Una epopeya basada en el mito de Jumong, fundador del antiguo reino coreano de Goguryeo en el 37 a.C.Una epopeya basada en el mito de Jumong, fundador del antiguo reino coreano de Goguryeo en el 37 a.C.Una epopeya basada en el mito de Jumong, fundador del antiguo reino coreano de Goguryeo en el 37 a.C.
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- 5 premios y 7 nominaciones en total
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My kids go to a dual language program (Spanish English) plus we speak a third language at home. So naturally they are comfortable with movies that are in foreign language.
My son (8) developed his reading from this series (by being forced to reading the subtitles) no doubt and it is really nice to expose them to a different ethos and not the Hollywood formula crap. We are still on the 16th episode, so quite a few more to go.
The complex plot and the ambiguous morality at times is really challenging. The main actor a little weak I agree but maybe "he" will grow into it as well
My son (8) developed his reading from this series (by being forced to reading the subtitles) no doubt and it is really nice to expose them to a different ethos and not the Hollywood formula crap. We are still on the 16th episode, so quite a few more to go.
The complex plot and the ambiguous morality at times is really challenging. The main actor a little weak I agree but maybe "he" will grow into it as well
As The title character, Song Il Goo is okay. But didn't make a great impression on me. Someone else compared him to Errol Flynn. I'm sorry I can't agree with that. I couldn't see any charisma in the actor at all. He was adequate, but that's really about it. But Luckily he is surrounded by a great cast. The best were probably Hu Joon Ho as Hae Mo Su, Oh Yun Soo as Lady Yoo Hwa, Jun Kwang Ryul as King Geum Wa (although I din't know what the laughing was about) and the guy who played the prime minister. But most of the cast were fine. I liked Han Hye Jin as So Seo No, Kim Seung Soo as Prince Dae So, and others too. At first I liked Bae Soo Bin as Sayong, and even thought he might have better in the title role. But on reflection , it was a rather one note performance. I did like the gay relationship though. The costumes were magnificent. The battle scenes were the best I've seen in a Korean costume drama. Although it was only from around ep 50 or so, that I thought that, or began to realise it. I'm not sure about the jumping around. If it's for a purpose fine. But some of the time, it seemed to be just for showing off. Some great horse riding scenes. Interesting to read from another review (same personwho mentioned Flynn,) on that aspect of the series. The costumes were absolutely magnificent. That was probably where most of the budget went.
I am a mess! My mind and heart are all torn up! It took almost 13 days and 81 episodes to finish and I didn't want it to end! This 18-year-old epic drama is THE best I've seen and I've seen many of the top saeguks! The writing, the costumes, the details of each faction of war (the making of steel swords, iron armors, bomblets, fireballs, catapults, etc)...all in amazing color and splendor! Character development was important and the director took his time in developing ALL of the lead and supporting characters. I was enthralled at each one- including some man-to-man attraction (unnecessary to me). The fight scenes and battles were superbly filmed and choreographed. The friendships and bromances were funny yet valiant in nature.
Actor Song Ilgook as JUMONG was all-macho in his demeanor and yet vulnerable at heart. He wore those armors and kingly wardrobe best I've seen on any of the kings I've seen. I only wish he held or hugged or even kissed his women. No such luck. There was strength and clarity in his acting and can't wait to see some more of his other series. Actress Han Hye Jin was gorgeous throughout and portrayed a very strong Soseono. The "three musketeers" were my favorite people: Yeo Ho Min (Oi), Ahn Jung Hoon (MaRi) and Im Dae Ho (Hyop Bo) actors who portrayed true loyalty and love yet amazing martial arts! Veteran actor Lee Kye In (Chief Blacksmith) made me laugh and cry with superb acting chops...pathetic, loveable, warm and cried SO well! The King, the evil Prince and his flighty brother, the true father and warrior Hae Mo Soo, the bitchy Han daughter, the sweet Mother and wife of JUMONG, ...where does one end? Everyone was terrific!
I cannot say much more. THANK YOU, VIKI and Kocowa for presenting this jewel after 18 years. I hope many, many more people see this!
