Otis

Since the turn of the century, it has become very popular in horror movies to randomly inflict excruciating pains on people that are generally innocent and didn't deserve all the agony. Movie franchises like "Saw", "Hostel" and all of their knock-offs made us very familiar with the term Torture Porn and the nowadays younger fans of the genre don't get upset anymore at the sight of sadist devices that cut off toes or poke out eyeballs. Of course, when a 'new' gimmick in films turns out to be successful, it immediately gets exploited beyond normal proportions. It has even come thus far that themes like torture, child abduction and blood vengeance are processed together into a horror … comedy! Yes, "Otis" is primarily intended as a comedy, but personally I still prefer to see it more as a horror flick with some light-headed elements. It's a surprisingly good HORROR film, with a couple of imaginative gore sequences and interesting characters, whereas the comedy aspects are rather lame and derivative, like obnoxious authority figures and character mix-ups. Otis Broth is an obese and pathetic pizza delivery boy; pushing forty and still under the strict supervision of his older brother who regularly comes over to insult and beat him. But Otis loves to escape into his very own perverted and psychopathic fantasy world, where he is the hunky quarterback of the high-school football team and eagerly anticipates to attend the school prom with his sexy sweetheart Kim. But his "Kim" doesn't exist, so Otis abducts pretty blond girls that he spots during his pizza rounds and subjects them to humiliating ordeals until they play along. When the foxy Riley Lawson manages to escape his dungeon, her family prefers to extract their own justice rather than to let the uncooperative FBI handle the case. "Otis" has a good pace, highly enjoyable horror moments, great performances from a terrific not-so-obvious cast and … a downright phenomenal soundtrack! Anyone interested in classic rock and/or pop songs from Talking Heads, Quiet Riot and Blue Oyster Cult? As said, the comical situations aren't very noteworthy – even though Jere Burns depicts a delightfully slimy FBI agent – but the plot is solid and well- elaborated. The torture set pieces are often gross, but realized with splendid make-up effects. Recommended!

Otis, released in 2008, is a darkly comedic horror movie that delivers a unique and twisted take on the traditional slasher genre. Directed by Tony Krantz, this movie offers a fresh and unexpected approach to the typical horror movie formula.

At the heart of Otis is a standout performance by Bostin Christopher, who portrays the titular character with a perfect blend of creepiness and dark humor. Christopher's portrayal of Otis, a socially awkward and disturbed man, is both chilling and strangely compelling, making him a memorable and unconventional antagonist.

The movie cleverly subverts audience expectations by infusing elements of black comedy into its horror narrative. The dark humor adds an unexpected layer of depth to the story, creating moments that are as unsettling as they are funny. This unique blend of genres sets Otis apart from other horror movies and keeps viewers engaged throughout.

In addition to its strong performances, Otis features well-executed suspense and tension-building sequences that keep the audience on edge. The movie's pacing is tight, with a series of escalating events culminating in a thrilling and satisfying conclusion.

Overall, Otis is a hidden gem in the horror genre, offering a fresh and twisted take on the slasher movie formula. With its standout performances, dark humor, and effective blend of horror and comedy, this movie is sure to leave a lasting impression on viewers looking for something different in the world of horror movies.

I enjoyed this movie greatly. There were times I wanted to cringe and laugh at the same time. A humorous and disturbing look at kidnapping, torture, murder and the family. All overlapping at various part of the movie. Don't expect the movie to make great leaps and bounds in plot and you will enjoy it. If you like some laughs with your gruesome visuals, you just might find this movie fun. Many of the actors you will know and appreciate from other works. All turn in a solid and fun performance. All want to play their part in the movie. They all seem to be having fun along the way. I saw the UN-cut version and it is not for the squeamish. Nothing like "Saw", but pretty graphic. What really sets this movie apart is the antics surrounding the production of gore on screen. Think "The Three Stooges meet Jason" and you might have an idea of what is going on in this little bloody, funny gem of a movie.

Saw this Friday at the local film festival and LOVED it. First half plays ALMOST like your standard horror fare; second half is like Home Alone with power tools: raunchy, painful, funny as hell. Without the strong performances of Illeana Douglas, Daniel Stern, Kevin Pollack and Bostin Christopher, the film wouldn't work half as well. Douglas is consistently amazing, a character actress who makes her every role believable. As she transitions from suburban mom to vigilante, she never makes one turn or expression out of place: her morph is both understandable and natural.

The film leaves a few ends untied: we never quite learn what exactly happened between Otis and his brother, but we're given enough back story to guess the rest. We also never see the original "Kim." Which would've helped people better understand the obsession.

Somehow, though, as everything is coming apart - it all comes together. Audiences in both festival showings loved this movie! I hope it gets distribution before Warner releases it to DVD this summer.

Otis Broth loves pizza, Froot Loops and Kim. And Kim. And Kim. Multiple times now he has tried to make a girl love him by chaining her up in his basement and calling her Kim. His latest victim, Riley Lawson (played by Ashley Johnson, perhaps best remembered from "Growing Pains" or "What Women Want") isn't ready to die like the others. And her family doesn't trust the police, preferring to take matters into their own hands.

I keep seeing the quotation comparing "Otis" to "Juno" and I don't know what to make of that. I really liked "Juno" and I really liked "Otis". But I don't know that they have all that much in common. The tone is completely different, the humor is different, Otis doesn't talk like he lives next door to Pacey Witter or Josephine Potter. I would love to know the reasoning behind this claim, as it seems a bit of a stretch. I see it as a darkly humorous take on other horror films -- but "Juno"? "Otis" has a rocking soundtrack (best of the 1970s), a dark humor that many will not appreciate, and takes on horror motifs of today. Want a girl imprisoned in a basement (like Jack Ketchum's "Girl Next Door")? Want torture ("Saw")? You'll get it, but without all the rape and gore. All of the torture takes place off-screen. Or, at least, almost all of it. Your imagination might leave you feeling grossed out, but the film doesn't cross the boundary. How do you balance rape, torture and humor? I don't know, but the makers of this film came as close as anyone probably ever will.

The actors were great. Bostin Christopher (Otis) couldn't have been cast better. Ashley Johnson (Riley) is both sexy and yet girl-next-doorish, alternating one scene to the next. Daniel Stern (Mr. Lawson) is a welcome addition, although one wonders where all the extra weight and gray hair came from. Are you getting older, Stern? Has Kevin McAllister worn you down? It's understandable.

The special features on the disc are decent. The obligatory audio commentary appears, which I'm always a big fan of. There's an alternate ending (which is even more grim than the standard finish, though not as satisfying). And there's an "Otis Broth Joint" (thanks, Spike Lee) called "Suite 16" that seems ready-made for placing on YouTube as a promotion, but is worth at least one watch (it's short).

Of the horror movies I've seen this year -- and it's quickly approaching 100 -- this ranks in the top three, alongside Ryan Harper's "Circulation" and Ryan Nicholson's "Gutterballs". If you see only one horror film this summer, I suggest "Otis". Warner Brothers and Raw Feed make a compelling case that horror can be fresh and new no matter how stale the genre seems to be getting with each passing day. How this skipped theaters and went straight-to-video is a modern mystery.