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IMDbPro

Il divo

  • 2008
  • 13
  • 1h 50min
PUNTUACIÓN EN IMDb
7,2/10
20 mil
TU PUNTUACIÓN
Il divo (2008)
The story of Italian Prime Minister Giulio Andreotti, who has been elected to Parliament seven times since is was established in 1946.
Reproducir trailer1:22
1 vídeo
40 imágenes
BiographyDrama

La historia del político italiano Giulio Andreotti, quién fue primer ministro siete veces desde la restauración de la democracia en Italia en 1946.La historia del político italiano Giulio Andreotti, quién fue primer ministro siete veces desde la restauración de la democracia en Italia en 1946.La historia del político italiano Giulio Andreotti, quién fue primer ministro siete veces desde la restauración de la democracia en Italia en 1946.

  • Dirección
    • Paolo Sorrentino
  • Guión
    • Paolo Sorrentino
  • Reparto principal
    • Toni Servillo
    • Anna Bonaiuto
    • Giulio Bosetti
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,2/10
    20 mil
    TU PUNTUACIÓN
    • Dirección
      • Paolo Sorrentino
    • Guión
      • Paolo Sorrentino
    • Reparto principal
      • Toni Servillo
      • Anna Bonaiuto
      • Giulio Bosetti
    • 56Reseñas de usuarios
    • 133Reseñas de críticos
    • 81Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Nominado para 1 premio Óscar
      • 32 premios y 40 nominaciones en total

    Vídeos1

    Il Divo
    Trailer 1:22
    Il Divo

    Imágenes40

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    + 34
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    Reparto principal93

    Editar
    Toni Servillo
    Toni Servillo
    • Giulio Andreotti
    Anna Bonaiuto
    Anna Bonaiuto
    • Livia Danese
    Giulio Bosetti
    • Eugenio Scalfari
    Flavio Bucci
    Flavio Bucci
    • Franco Evangelisti
    Carlo Buccirosso
    Carlo Buccirosso
    • Paolo Cirino Pomicino
    Giorgio Colangeli
    Giorgio Colangeli
    • Salvo Lima
    Alberto Cracco
    Alberto Cracco
    • Don Mario
    Piera Degli Esposti
    Piera Degli Esposti
    • Signora Enea
    Lorenzo Gioielli
    • Mino Pecorelli
    Paolo Graziosi
    Paolo Graziosi
    • Aldo Moro
    Gianfelice Imparato
    Gianfelice Imparato
    • Vincenzo Scotti
    Massimo Popolizio
    Massimo Popolizio
    • Vittorio Sbardella
    Aldo Ralli
    • Giuseppe Ciarrapico
    Giovanni Vettorazzo
    • Magistrato Scarpinato
    Orazio Alba
    • Gaspare Mutolo
    Fernando Altieri
    • Oscar Luigi Scalfaro
    Stewart Arnold
    Stewart Arnold
    • Larry Schoenbach
    Nuot Arquint
    Nuot Arquint
    • Killer Lima
    • Dirección
      • Paolo Sorrentino
    • Guión
      • Paolo Sorrentino
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios56

    7,219.8K
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    Reseñas destacadas

    7SnoopyStyle

    Italian politics

    Giulio Andreotti is the seven times Prime Minister of Italy leading the ruling Christian Democracy Party. In 1978, The Red Brigades kidnaps his rival former Prime Minister Aldo Moro. Andreotti refuses to negotiate and Moro is killed. Over the next 15 years, various people are mysteriously killed. In 1991, he's named Senator for Life. In 1992, he resigns as Prime Minister. His bid for the Presidency fails and he goes on trial for corruption with the Mafia.

    I have one problem with this movie and it's a big one. I feel like I did a PhD on Italian politics watching this movie. The first half is nearly impossible to follow for someone like me who knows nothing about Italy during this time. It's a lot of style but I couldn't understand the substance. There are a lot of deaths but I don't know the significance of some of them. The second half is more compelling with the criminal trial. It becomes a character study and Andreotti is an intriguing character. I'm sure this movie is much more compelling for people with a background in Italian politics during this time. A lot of this is going over my head.
    8JoshuaDysart

    Stunning

    I've heard several American viewers complain that this film is all style over substance. I couldn't disagree more.

    I think that if a viewer is familiar with Italian Political History then this film comes off as absolutely breathtaking, and not just for its amazing filmic style. For one, the performances and interpretations of these real characters are spot on and for another the intelligence and courage to which the script approaches the ethical implications of Il Divo's actions, the breadth of moral exploration, how he defends himself to himself, to others and, often, directly to the viewer, is a welcomed shock and dose of complexity to the often polemic and overly-reductive discourse in Italian politics (not much different than here in the States in that regard). Lastly, for Italians, these events resonate incredibly and speak very much to the current power base in Italy. I truly feel that a lot of Americans are watching this film with cultural blinders on.

    I won't lie, it is definitely designed for people that already have a strong grasp of the history. It doesn't weigh itself down with long explanations and exposition (except in text at the beginning and end of the film) so if you're coming to this to learn every sordid detail about its subject, or for a plot, even, then you might not find much reward in it. But as an exercise in unpacking a very complicated subject with real style, it's amazing!
    8ntulini-1

    Great portrait

    This movie puts on screen what all Italians know since decades: directly or indirectly Andreotti is behind all major events happened in Italy in the last 45 years. This is what we know, as we all knew that virtually all politicians at all level were (and are) robbing the public funds and make private deals with business men.