Actor Song Ilgook as JUMONG was all-macho in his demeanor and yet vulnerable at heart. He wore those armors and kingly wardrobe best I've seen on any of the kings I've seen. I only wish he held or hugged or even kissed his women. No such luck. There was strength and clarity in his acting and can't wait to see some more of his other series. Actress Han Hye Jin was gorgeous throughout and portrayed a very strong Soseono. The "three musketeers" were my favorite people: Yeo Ho Min (Oi), Ahn Jung Hoon (MaRi) and Im Dae Ho (Hyop Bo) actors who portrayed true loyalty and love yet amazing martial arts! Veteran actor Lee Kye In (Chief Blacksmith) made me laugh and cry with superb acting chops...pathetic, loveable, warm and cried SO well! The King, the evil Prince and his flighty brother, the true father and warrior Hae Mo Soo, the bitchy Han daughter, the sweet Mother and wife of JUMONG, ...where does one end? Everyone was terrific!
I cannot say much more. THANK YOU, VIKI and Kocowa for presenting this jewel after 18 years. I hope many, many more people see this!
10ebossert
At no point in my lifetime have I felt so sentimental after viewing a television series. Yes, "Dae Jang Geum" (aka "A Jewel In the Palace") (2003) was magnificent, but "Jumong" (2006) is so overwhelmingly awesome on every possible level that it actually exceeds "Dae Jang Geum" in a number of ways. At this very moment I feel as if I've just completed a long journey with my closest friends, but now must say goodbye and move on. I kid you not, I feel hopelessly melancholy, because "Jumong" is an exceptional television series that has burrowed its way into my heart. This is special.
The scriptwriting is no less than phenomenal. There are multiple interests at play (royal family members, merchants, sorceresses, other kingdoms, tribes, etc.), and it's interesting to see them strategize and plot against one another. One of the most enjoyable aspects of this series are the strategy meetings that saturate each and every episode. Each character has his/her close confidants and meets with them regularly to discuss specific tactics to gain an advantage against their rivals, which makes for a seemingly non-stop display of cloak-and-dagger scheming. I personally find these exchanges exhilarating because they rely on intelligence and unorthodox (outside the box) thinking. There's a high emphasis on political coersion, unorthodox alliances, and subtle shifts in power from key events. The dialogue is great, crafting a number of exciting, clever exchanges between the players. Fantastic stuff! The obstacles are also very practical and interesting: discovering a sufficient salt supply, creating steel weaponry, obtaining national independence from hostile, more powerful kingdoms, etc. In addition, these conflicts help to accentuate an emotional resonance due to the large number of episodes dedicated to properly develop each obstacle and their climactic conclusions.
It's difficult for movies and television series to establish even a few memorable characters. "Jumong" has no less than 20. No, that is no overstatement, because 81 episodes (over a full hour each) allows for characters to be given heaping amounts of development that makes them multi-dimensional (even fallen comrades from the earlier episodes are never forgotten). Near the beginning it's somewhat easy to distinguish the "good guys" from the "bad guys", but as the series progresses it adds dimensions that ultimately result in haphazard classifications between "protagonists" and "antagonists." Some of the "good guys" will do "bad things" while some of the "bad guys" will do "good things." This will throw the viewer off guard, because at first the added dimensions may seem unwarranted, but over time these characters will express their actions within the light of logical decision-making. The use of multiple kingdoms adds greatly to this, because a kingdom may benefit from a specific alliance at one point in history, but may suffer greatly from maintaining that same alliance in the future.
Make no mistake, there are some clear protagonists, and within this grand journey there are a number impediments and setbacks that bring these characters closer to their confidants, as well as the viewer. The most impressive player, however, is the main protagonist (Jumong), who is sculpted into a truly charismatic, convincing leader who understands when to fight and when to express humility and passiveness. I have personally never seen a military leader as charismatic nor as convincing as "Jumong." He's quite literally the blueprint for leadership. The few other IMDb reviews already flesh out the other characters, so I will avoid that here, but I assure you that they are all great.
