Skin

Sophie Okonedo is so beautiful and such a great actor! I still think she should have won an Oscar for her portrayal of Tatiana Rusesabagina in Hotel Rwanda. Again, she does an excellent job in Skin.

Too few of us realize the atrocities of Apartheid, a social and political policy of racial segregation and discrimination enforced by white minority governments in South Africa from 1948 to 1994. 'The term apartheid (from the Afrikaans word for "apartness") was coined in the 1930s and used as a political slogan of the National Party in the early 1940s, but the policy itself extends back to the beginning of white settlement in South Africa in 1652. After the primarily Afrikaner Nationalists came to power in 1948, the social custom of apartheid was systematized under law. The implementation of the policy, later referred to as "separate development," was made possible by the Population Registration Act of 1950, which put all South Africans into three racial categories: Bantu (black African), white, or Coloured (of mixed race).' Yes, everyone knows the story of Nelson Mandela and the end of Apartheid, but too few of us recognize the appalling effects of that system on the peoples of South Africa. This true story should alter that and perhaps bring a higher degree of respect for those who survived that ugly system. Based on the book 'When She Was White' by Judith Stone, Anthony Fabian wrote the story (with Helen Crawley, Jessie Keyt and Helena Kriel) and directs this terrifying but ultimately triumphant film - a story we shall not soon forget.

Abraham and Lannie Laing (Sam Neill and Alice Krige) are Afrikaans who live and work their general store in the countryside with their two children Sandra (Ella Ramangwane as the young Sandra and Sphie Okenedo as the mature Sandra) and Henry. The Laings have sequestered themselves because their daughter appears black. Abraham constantly defends the 'whiteness' of his daughter at every level of the government and finally the Laings obtain admission to private white school for Sandra and Henry. The school quickly dismisses Sandra because she 'is black', is beaten by teachers, and the school calls in doctors and other government support to back their opinion. But through the tireless efforts of Abraham he finally gets a certification of Sandra's 'whiteness'. Sandra faces intolerance from the community but finds solace in the attention of a 'kaffir', Petrus Zwane (Tony Kgoroge) and in time the frustrated Sandra accepts the warmth of Petrus and they fall in love. Abraham is furious and casts Sandra out of his home: Sandra and Petrus move into a black village and have babies until the whites demand the land on which the blacks are living and destroy Sandra and Petrus's home. Petrus turns to drink and blames his loss of all his goods on marrying a 'white girl': Sandra and her now three children move to Johannesburg to find safety and employment, having been rejected by Sandra's parents. When the Apartheid is banished Sandra becomes a spokesperson for her people and her country because she 'never gave up'.

In this history of the Apartheid the impact is made so very much stronger by the fact that the film shows both sides of the struggle - from the white viewpoint and the black viewpoint. Sandra's father may have fought against the prejudice but when his daughter accepts being black, he is as raw and prejudiced as the rest of the whites. Sandra's mother (played with compassion by Alice Krige) maintains her love and support of her beloved daughter but by societal demands she must bow to her husband's wishes. As Sandra Sophie Okenedo shines in a performance that is brilliantly three dimensional - she is an enormously gifted actress. The entire large cast is excellent, recreating a period in history we can only hope will never happen again. This is a wholly satisfying film.

Grady Harp

This story about a dark-skinned girl born to white Afrikaners during the apartheid era will come as a revelation to anyone who has forgotten what South Africa was like before the transformation brought about by Nelson Mandela and his colleagues. Not that South Africa is out of the jungle of racial conflict; it certainly isn't. But one hopes that the fate inflicted on Sandra Liang because of her color could happen today.

The story is gripping. The direction and the photography are efficient. The two best known actors in this film, Sophie Okenado ( Rawanda) and Sam Neill, are excellent as the adult Sandra and her Afrikaner father. But other unfamiliar players are also very good

Anthony Fabian's 'Skin'is a powerful drama of South Africa's shameful history of white colonial Apartheit rule,that was thankfully overthrown. The story starts in 1965 when a young ten year old girl, Sandra has been thrown out of school for being black,despite the fact that she is of white,European parents. Her father,Abraham (played by screen veteran,Sam Neill)fights to get her back in school,by challenging the South African courts to insist that she's white). When he is unsuccessful,the family resigns to the fact that their daughter has to deal with the burden that she will be treated badly,because she is regarded as black. As the years go by,Sandra (now played as an adult by Sophie Okonedo,who absolutely shone in 'Hotel Rwanda')has grown into a beautiful woman,who is desired by one of the black locals, which disturbs Abe much (Abe is as much a vile racist as the rest of the population of the town). The rest of the film spans over a twenty plus year time frame that tells much of South Africa's social history,set against Sandra's tempestuous own personal history. The cast is rounded out by Alice Krige (as Sandra's long suffering mother,Sannie),Tony Kgorogue,as Sandra's lover & father of her children, who turns out to be hot tempered & abusive toward Sandra, as well as a cast of South African actors that turn in shining performances. The screenplay (written by Helen Crawley,Jessie Keyl & Helena Kriel) makes the most out of what was easily a dark period in South Africa's social history (and what some,even to this day,would love nothing better than to do but bring back). Rated PG-13 by the MPAA,this film contains some strong language,brief nudity & sexuality,and some truly disturbing images of racist fueled violence.

Background: A dramatization of the life of Sandra Laing who we see speaking in the end credits. This South African story begins in 1966 during the apartheid era with a white store owner and their two children one of whom, Sandra Laing, has features that would be controversially classified as "coloureds" (mixed ethnic/racial & commonly w/white males) along with blacks & whites & Asians (mostly Indian).

Criticism: Whenever white, mostly Dutch, Afrikaners are presented they are almost all portrayed as vile & as nasty as can be. Could this have been so universally true?

Story: At the time people were defined/registered by their skin color. We see Sandra undergoing a magistrate's exam by having her skin examined & a pencil placed into her hair to test for holding power meant to distinguish coloureds & blacks from whites. Later we hear a courtroom geneticist testimony that most Afrikaners (white Dutch) carry "black" genes (guffaws from the white audience on hearing that) thus a recombination could produce darker skin & hair (called polygenic inheritance). Later in our story the registration laws were changed to make descent rather than appearance the determining factor. We follow Sandra into the '80s as she grows up & the alienation from her family. You get a feel for the effects of racism on a person that no written story could convey. How it divides & breaks whatever goodness is in people. We see Sandra at the end with her Rainbow Tuck Shop (a very small shop selling food, etc.). And this from her, "It's what's in the inside of you that matters, not the outside."

Comment: I can think of some politicians, particularly one, raised in a wealthy privileged setting w/servants that while growing up could have benefited from seeing this story.