PUNTUACIÓN EN IMDb
5,8/10
167 mil
TU PUNTUACIÓN
Después de la muerte de su padre, Britt Reid, heredera de su gran compañía, se une al último asistente de su padre, Kato, para luchar contra el crimen como equipo de enmascarados.Después de la muerte de su padre, Britt Reid, heredera de su gran compañía, se une al último asistente de su padre, Kato, para luchar contra el crimen como equipo de enmascarados.Después de la muerte de su padre, Britt Reid, heredera de su gran compañía, se une al último asistente de su padre, Kato, para luchar contra el crimen como equipo de enmascarados.
- Dirección
- Guión
- Reparto principal
- Premios
- 4 premios y 7 nominaciones en total
Chad L. Coleman
- Chili
- (as Chad Coleman)
Joshua Erenberg
- Young Britt
- (as Joshua Chandler Erenberg)
Lio Tipton
- Ana Lee
- (as Analeigh Tipton)
Reseñas destacadas
The Green Hornet is a very old hero character, dating back to radio dramas in the 30's, playing alongside The Shadow, Buck Rogers, and The Lone Ranger. (In fact, the Green Hornet was a spin off of The Lone Ranger... The Lone Ranger was the Green Hornet's grand-uncle, in the radio world.) Like his contemporaries he appeared in other media, including television. The television series, which featured 1/2 hour segments, starred Bruce Lee as Kato, and was his boost into celebrity. The great Bruce Lee martial arts movies might never have happened if it weren't for his gig on the Green Hornet.
The Green Hornet may have also been Bob Kane's inspiration for Batman in 1939. There are many similarities, which need not be listed here.
But alas, this feature film remake is a dull take on this old character, which deserved better treatment. I don't know exactly how Seth Rogen (who played Britt Reid and who has a writing credit) got a hold of it, but it's as though someone behind the scenes mistook the Green Hornet for a farce comedy like Get Smart and then failed to even make it funny.
The dialog had no horsepower at all, and while there were a few funny moments, after a while I got aggravated at the desperate attempts to make me laugh. Sometimes it seemed like the actors were derailed, trying to improvise, and it wasn't working.
There were two cool things about the TV series. 1) Kato, because he kicks butt. They got lucky, because Bruce Lee really was one-of-a-kind. 2) Black Beauty, their armed car that flips up from the garage floor and has guns built into it. While both of these aspects remained pretty cool in this movie, they were also elevated a little too far into the realm of fantasy. And it didn't need to be that way.
Not a good offering by director Michel Gondry, who gave us the brilliant and original Eternal Sunshine of the Spotless Mind years ago, and it may mean that he's one of those directors who cannot improve -- or does not see improvements in -- a script. He therefore shines when he gets a great script and fails when he gets a bad one. Tim Burton falls into that category.
The movie villain was played by Christoph Waltz, whose character was no less dumb than Seth Rogen's. A bad choice for an actor who just won an Oscar for his brilliant role as Hans Landa in Inglourious Basterds. What was his agent thinking? In all fairness, Waltz and his agent couldn't have known beforehand that The Green Hornet was going to be a sloppy script, and a sloppy execution. The super-hero wave is a big one at the movies these days, with one hit after the other, but they fail to remember other sloppy remakes of old radio heroes, such as The Shadow in 1994 starring Alec Baldwin, and The Legend of the Lone Ranger in in 1981 starring Klinton Spilsbury (who??).
The Green Hornet should have been a much more serious period movie set in the 30's about a man who is inspired to fight the mob in the fashion that his grand-uncle did as the Lone Ranger years earlier. That would have led to a serious Lone Ranger tie-in (a prequel as it were). Missed opportunities.
Save your $8, this movie isn't worth it.
The Green Hornet may have also been Bob Kane's inspiration for Batman in 1939. There are many similarities, which need not be listed here.
But alas, this feature film remake is a dull take on this old character, which deserved better treatment. I don't know exactly how Seth Rogen (who played Britt Reid and who has a writing credit) got a hold of it, but it's as though someone behind the scenes mistook the Green Hornet for a farce comedy like Get Smart and then failed to even make it funny.
The dialog had no horsepower at all, and while there were a few funny moments, after a while I got aggravated at the desperate attempts to make me laugh. Sometimes it seemed like the actors were derailed, trying to improvise, and it wasn't working.
There were two cool things about the TV series. 1) Kato, because he kicks butt. They got lucky, because Bruce Lee really was one-of-a-kind. 2) Black Beauty, their armed car that flips up from the garage floor and has guns built into it. While both of these aspects remained pretty cool in this movie, they were also elevated a little too far into the realm of fantasy. And it didn't need to be that way.
Not a good offering by director Michel Gondry, who gave us the brilliant and original Eternal Sunshine of the Spotless Mind years ago, and it may mean that he's one of those directors who cannot improve -- or does not see improvements in -- a script. He therefore shines when he gets a great script and fails when he gets a bad one. Tim Burton falls into that category.