So, are there *any* flaws in this series. Surely, any cinematic endeavor that lasts 81+ hours is going to have a few. For example, the budget restrictions are evident in that the number of extras are a bit thin (especially during battles), but that's a minor flaw because most of the battles involve "detached advancements" that involve fewer extras. The scoring is also limited, but the choice tunes are excellent and will only seem "repetitive" when the viewer watches 3 or 4 episodes in a row, which may be inevitable given just how addictive this series is. Regardless of a few other negligible cons, this is a highly addictive period drama/action series that currently holds my official award for "Best Television Series Ever Made."
I said goodbye to my friends for now, but my DVD set awaits for a reunion in the future. I promise you that I will pay them multiple visits to experience the joy of the journey again.
The scriptwriting is no less than phenomenal. There are multiple interests at play (royal family members, merchants, sorceresses, other kingdoms, tribes, etc.), and it's interesting to see them strategize and plot against one another. One of the most enjoyable aspects of this series are the strategy meetings that saturate each and every episode. Each character has his/her close confidants and meets with them regularly to discuss specific tactics to gain an advantage against their rivals, which makes for a seemingly non-stop display of cloak-and-dagger scheming. I personally find these exchanges exhilarating because they rely on intelligence and unorthodox (outside the box) thinking. There's a high emphasis on political coersion, unorthodox alliances, and subtle shifts in power from key events. The dialogue is great, crafting a number of exciting, clever exchanges between the players. Fantastic stuff! The obstacles are also very practical and interesting: discovering a sufficient salt supply, creating steel weaponry, obtaining national independence from hostile, more powerful kingdoms, etc. In addition, these conflicts help to accentuate an emotional resonance due to the large number of episodes dedicated to properly develop each obstacle and their climactic conclusions.
It's difficult for movies and television series to establish even a few memorable characters. "Jumong" has no less than 20. No, that is no overstatement, because 81 episodes (over a full hour each) allows for characters to be given heaping amounts of development that makes them multi-dimensional (even fallen comrades from the earlier episodes are never forgotten). Near the beginning it's somewhat easy to distinguish the "good guys" from the "bad guys", but as the series progresses it adds dimensions that ultimately result in haphazard classifications between "protagonists" and "antagonists." Some of the "good guys" will do "bad things" while some of the "bad guys" will do "good things." This will throw the viewer off guard, because at first the added dimensions may seem unwarranted, but over time these characters will express their actions within the light of logical decision-making. The use of multiple kingdoms adds greatly to this, because a kingdom may benefit from a specific alliance at one point in history, but may suffer greatly from maintaining that same alliance in the future.
Make no mistake, there are some clear protagonists, and within this grand journey there are a number impediments and setbacks that bring these characters closer to their confidants, as well as the viewer. The most impressive player, however, is the main protagonist (Jumong), who is sculpted into a truly charismatic, convincing leader who understands when to fight and when to express humility and passiveness. I have personally never seen a military leader as charismatic nor as convincing as "Jumong." He's quite literally the blueprint for leadership. The few other IMDb reviews already flesh out the other characters, so I will avoid that here, but I assure you that they are all great.
So, are there *any* flaws in this series. Surely, any cinematic endeavor that lasts 81+ hours is going to have a few. For example, the budget restrictions are evident in that the number of extras are a bit thin (especially during battles), but that's a minor flaw because most of the battles involve "detached advancements" that involve fewer extras. The scoring is also limited, but the choice tunes are excellent and will only seem "repetitive" when the viewer watches 3 or 4 episodes in a row, which may be inevitable given just how addictive this series is. Regardless of a few other negligible cons, this is a highly addictive period drama/action series that currently holds my official award for "Best Television Series Ever Made."
I said goodbye to my friends for now, but my DVD set awaits for a reunion in the future. I promise you that I will pay them multiple visits to experience the joy of the journey again.
Iranians like this series very much and they established a lot of contact with it.
¿Sabías que...?
- CuriosidadesJumong had the highest ratings of all Korean dramas in 2006 in Korea.
- ConexionesFollowed by Baramui Nara (2008)
- Banda sonoraThe World Calls Me
Performed by Insooni
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What is the Canadian French language plot outline for Jumong (2006)?
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