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La chica de la aguja

Título original: Pigen med nålen
  • 2024
  • Unrated
  • 2h 3min
PUNTUACIÓN EN IMDb
7,5/10
16 mil
TU PUNTUACIÓN
POPULARIDAD
1681
280
La chica de la aguja (2024)
Ver Official Trailer
Reproducir trailer1:31
1 vídeo
99+ imágenes
¿CrimenDramaDrama de épocaHistoria

Unemployed and expectant, a young woman meets Dagmar who runs a secret adoption ring. Their bond deepens until a shocking revelation about Dagmar's work.Unemployed and expectant, a young woman meets Dagmar who runs a secret adoption ring. Their bond deepens until a shocking revelation about Dagmar's work.Unemployed and expectant, a young woman meets Dagmar who runs a secret adoption ring. Their bond deepens until a shocking revelation about Dagmar's work.

  • Dirección
    • Magnus von Horn
  • Guión
    • Magnus von Horn
    • Line Langebek Knudsen
  • Reparto principal
    • Vic Carmen Sonne
    • Trine Dyrholm
    • Besir Zeciri
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,5/10
    16 mil
    TU PUNTUACIÓN
    POPULARIDAD
    1681
    280
    • Dirección
      • Magnus von Horn
    • Guión
      • Magnus von Horn
      • Line Langebek Knudsen
    • Reparto principal
      • Vic Carmen Sonne
      • Trine Dyrholm
      • Besir Zeciri
    • 45Reseñas de usuarios
    • 101Reseñas de críticos
    • 82Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Nominado para 1 premio Óscar
      • 34 premios y 28 nominaciones en total

    Vídeos1

    Official Trailer
    Trailer 1:31
    Official Trailer

    Imágenes118

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    Reparto principal43

    Editar
    Vic Carmen Sonne
    Vic Carmen Sonne
    • Karoline
    Trine Dyrholm
    Trine Dyrholm
    • Dagmar
    Besir Zeciri
    Besir Zeciri
    • Peter
    Joachim Fjelstrup
    Joachim Fjelstrup
    • Jørgen
    Tessa Hoder
    Tessa Hoder
    • Frida
    Ava Knox Martin
    Ava Knox Martin
    • Erena
    Søren Sætter-Lassen
    Søren Sætter-Lassen
    • Ring Master
    Ari Alexander
    Ari Alexander
    • Svendsen
    Benedikte Hansen
    Benedikte Hansen
    • Jørgen's mother
    Thomas Kirk
    • Foreman
    Anna Tulestedt
    • Old landlady
    Per Thiim Thim
    Per Thiim Thim
    • Landlord Olaf Jensen
    Peter Secher Schmidt
    Peter Secher Schmidt
    • Prosecutor
    Cordelia Majgaard
    Cordelia Majgaard
    • Young Maid
    Tommy Wurtz Petersen
    • Foreman in Sugar Factury
    Liv Vilde Christensen
    • Girl with baby
    Lizzielou Corfixen
    • Frida's sister
    • (as Lizzielou Güldenløve Corfixen)
    Monika Kepka
    • Young Bath House Assistant
    • Dirección
      • Magnus von Horn
    • Guión
      • Magnus von Horn
      • Line Langebek Knudsen
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios45

    7,515.6K
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    Reseñas destacadas

    8h79423

    When you take out all the false nostalgia for the past

    It's the last days of The Great War and Karoline is barely eking out an existence working in a factory. She believes herself to be a widow as her husband disappeared during the war (even though Denmark didn't really participate), but is not getting the benefits for widows because he has not been listed as dead.

    A lot happens during the movie and I don't want to go into spoilers, so I won't go deeper into the plot except that the marketing is emphasizing something that is not as big a part in the movie as someone might expect.

    While that does get a lot of attention in the latter half of the movie, to me the real value of the movie is the feeling of reality around Karoline's story. When was the last time someone in a movie was trying to convince a potential tenant to take up an apartment by telling them that they can get running water for two whole hours a day (from ten to noon, which might not be much of a selling point as most people would be working during those hours)? When was the rampant drug use of the era portrayed so candidly? Even what Dagmar is doing was relatively commonplace back in the day, although I would hazard a guess the trend was downward at this point in time and it wasn't happening as much as it had before.

    I actually might have enjoyed the movie more if the marketing was different and Dagmar wasn't brought up, because it created expectations. While Dagmar is a major character, the movie is clearly about Karoline and her hardships. On the other hand, it is hard to say how I would have felt seeing the name Dagmar Overby on a door if I hadn't known beforehand that this real life person was used in the movie. (It should be noted that the movie is inspired by real life events rather than based on, so they are trying to maintain a certain distance to the real Dagmar).

    I do feel some part of the audience will find it hard to symphathize with Karoline, as she does sometimes seem to make the right decision just a little too late. At the same time, there isn't that much time or opportunity for ethics when you are just trying to survive in a world where the odds have been stacked against you. On the other hand, while we know the hope she is given would be for nothing in this world, we still understand why she gives into it.