The movie villain was played by Christoph Waltz, whose character was no less dumb than Seth Rogen's. A bad choice for an actor who just won an Oscar for his brilliant role as Hans Landa in Inglourious Basterds. What was his agent thinking? In all fairness, Waltz and his agent couldn't have known beforehand that The Green Hornet was going to be a sloppy script, and a sloppy execution. The super-hero wave is a big one at the movies these days, with one hit after the other, but they fail to remember other sloppy remakes of old radio heroes, such as The Shadow in 1994 starring Alec Baldwin, and The Legend of the Lone Ranger in in 1981 starring Klinton Spilsbury (who??).
The Green Hornet should have been a much more serious period movie set in the 30's about a man who is inspired to fight the mob in the fashion that his grand-uncle did as the Lone Ranger years earlier. That would have led to a serious Lone Ranger tie-in (a prequel as it were). Missed opportunities.
Save your $8, this movie isn't worth it.
Ever since I heard about "The Green Hornet", I expected a bad movie. It didn't seem like it would work...boy was I wrong. I saw a screening of this recently, and walked in with zero expectations, and walked out having laughed throughout the movie and REALLY enjoyed the action and chemistry between Rogen and Jay Chou. Seth Rogen and Evan Goldberg did a fantastic job crafting this script, which could have been truly horrible, into a fun ride.
The true star of the movie is Jay Chou, aka Kato. His accent was sometimes hard to interpret, but he was surprisingly funny, and Kato-vision (time slows when his heart starts pumping during fights) turned out pretty cool in 3-D.
Thank goodness Nic Cage walked away from this, and Christoph Waltz came in as the bad guy, because Christoph inhabited the role better than Nic could have. I enjoy Nic Cage, but he wouldn't of worked in this movie, and with that character. Nic Cage would have been too over the top, where as Christoph went a subtle route.
The movie isn't perfect, I didn't feel Cameron Diaz added anything to the movie expect being "the hot girl" to create a rift between guys, but if you're looking for a pure escapist fun ride, then look no further than "The Green Hornet."
The true star of the movie is Jay Chou, aka Kato. His accent was sometimes hard to interpret, but he was surprisingly funny, and Kato-vision (time slows when his heart starts pumping during fights) turned out pretty cool in 3-D.
Thank goodness Nic Cage walked away from this, and Christoph Waltz came in as the bad guy, because Christoph inhabited the role better than Nic could have. I enjoy Nic Cage, but he wouldn't of worked in this movie, and with that character. Nic Cage would have been too over the top, where as Christoph went a subtle route.
The movie isn't perfect, I didn't feel Cameron Diaz added anything to the movie expect being "the hot girl" to create a rift between guys, but if you're looking for a pure escapist fun ride, then look no further than "The Green Hornet."
If you don't know what to expect and you haven't even seen the trailer than i believe you are going to have great fun. The movie is not a classic main stream super hero movie but a very nice parody making fun of the way super hero movies are made, emphasizing on their blank spots. Do not expect a meaningless script like "super hero movie". Green Hornet has its own storyline that is consistent, but the characters and situations are hilarious. I haven't laughed so much for a long time, which makes the movie a success judging by the result. I believe it is a great way to spent an evening if you want to relax and watch an easy entertaining movie.
This is a below average superhero movie where Seth Rogan and Jay Chou star in the movie update to the classic TV series starring Van Williams and Bruce Lee as the masked crime fighting team.
As with any superhero movie, there are plenty of fight scenes and alter-ego suspense. The special effects were quite good and the story is average, nothing too exciting or impressing about it. Jay Chou made a pretty good Kato with his serious and die hard attitude and his skillful martial arts moves. Seth Rogan made an awful Green Hornet - obnoxious, loud, annoying and unsympathetic. His gruff, raspy and incredibly irritating voice made me glad that Kato delivered him several good punches. Cameron Diaz looked like she was thrown in for good measure.
When you end up rooting against the lead superhero, there's really not much enjoyment in this movie.
Grade D-
As with any superhero movie, there are plenty of fight scenes and alter-ego suspense. The special effects were quite good and the story is average, nothing too exciting or impressing about it. Jay Chou made a pretty good Kato with his serious and die hard attitude and his skillful martial arts moves. Seth Rogan made an awful Green Hornet - obnoxious, loud, annoying and unsympathetic. His gruff, raspy and incredibly irritating voice made me glad that Kato delivered him several good punches. Cameron Diaz looked like she was thrown in for good measure.
When you end up rooting against the lead superhero, there's really not much enjoyment in this movie.
Grade D-
"So this is what you want out of your life? This gives you sense of fulfillment? I spend all night, writing about the corruption in this town, and you do nothing." Jack Reid (Tom Wilkinson) to his son, Britt (Green Hornet Seth Rogen) The Green Hornet is unlike most other comic-book-hero film adaptation: Seth Rogen's slacker Hornet is a dipstick without a clue about navigating the crime world while Kato ( pop star Jay Chou), his valet/associate, pretty much plays the Bruce Lee/kung-fu role as cool, even when he's goofing with the Hornet, which is most of the time. It is also a bromance with Cameron Diaz as Lenore Case, a love interest who helps us get over the homoerotic subtext.
