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Camas deshechas

Título original: Unmade Beds
  • 2009
  • 1h 37min
PUNTUACIÓN EN IMDb
6,4/10
2,6 mil
TU PUNTUACIÓN
Camas deshechas (2009)
Two young immigrants' paths cross while squatting in London in this trailer for the drama
Reproducir trailer2:23
1 vídeo
8 imágenes
ComediaDrama

Añade un argumento en tu idiomaThe quirky story of Vera and Axl who both live in the same London warehouse but whose paths never cross until fate steps in.The quirky story of Vera and Axl who both live in the same London warehouse but whose paths never cross until fate steps in.The quirky story of Vera and Axl who both live in the same London warehouse but whose paths never cross until fate steps in.

  • Dirección
    • Alexis Dos Santos
  • Guión
    • Alexis Dos Santos
    • Marianela Maldonado
  • Reparto principal
    • Déborah François
    • Fernando Tielve
    • Michiel Huisman
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,4/10
    2,6 mil
    TU PUNTUACIÓN
    • Dirección
      • Alexis Dos Santos
    • Guión
      • Alexis Dos Santos
      • Marianela Maldonado
    • Reparto principal
      • Déborah François
      • Fernando Tielve
      • Michiel Huisman
    • 15Reseñas de usuarios
    • 47Reseñas de críticos
    • 66Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 2 premios y 2 nominaciones en total

    Vídeos1

    Unmade Beds
    Trailer 2:23
    Unmade Beds

    Imágenes7

    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    + 3
    Ver cartel

    Reparto principal36

    Editar
    Déborah François
    Déborah François
    • Vera
    Fernando Tielve
    Fernando Tielve
    • Axl
    Michiel Huisman
    Michiel Huisman
    • X Ray Man
    Iddo Goldberg
    Iddo Goldberg
    • Mike
    Richard Lintern
    Richard Lintern
    • Anthony Hemmings
    Katia Winter
    Katia Winter
    • Hannah
    Alexis Dos Santos
    • Alejo
    Lucy Tillett
    • Lucy
    Al Weaver
    Al Weaver
    • Kevin
    Leonardo Brzezicki
    Leonardo Brzezicki
    • Lucas
    Sinead Dosset
    • Alice
    Tim Plester
    Tim Plester
    • Bookshop customer
    Florencia Braier
    • Girl with Spectacles
    Yannis Tsitsovits
    • Young Man in the Pub
    Johnny Lambe
    • Boy in Underwear
    Valentina Brazzini
    • Girl in Underwear
    Sotiris Panopoulos
    • Guitar Player
    • (as Sotiris 'Sitron' Panopoulos)
    Daniel Smith
    • Young Axl
    • Dirección
      • Alexis Dos Santos
    • Guión
      • Alexis Dos Santos
      • Marianela Maldonado
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios15

    6,42.6K
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    10

    Reseñas destacadas

    5johnnyboyz

    Very few of us would've lost much sleep had the film itself remained Unmade; Dos Santos' meandering, adventurous piece failing to nail several issues in a fluctuating effort.

    I suppose you might say if Unmade Beds is more resemblant of anything, then it is of a final year student's concluding major piece at the back end of their filmmaking course; the moment when everything they've learnt, picked up and observed along the way to now formulates together to create something to take away with themselves post-graduation. The piece as a whole teeters on a brink separating that reaction you have when you admire the energy and motivation that has gone into producing such a film with just coming away from it somewhat infuriated at its flaws and cheap tricks. Take the instance in which one of the more dopier, or at least dopier sounding, supporting characters brings to our awareness the duality he believes he shares with another young man whom he's taken in for the duration of the film: he establishes a sharing sense of duel-existence more broadly linked to that of not really being able to make that move across a proverbial line, and commit oneself to dealing with a problem - and that either of their respective problems reflect one another's. "Don't jump until you're able to jump" the supporting act says; moments as such, apart from the fact very rarely is there any link or connection at all if the characters within the piece must verbally illustrate that there is, places the film out on a line knowing full well there will be those that'll scoff at such items or might actually be drawn into appreciation.

