Penny Dreadful: City of Angels

This well-crafted series combines the Victorian penny dreadful storytelling tradition with Southern California's political, industrial, and culturally-rich history to create a unique horror-filled experience. The narratives spun here are decidedly American, and the connection to its British past may seem distant. But Magda's presence is a constant reminder of the relationship, and her presence becomes inextricably linked with Mexican-American traditions and folklore involving the spirit world.

As the murder investigation collides with the supernatural, it creates a clever forum that highlights the disturbing political attitudes and racial tensions of the time. But Magda's demonic exploitation of these social ills serves to magnify the weaknesses of a divided society. The fact that some of the dialogue sounds similar to contemporary rhetoric is equally as disturbing. It may not be as gothic as the original, but Penny Dreadful: City of Angels offers an entertaining and well-produced series that's worth tuning into.

If you came here looking for the grim, supernatural awesomeness of the original Penny Dreadful, then keep on moving. I don't know why this wasn't just sold as some 1950s gangster series. The cast is amazing, great visuals and acting, but there is almost nothing supernatural about this! Which was kind of the entire point of Penny Dreadful. Aside from some dramatic walk-ons in a gorgeous leather gown from Dormer, and some odd side characters she somehow also needs to play, the supernatural aspect is completely missing. There is SO much that could have been done with the story. Disappointed because I was a huge fan of the original PD!

Forget the Penny Dreadful title. This has nothing to do with Gothic Horror, London, or the bleak literary melancholia associated with the Penny Dreadful original 19th century publications.

This shows primary flaw is the naming. Consider it as "City of Angels" as a stand alone show by the same producers as Penny Dreadful, and it holds up.

An extensive list of interconnected characters makes for intricate plot lines and a palpable build of tension.

The casting is solid. Strong performances by Dormer, Bishe, Kinnear, and Lane cover the plot holes and occasionally disingenuous writing.

Take it as a an American period thriller and it holds up. As a Penny Dreadful title; it fails

What made the original "Penny Dreadful" series excellent was the basis of the "Penny Dreadful" tabloids that were written during that time. Many people are familiar with classic literary characters like Dr. Frankenstein and Dorian Gray. The original "Penny Dreadful" brought those and other characters into a new light by exploring their origin stories in the psychological thriller that took place in the dark corners of Victorian London.

This new series has fell lack luster in comparison. Although it is interesting in also being a period piece, the parallels end there. This series is more comparable with a less well written "American Gods." The characters are connected in a conflict between the Mexican folklore deity, Santa Muerte, the caretaker of the dead and guide to the great beyond, and her spiritual sister, the demoness Magda, who believes mankind is inherently evil and aims to prove her point.

There is one huge error with this series, using the name Penny Dreadful in the title drags in fans of the original show, this is nothing like, or has no relevance to the original, there is a supernatural aspect to what is otherwise a cop show set in 1930's LA, with a background of racism Nazi influence and social unrest, the story itself is decent but feels like a vehicle for Natalie Dormer's talent, but using a title from a much loved UK series, sets itself up for disappointment, and if you loved the original this will feel like a betrayal and a cashing in on a title.