Geeks know the Green Hornet franchise well: radio show from 1936 to 1952; TV show in 1966 by the producers of the campy Batman TV series, while Green Hornet's greatest asset was emerging martial arts star Bruce Lee. Writers Rogen and Evan Goldberg renew that 60's camp but with it seeming out of date, as if the parodic part of the genre cycle had long ago been played out and not welcome anymore. Of course, you could argue that Despicable Me, Kick Ass, Megamind, and Iron Man 2 last year took to parody, but each one of those is more successful at marrying the satire to the action than Green Hornet.
The personality of the film is split—it's either satire or action, Hornet or Kato. The film is a bit away from the accepted concepts of this sub-genre except in Chudnofsky (Christoph Waltz), the arch villain whose ironic reactions are an adept amalgam of menace and insouciance.
As he did in Inglorious Basterds, Waltz commands the screen with his charming menace. Actually he is equaled in the opening sequence, the best scene of the movie, when he faces off James Franco in a cameo, two hoods pissing about their territory. Franco is quite good as a semi-clueless drug lord.
Britt has daddy issues, specifically making something of his life while newspaper owner dad. Jack Reid (Tom Wilkinson), is a hero to the city. With dad's death, Britt decides to fight crime as the Green Hornet while letting everyone think he is a criminal (as in the original versions).
The gadgets are Bond-worthy, and Kato has the Bruce Lee charisma; it's just Rogen who seems out of place—not believable as a hero from beginning to end of the film. He can be amusing as a man-kid, but the geeks will never accept him as their hero.
The Green Hornet has lost its buzz.
Geeks know the Green Hornet franchise well: radio show from 1936 to 1952; TV show in 1966 by the producers of the campy Batman TV series, while Green Hornet's greatest asset was emerging martial arts star Bruce Lee. Writers Rogen and Evan Goldberg renew that 60's camp but with it seeming out of date, as if the parodic part of the genre cycle had long ago been played out and not welcome anymore. Of course, you could argue that Despicable Me, Kick Ass, Megamind, and Iron Man 2 last year took to parody, but each one of those is more successful at marrying the satire to the action than Green Hornet.
The personality of the film is split—it's either satire or action, Hornet or Kato. The film is a bit away from the accepted concepts of this sub-genre except in Chudnofsky (Christoph Waltz), the arch villain whose ironic reactions are an adept amalgam of menace and insouciance.
As he did in Inglorious Basterds, Waltz commands the screen with his charming menace. Actually he is equaled in the opening sequence, the best scene of the movie, when he faces off James Franco in a cameo, two hoods pissing about their territory. Franco is quite good as a semi-clueless drug lord.
Britt has daddy issues, specifically making something of his life while newspaper owner dad. Jack Reid (Tom Wilkinson), is a hero to the city. With dad's death, Britt decides to fight crime as the Green Hornet while letting everyone think he is a criminal (as in the original versions).
The gadgets are Bond-worthy, and Kato has the Bruce Lee charisma; it's just Rogen who seems out of place—not believable as a hero from beginning to end of the film. He can be amusing as a man-kid, but the geeks will never accept him as their hero.
The Green Hornet has lost its buzz.
¿Sabías que...?
- CuriosidadesSeth Rogen proclaimed the film was a "nightmare", chalking it up to studio executives paying little attention to the most expensive portions of the film, and its inflated budget.
- PifiasWhen Britt and Kato arrive back at the Reid mansion right before their brawl through Britt's rooms, it is night. But during the fight, daylight can be seen through a window.
- Citas
Britt Reid: Kato, I want you to take my hand, and I want you to come with me on this adventure.
Kato: I go with you, but I don't want to touch you.
- Créditos adicionalesThe light coming from the torch is green, instead of its usual combination of rainbow, twinkling colors. This green quickly dominates the screen after the appearance of the word "Columbia" and flares to a white hot burning image mixed with the green.
- Versiones alternativasAlso released in a 3D version.
- ConexionesEdited into Aristokraticheskiy kinematograf: Episodio #1.4 (2011)
- Banda sonoraMaalaea
Written by Carlton Kaller and Christopher Kaller (as Chris Kaller)
Performed by Christopher Kaller (as Chris Kaller)
Courtesy of 45 Revolutions LTD.
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- El avispón verde
- Localizaciones del rodaje
- 2000 Avenue of the Stars, Century City, Los Ángeles, California, Estados Unidos(Daily Sentinel Building)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 120.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 98.780.042 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 33.526.876 US$
- 16 ene 2011
- Recaudación en todo el mundo
- 227.817.248 US$
- Duración1 hora 59 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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