    I like the look of the film. It's black and white and the whole city seems to be decrepit and barely holding up. It reminds us of the lack of interest in the well-being of or even disdain for the working poor. Have things really changed that much? The time being depicted happened over a century ago, but the concept of female bodily autonomy is under constant assault again.

    Of course, all art is in some way a mirror of the time it was made, but it just seems easier to see the similarities here.
    CinemaClown

    Silently Unnerving & Deeply Unsettling

    Nominated for Best International Feature Film at the upcoming Academy Awards, The Girl with the Needle is a silently unnerving & deeply unsettling psychological horror that takes elements from real-life events for its fictional narrative and expertly utilises its grim setting, bleak tone & harrowing revelations to deliver a shockingly brutal chiller that packs a powerful punch.

    Co-written & directed by Magnus von Horn, the film exhibits a cold, dark & uninviting look from its opening scene and takes its time to set things up. The period details are aptly taken care of and it does well to capture the post-war atmosphere too. The black n white cinematography is sharp, crisp & sumptuous, Editing steadily paces the plot, and the disturbing bits leave a mark.

    However, it's the performances that anchor this narrative and the actors responsibly play their roles. Vic Carmen Sonne leads with a gripping showcase in the eponymous role that keeps the viewers invested in the proceedings while Trine Dyrholm's character is effortlessly charming at first until the sinister truth about her is unveiled. The rest provide solid support but these ladies are the standouts.

    Overall, The Girl with the Needle is skilfully directed, exquisitely photographed & strongly acted from start to finish but the quiet pace at which it all unfolds can be bothersome for a select few. While there are sequences that don't add much to the central plot, they still portray the horrors left by war in its wake. Definitely amongst the better films of 2024, this Danish production is not for the easily distressed.
    7ehsancinematic

    Ethical Dilemmas and Hypnotic Visuals: A Stunning Dark Tale of Motherhood and Class Struggles

    This movie has some of the scariest scenes I've seen in any film this year, even compared to the best horror movies of 2024. The first act feels like a darker, more chilling version of Anora. It starts with themes of survival and desperation, as a working-class woman in post-WWI Copenhagen finds an opportunity to change her social class. But the story evolves into something much deeper, diving into ethical dilemmas around motherhood, sacrifice, and the difficult choices women face when their options are limited.

    And yet, there's even more to unpack in this stunningly shot, expertly crafted period drama. It's about moral ambiguity, isolation, loneliness, societal stigmas, female agency, power dynamics, and the lingering impact of war. The only thing holding it back for me is how heavy-handed it gets with the subject of abortion, especially in the final speech, which felt a bit out of place.

    It hit me hard with bricks of sadness and empathy for the main character, thanks to Vic Carmen Sonne's incredible performance as the lead. Every other actor is equally impressive. The black-and-white cinematography is breathtaking, the music is hypnotic, and the overall production is top-notch. With all its dark and heavy themes, this movie is an absolute blast to watch. Highly recommended!
    8saolivaresm

    It is sinister, heartbreaking and disturbing in any era

    Swedish director Magnus von Horn demonstrates his mastery when it comes to creating a disturbing and controversial film that is even more impactful because it is based on real events.

    It's engaging, but it will also turn off quite a few.

    With its more than deserved nomination for best international film, this Danish film that takes us to post-war Denmark hides a disturbing story accompanied by a direction without caution by Magnus von Horn , who in each shot, in each frame and in each decision takes us towards a sinister door from which it is difficult to recover once we understand the whole path hidden in this wonderful script. With a black and white staging that accentuates much more the dark side of a humanity that does not know of time, but of evil, which is magnified by some secondary characters that surround our protagonist in the most bizarre and distressing that one can appreciate.

    It's a movie that, if you accept the challenge, will grab you and make you live a corrupted experience with a brutal story that leaves nothing to be desired but to question how timeless a story like this can be, but if you're not willing to take on that challenge, it's a movie that will make you have a bad time every time.

    A protagonist who provides a light.

    Victoria Carmen Sonne's performance is the key to keeping us determined to follow this story. The actress takes all the recognition in her interpretation of a character who has suffered, beaten down and forgotten in every sense. A character that captivates you and despite all the evil that surrounds her, it is a sigh of light that the Danish actress delivers on screen. We can also add a supporting character like Trine Dyrholm who also steals all her moments with a sinister character who really manages to cause fear between the bizarreness of her behavior and her madness.

    Mature cinema.

    A mature film that is not afraid to be controversial in form and content and that, with a direction that follows the same path, leaves the feeling that it is a film that has a lot to tell and a lot to exploit in terms of its reception by the viewer. Its director consolidates himself as a director of weight and daring, which makes it more interesting than it already was.

    Conclusion.

