Rusalka

I only saw fifteen films at the Sundance Film Festival this year, but this one was my favorite film. The music was fantastic and maintained a level of intrigue and surrealism that produced a sense of mythic reality and impending urgency. Anastasiya Dontsova was phenomenal as Young Alisa and Mariya Shalayeva, who played Alisa from ages 17-18 years old, was spellbinding. The many closeups of her anxious face were a delight to the beholder. Although the pacing was a little slow at times, the story moved forward with a sense of inevitability that I imagine reflects the current circumstance in Russia today. It's always wonderful to see great films still coming out of the former Soviet Union.

Different movies would make a big buff out of you. Especially when they come from other countries. I've always had a craving for Russian films, with Mermaid, it can be perfect for people with big imaginations. Here you have a girl name Alice(Masha Shalayeva) who went through childhood going through different stages of life. When she was a young girl, she wanted to be a ballerina. That fell through because of her mother's indecisiveness. Whenever she had a man who wasn't her father, she would set fire to the place she lived. Going through silent stages, she makes everyone think she has a handicap. By the time she was older, she got through some things by chance, especially when one student dies in a freak accident. Then there was the time she left the house, and jumped in a saved him from drowning. After that, she fell in love with him, not knowing he was already taken. She saw the action between him and his girl, she said the same thing, only without causing arson. Alice made changes in her appearance and she still uses her imagination to fulfill her dreams. She may have the imagination, but her determination makes her relentless to the world. This movie makes some sense, and it gives some meaning throughout. I enjoyed it very much. I owe it all to Sundance. 5 Stars!

In the center of the plot there's a girl who can use magic realism to transform her life and the life of people living around her. But this is just as far as I can get with the comparison to The Fabulous World of Amélie Poulain. Because then comes the best.

In this movie you will face not only the benefits of this power but above all the desperation in it. The alienation in it. And the violence in it.

Turns out to be something much closer to real life, and real dreams and frustrations. It's not sweet, it's just big. Deserves to be watched for sure.

Perhaps 'twee' is to Russian films what 'quirky' is to American. Either way it's a sickly confection that demands nothing from its audience other than it checks its brain at the door. One of the most narcissistically irritating heroines since the repulsive Amelie is able to do stuff for some reason. That the role is played by such an unappealing actress doesn't much help but it could have been Hepburn and it wouldn't have survived the director's insistent 'look at me' style and the archness that sucks out whatever life there might have been in the story leaving behind nothing but pretty-pretty photography.

This story was much better done in the 50s in Giraudoux's play Undine which, in fact, introduced Audrey Hepburn in the West End.

For whatever reason, Americans rarely are treated to Russian films, which is probably a great loss... certainly seems so after seeing the film "Mermaid." With a quirky story line and a very compelling opening sequence (great graphics!), it's a combination of incredible acting by the two actresses who play the lead character at different ages as well as the supporting cast and creative directing that make this worth watching. Not wanting to give anything away, I'll just say that my family enjoyed this film very much - but nothing prepared us for the ending. Highly recommend. (I reserved one star because I would have liked to see some creative cinematography of the Russian countryside; nevertheless, seeing Moscow up close in film is a treat.)