    The film follows two differing people on separate strands, frizzy haired Axl (Tielve) is one of them; a Spaniard from Madrid (where else in Spain?) whom has arrived in a more down-trodden part of London (where else in England?) in order to seek out his father who left both he and his mother when he was an infant. Meanwhile, Belgian (what, not French?) young-adult Vera (François) is already based in said city and goes from day to day seeking out new male partners whilst seemingly trying to battle past-mental illness. Whilst depicting these two people and their stories; the early exchanges are punchuated by these voice-overs, the sorts of voice-overs in which the mouths of the artists have been barely centimetres away at the time of recording and of which carry these terribly hushed, self-aware, throaty and self-important tones.

    Axl's arrival sees him fall in with a spaced out crowd, the sort of sub-culture that, and due to my own prejudices, I usually zone out of fairly quickly when depicted on film. The people, headed up by native Londoner Mike (Goldberg), are a droopy, drippy, hippie lot; the sorts of people whom smoke drugs, have spaced out conversations, get drunk, have cereal for lunch and attend nightclubs playing host to the sorts of bands whose members usually have hair down to their shoulders and play that biting variety of 'bad' music which isn't quite rock but isn't really pop although just seems to be embedded within the lives of people aged between 19 and 25. On the other strand is Vera, a book shop worker more preoccupied, it seems, with talking male customers out of purchasing books, thus supposedly hinting early on at respective elements of power she has over men. In short, we do not like Vera and we do not come to like her; an early sequence back at the humble surroundings she calls home seeing her move Polaroid pictures of particular men from her wall before boxing them up, labelling them and shelving them with many other boxes of such an ilk thus suggesting a track record of such activity. Her latest in anonymous lays, whom she targets and gets to know before bedding them, comes in the form of a gentleman her age whom works at the airport's security branch on the X-ray machine, and is played by Dutch actor Michiel Huisman.

    Her psychological condition of effectively bedding these anonymous men and storing records of such actions, in what appears a cocktail of nymphomania and OCD, is made only more glaring later on when she speaks of her once-childhood tendencies to branch out into schizophrenia; dialogue of which sees her speak of a one-time imaginary boyfriend hinting at that very item. There is no broader study of any greater substantial ilk to do with mental illness, nor, far more alarmingly, is there enough of a sense of there being a substantial enough demonisation of the actions Vera engages in to warrant any sort of praise; specifically in regards to that of anonymous sex, something which needs to be addressed with the utmost care on screen if it is indeed to be explored at all. On occasion, the film's over exuberance to shoot the scenes of a sexual nature in a very loving, highly eroticised manner has it veer perilously close to that of mere pornography without ever coming close to tackling the crux of its matters.

    The film's bravery or sensations of more majestic ilk that it is, in fact, about more than first appears rings false; the item of Vera and Axl being foreign is a misdemeanour: it is irrelevant and exists purely to have the film come across as something depicting something else with greater competence. One's mind darts back to 2005's Brick Lane as a film actually depicting life as a London-based immigrant in a complete and thorough fashion, Axl and Vera here might just as well be British. Unmade Beds is a wily effort, ambitious in its tone and general look as it depicts people rummaging through the lower echelons of a big city attempting to find a collative peace with one's self and life situation; but it is all too nettlesome and all too galling all too often to truly get behind without sort of wanting to wish all of those involved the best of luck with future projects.
    5SnoopyStyle

    hazy heady days

    Spanish Axl arrives in London looking for his biological father. He finds a mattress to sleep on in a rundown building. He works for Mike in lieu of rent. He uncovers his father's identity as real estate agent family-man Anthony Hemmings and pretends to be a client looking for a flat. Vera is closed off in love and works in a bookstore. She and Axl live and party in and around the same area.