    The movie shows exactly this: we know it but we do not have the evidences.

    Sorrentino tries to bridge this gap by putting together a lot of informations that make a pretty clear scenario, but without evidences. The result is a portrait of a divinity: you know that is there, you know that everything happens because of his will, but on earth everything happens by chance so that the fact that Andreotti is the mastermind of everything becomes a matter of divine faith.

    The strength of the movie rests on the capacity to describe a personality that is so powerful that does not need to speak, does not need to go on TV, he is able to make things happen in a way that only Andreotti knows. Andreotti is above the politics, above the Church, above finance, above mafia, he is depicted as a power that stands on its own, someone who uses all the different leverages to rule.

    Andreotti got it away with his trials and only Andreotti knows how. For a man of his power, it was the least you could expect.

    At the end, Italians have to acknowledge that in the 20th century Italy was ruled by the King (shortly), Mussolini and Andreotti. But if you remember the Glossary shown at the beginning of the movie, through the Loggia P2, Sorrentino suggests that Berlusconi could be the person in charge to continue the job. Whether this is the will of Andreotti or not is a matter of faith.
    8Jeannieg

    Beautiful but perhaps incomprehensible in translation

    This is a film of two parts - something which a previous comment didn't really make clear - we see the events of Italy during Andreotti's reign in the first half from Andreoti's point of view: then in the second half we see the same events again from (depending on your perspective) either a more dispassionate or a more disparaging observation.

    As a bit of cinema it is brilliant (one or two IMO rather silly unslick bits of special FX, just ignore them!) but altogether not to be missed. I doubt that it will translate well, and even for a seasoned appassionato of Italian politics the introduction of characters using (clever) superimposed text was flawed by the overshort screen time which these important notes were allowed.
    paul2001sw-1

    The Prime Minister in his Labyrinth

    Giulio Andreotti can be seen as both the precursor to, and the antithesis of, Silvio Belusconi: an Italian politician with his fingers on every lever that led to power, accused of everything but convicted of nothing, and yet peculiarly devoid of conventional charisma. A sense of a particularity, of a man who had become nothing beyond a carefully constructed defence of his own behaviour, was nicely captured in Tim Parks' fictional work 'Destiny'; and we get the same feeling in 'Il Divo', a biopic with an extraordinary performance Toni Sevillo by in the lead role. What neither offer is definitive, or even speculative, resolution of the enigma and his actions; just a chilling yet plausible portrait of the man. Yet without providing clear answers, something else must provide the story. In Parks' book, Andreotti was a bit part; in the film, there's no other narrative, and sometimes the direction feels a little too heavy, overdone perhaps because there isn't a smooth tale holding things together. And the music on the soundtrack seems deliberately incongruous, thrown into the mix to provide some variation in tone that would otherwise have been lacking. But Servillo's performance more than compensates; it will lead you wanting the same answers, one suspects, that everyone has wanted from Andreotti for a long long time.

    Más del estilo

    Las consecuencias del amor
    7,5
    Las consecuencias del amor
    El amigo de la familia
    7,1
    El amigo de la familia
    Un hombre de más
    7,1
    Un hombre de más
    Silvio (y los otros)
    6,7
    Silvio (y los otros)
    La gran belleza
    7,7
    La gran belleza
    Fue la mano de Dios
    7,3
    Fue la mano de Dios
    Un lugar donde quedarse (This Must Be the Place)
    6,7
    Un lugar donde quedarse (This Must Be the Place)
    Silvio (y los otros)
    6,7
    Silvio (y los otros)
    Silvio (y los otros)
    7,0
    Silvio (y los otros)
    L'angelo bianco
    6,5
    L'angelo bianco
    La juventud
    7,3
    La juventud
    Los cien pasos
    7,5
    Los cien pasos

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      The first cut of the movie was 145-minute long.
    • Citas

      Giulio Andreotti: I know I am an average man but looking around I do not see any giant.

    • Créditos adicionales
      End credits features the following dedication: "per Daniela, che mi ha salvato" ("for Daniela, who saved me"). Daniela D'Antonio is Paolo Sorrentino's wife.
    • Conexiones
      Featured in The 82nd Annual Academy Awards (2010)
    • Banda sonora
      La prima cosa bella
      Written by Mogol, Gian Piero Reverberi and Nicola Di Bari

      Performed by Ricchi e Poveri

      Published by Universal Music Publishing Ricordi S.r.l.

      Courtesy of EMi Music Italy S.p.a.

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    Preguntas frecuentes18

    • How long is Il Divo?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 12 de diciembre de 2008 (España)
    • Países de origen
      • Italia
      • Francia
    • Idiomas
      • Italiano
      • Inglés
    • Títulos en diferentes países
      • Il Divo
    • Localizaciones del rodaje
      • Via del Corso, Roma, Lacio, Italia(graffiti on the wall)
    • Empresas productoras
      • Indigo Film
      • Lucky Red
      • Parco Film
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 5.700.000 € (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 240.159 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 13.867 US$
      • 26 abr 2009
    • Recaudación en todo el mundo
      • 11.260.366 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 50 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.35 : 1

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