the person you want to shoot. That said, he is at least still more convincing than Ruby Rose was.
The first John Wick film was such a hit because the audience felt a connection with his loss and wanted him to be successful seeking revenge on what were some nasty (if ineffective) bad guys. At this point I'm not really sure what John Wick is supposed to be fighting for. He just lurches from one noir styled location to the next before embarking on an unrestrained killing spree, leaving dozens dead in his wake - you wonder if these people have families.
If you liked the second and/or third film, then you'll like this. It requires little to no thought and the plot is as by the numbers as you'd expect.
That said, the action, although resembling a video game, is very well shot, there's lots of cool locations and stylish outfits. Despite the tactical nonsense and the fact that the bad guys wait in line for their turn to attack him, Keanu Reeves has genuine skill in martial arts and pistol shooting.
It's as constructive a use of time as playing 3 hours of Call Of Duty in your best suit.
There's lots of action, weapons and style - all the things we've come to expect from a John Wick film.
Of course it's ridiculous - all of them are. The mere idea that you can deflect bullets with a jacket lapel gives you an indication of how far from reality this film is. Keanu Reeves sustains what would be critical injuries half a dozen times - and shakes it off without any ill effects.
With one exception, the amount of damage a character can sustain appears to be directly related to how important they are to the story. Most of the victims in the extensive gun battles (at one point it appears Keanu Reeves is single-handedly depopulating Paris) are gone after a couple of shots. If you have a speaking part then you can take much more damage than any of the extras.
The whole idea of the "secret assassin society" only works if you don't draw attention to yourself". So having a full blown Blackwater Contracting reunion at the Arc de Triumph isn't exactly the best way of keeping things on the down low.
Throw in a Mr Chow-esque (from the hangover) character and then deciding to make him blind really shows how silly things have got. Last time I checked, gunfighting requires you to be able to at least the person you want to shoot. That said, he is at least still more convincing than Ruby Rose was.
The first John Wick film was such a hit because the audience felt a connection with his loss and wanted him to be successful seeking revenge on what were some nasty (if ineffective) bad guys. At this point I'm not really sure what John Wick is supposed to be fighting for. He just lurches from one noir styled location to the next before embarking on an unrestrained killing spree, leaving dozens dead in his wake - you wonder if these people have families.
If you liked the second and/or third film, then you'll like this. It requires little to no thought and the plot is as by the numbers as you'd expect.
That said, the action, although resembling a video game, is very well shot, there's lots of cool locations and stylish outfits. Despite the tactical nonsense and the fact that the bad guys wait in line for their turn to attack him, Keanu Reeves has genuine skill in martial arts and pistol shooting.
It's as constructive a use of time as playing 3 hours of Call Of Duty in your best suit.
I'm gonna have to rewatch this one another day. But I found myself beginning to doze off repeatedly like an hour 1/2 into the movie. I can't quite put my finger on it. The villain was definitely boring, the story line and dialogues seemed a bit stretched out. The fight scenes and overall feel of them didn't quite do it for me like the first 3 movies did. I think there's gonna be mixed reviews on this one. I felt there were several plot holes. And I'm in limbo about how I feel about the ending. It seemed fitting but then also didn't...? Lol. Idk man I just think some lazy writing went into play on this one.
Stuntman turned writer/director Chad Stahelski struck gold with his 2014 surprise hit John Wick. It was somewhat of a comeback for the legendary Keanu Reeves and reinvigorated the action genre. Since then it's become THE action juggernaut franchise. Now we are on number 4 and while usually things get redone with that amount of sequels, this film innovates and thrills to new heights in an absolute epic.
One of the most surprising aspects of this particular entry, is the story being written as well as it is. Something that is hard to come by in the genre at times. Not saying the others in the franchise weren't but this is easily the best story diving deeper in the high table aspects as well as John Wick's true emotions . The rich characterization is also at its best with outstanding additions like Skaarsgard, and even more screen time for supporting greats like Fishburne to compliment the magnificent Reeves. RIP Lance Reddick. It's nice to have such substance amongst the endless high octane ballistic visuals.
Speaking of ballistic, this movie goes more all out than any I've seen for insanely well crafted choreographed shootout and fight scenes. Just when you thought you've seen it all, Stahelski/Reeves prove their action minds are ever evolving. These guys were born to make action movies together.
The extremely vibrant colors and plethora of locations is also a feast for the eyes. The sharp atmospheric imagery creates the ultimate backdrop for not only the action but also just the dialogue. The sound is also top notch and perfectly compliments the intensity. It's just an absolute sensory journey that you don't get in too many action films aside from the Wick genre.
Overall the limitless and outrageous action alone is nothing like we've seen before for the genre or just cinema in general . But also this rich unique story may only build Wick's timeless character for more films in the future which at this momentum will be welcomed.
One of the most surprising aspects of this particular entry, is the story being written as well as it is. Something that is hard to come by in the genre at times. Not saying the others in the franchise weren't but this is easily the best story diving deeper in the high table aspects as well as John Wick's true emotions . The rich characterization is also at its best with outstanding additions like Skaarsgard, and even more screen time for supporting greats like Fishburne to compliment the magnificent Reeves. RIP Lance Reddick. It's nice to have such substance amongst the endless high octane ballistic visuals.
Speaking of ballistic, this movie goes more all out than any I've seen for insanely well crafted choreographed shootout and fight scenes. Just when you thought you've seen it all, Stahelski/Reeves prove their action minds are ever evolving. These guys were born to make action movies together.
The extremely vibrant colors and plethora of locations is also a feast for the eyes. The sharp atmospheric imagery creates the ultimate backdrop for not only the action but also just the dialogue. The sound is also top notch and perfectly compliments the intensity. It's just an absolute sensory journey that you don't get in too many action films aside from the Wick genre.
Overall the limitless and outrageous action alone is nothing like we've seen before for the genre or just cinema in general . But also this rich unique story may only build Wick's timeless character for more films in the future which at this momentum will be welcomed.
Keanu Reeves and Cast Talk Getting Into Character
Keanu Reeves and Cast Talk Getting Into Character
Keanu Reeves and the John Wick: Chapter 4 stars break down the impact of wardrobe on character and weigh the meaning behind the multitude of monikers assigned to the franchise's infamous assassin.
¿Sabías que...?
- Curiosidades(at around 1h 45 mins) The Paris subway station where John Wick meets the Bowery King and Winston is "Porte des Lilas". It's often seen in films, as this particular station has a disused platform that's still kept fully functional, so it can be rented to filmmakers who wish to shoot in the Paris subway without having to disrupt regular traffic.
- Pifias(at around 2h) The Arc de Triomphe is missing the eternal flame which crowns France's Tomb of the Unknown Soldier. As its name suggests, it is never ever allowed to go out.
- Créditos adicionalesThere is a small scene after the credits have finished where you can see Caine on the way to his daughter encountering Akira.
- Versiones alternativasThe end title for the theatrical version shows "John Wick Baba Yaga" while in home media version shows "John Wick Chapter 4".
- ConexionesFeatured in WatchMojo: Top 10 Most Anticipated Franchises Returning in 2023 (2023)
- Banda sonoraNocturne No. 20 in C-Sharp Minor, Op. Posth.
Written by Frédéric Chopin
Arranged by Joel J. Richard
Performed by Lola Bates (as Lola Colette) and Mark Robertson
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- John Wick: Chapter 4
- Localizaciones del rodaje
- Wadi Rum Desert, Jordan(location)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 100.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 187.131.806 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 73.817.950 US$
- 26 mar 2023
- Recaudación en todo el mundo
- 447.142.521 US$
- Duración2 horas 49 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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