    It's disjointed and disconnected. It does have the sense of the hazy, heady days of youth. It's very rambling. I'm more interested in Axl than Vera. There is an intriguing mood for an indie but the story fades in and out. I would like for Axl's story to continue and find a compelling natural ending somehow.
    jm10701

    Much better than I first thought

    I hated Unmade Beds at first because I did not recognize it. I have revised this review so many times already that I hope IMDb will allow just one more. I think I can get it right at last.

    At first, this seemed like a bleak and depressing picture of young people: of random, meaningless sex, total aimlessness in life, and grating, obnoxious music. They seemed more old and worn-out than young, more dead than alive, and it made me very sad.

    But then suddenly I saw that they are exactly like me when I was their age, and if this movie had been made in the East Village of New York City in 1967 instead of London more than 40 years later, I could easily have been in it; and not one word, not one scene, not the tiniest detail would have to change. This is EXACTLY what life was like then.

    The life it shows looks bleak and pointless to older generations (that's me now), but under the surface it is a life of unbelievable, matchless discovery and productivity. At the time I seemed just as lost as the kids in this movie do, but I look back on the late 1960s as the most glorious time in the history of the world, a time of unprecedented beauty, change and innovation. I trust that the generation depicted so accurately in Unmade Beds will feel the same about their own youth 40 years from now.

    I especially recommend this movie to old farts like me who hate it at first: that may be because it hits closer to home than you expected it to. Let it get under your skin and see what happens.
    10Its1917hrs

    Sincere piece of cinema: Moving, light & best soundtrack ever.

    This movie makes me happy. Because the director didn't cave for a crowd pleaser nor a nonsensical festival piece. Intriguing, gentle, wonderful visuals, fantastic dialogue, kick ass soundtrack. The director accomplished to make a moving work that's light, floats but touches. It perfectly leads its naive endearing lead characters through a place and moment where everybody is in transit without being overly explanatory. Tielve & Francois are adorable, Huisman and Goldberg are no less than excellent. The soundtrack might not be your thing maybe but it completely matches the scene it is set in and has some great tracks. It sure is mine and i thought it to be grand. If you liked the movie Cashback you'll love this one too and the other way around:)
    3rubenm

    Boring and pretentious

    I went to see this film because it was described as being "young and fresh". Afterwards, I can only say it is boring and pretentious. There is no story to speak of, no dialogue apart from some vague conversations, no character development, no point.

    There is, on the other hand, a lot of loud music by bands I don't know (but are undoubtedly very hip), there are a lot of images of young people uttering would-be philosophical wisecracks, and there is a lot of partying, drinking and smoking going on.

    This could be a sort of nouvelle vague-ish, real life document about young people and the way they live, but I'm afraid it utterly fails. Or maybe I'm too old for this sort of film.

    There is one plus: wonderful Belgian actress Déborah François.

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Pifias
      When Vera goes to the cellar the camera follows her. At one point one door (saloon type) slams onto the camera, showing a bright flash.
    • Citas

      Vera: What are you thinking about? You always hated when I asked that question. It's a tricky question you used to say. That it's an illusion to pretend that we can bridge the gap between your thoughts and mine. For you, every person is like a planet and two different planets can never become one. Two people together will always be: one plus one. I preferred to think of us as bubbles, because when they touch, they merge into one another like when two people make love. But now I know what you meant. Two people together will always be one plus one.

    • Banda sonora
      FUCK ME
      Written and Performed by Mary and the Boy

      Courtesy of Mary Tsoni and Alexander Voulgaris

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    Preguntas frecuentes

    • How long is Unmade Beds?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 1 de diciembre de 2009 (España)
    • País de origen
      • Reino Unido
    • Sitios oficiales
      • Facebook
      • Official site
    • Idiomas
      • Inglés
      • Francés
      • Español
      • Italiano
    • Títulos en diferentes países
      • Unmade Beds
    • Empresas productoras
      • The Bureau
      • Film4
      • UK Film Council
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en todo el mundo
      • 180.144 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 37 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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