    One of the best international films of the year, without a doubt, Danish cinema once again demonstrates the narrative strength it has and a director who once again positions his name as one to always follow. A sinister proposal that leaves you disturbed when you discover its twists and its real intentions, a film for the brave.
    8pinkmanboy

    Piercing Realities

    "The Girl with the Needle" doesn't ask for permission to make you uncomfortable. It barges in with a heavy, suffocating atmosphere, dragging out a cruel reality that, despite being set in the early 20th century, feels eerily relevant today. Magnus von Horn directs with surgical precision, avoiding cheap sentimentality but still maintaining a deeply human perspective on his protagonists. The result is an intense drama that carries the weight of the world in every frame-making it almost impossible to forget.

    Focusing the story on Karoline, played with raw vulnerability by Vic Carmen Sonne, is one of the film's smartest choices. Instead of zooming in directly on the infamous serial killer Dagmar Overbye, who terrorized Denmark in the aftermath of World War I, the movie follows the journey of this young woman who, with no options left, is pushed into an abyss of despair. Karoline is the embodiment of a brutal reality-a society that turns its back on poor women, judges without offering alternatives, and turns victims into accomplices in their own tragedies. Sonne delivers a hypnotic performance, full of nuances, letting her hopelessness seep through small gestures and silences that say more than any dialogue ever could.

    Von Horn builds the film with a heavy, claustrophobic visual style. Michael Dymek's cinematography is hauntingly beautiful, with a color palette that reinforces the oppressive atmosphere. Cold tones and heavy shadows dominate the screen, creating a constant sense of danger even in the most mundane scenes. The feeling of suffocation is relentless, with the camera often framing Karoline in ways that emphasize her vulnerability-whether in cramped rooms or the dark streets of a city that seems completely indifferent to her existence. The soundtrack is another key element in shaping this mood. The experimental sound design, filled with unsettling noises and an eerie electronic score that echoes Karoline's racing heartbeat, never lets the audience feel at ease.

    The film's pacing is deliberately slow, almost as if it wants to trap the audience in Karoline's despair. Scenes unfold gradually, making sure that every bad decision, every door slammed in her face, is felt with full impact. The introduction of Dagmar Overbye, played with an overwhelming presence by Trine Dyrholm, adds an extra layer of tension. Dyrholm's Dagmar is cold but never cartoonish. She doesn't need dramatic outbursts to convey the threat she poses. It's a restrained performance that creeps up on you, slowly revealing a figure that's almost hypnotic in her quiet cruelty. The film doesn't try to humanize her to the point of excusing her crimes, but it does suggest that the social conditions of the time were the perfect breeding ground for people like her-and that suggestion is what makes it all the more unsettling.

    That said, "The Girl with the Needle" is not an easy watch. Its relentless atmosphere can be exhausting, and the complete lack of breathing room amidst so much misery makes the experience almost unbearable at times. Von Horn offers no relief, not even in small doses, which might alienate viewers looking for some kind of catharsis or hope. But maybe that's the whole point-there's no room for romanticizing when the central theme is the systematic abandonment of vulnerable women. The film's brutality doesn't just lie in Dagmar's actions but in its depiction of a society that willingly ignores the problems it creates.

    There's something deeply unsettling about the way the film works with its visual metaphors. The images of disfigured faces, the play of light and shadow distorting Karoline's expression as her situation worsens-it all builds a sense that, in some way, every character is scarred, physically or emotionally, by the cruelty of life. The war scars of Jorgen (Joachim Fjelstrup), the lover who abandons her, serve as a literal reflection of the invisible wounds carried by women like Karoline.

    In the end, "The Girl with the Needle" is not an easy film to digest, but it's precisely this harshness that makes it so powerful. It's a work that fearlessly dives into the dark, unsettling depths of its story-no compromises, no redemptive endings. Von Horn delivers a film that disturbs and provokes, forcing the audience to confront uncomfortable truths about inequality, abandonment, and the never-ending vulnerability of women in extreme poverty. A film that, much like the needle in the title, pierces through the skin and keeps throbbing long after it's over.

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    Argumento

    Editar

    ¿Sabías que...?

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    • Curiosidades
      Official submission of Denmark for the 'Best International Feature Film' category of the 97th Academy Awards in 2025.
    • Citas

      Karoline: I'm fine.

      Dagmar: You don't stick a needle in yourself if you're fine.

    • Conexiones
      Featured in 82nd Golden Globe Awards (2025)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 21 de marzo de 2025 (España)
    • Países de origen
      • Dinamarca
      • Polonia
      • Suecia
      • Francia
      • Bélgica
    • Idioma
      • Danés
    • Títulos en diferentes países
      • La noia de l'agulla
    • Localizaciones del rodaje
      • Klodzko, Dolnoslaskie, Polonia
    • Empresas productoras
      • Nordisk Film Production
      • Creative Alliance
      • Lava Films
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en Estados Unidos y Canadá
      • 112.199 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 15.284 US$
      • 8 dic 2024
    • Recaudación en todo el mundo
      • 531.110 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      2 horas 3 minutos
    • Color
      • Black and White
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.44 : 1

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