Yun shui yao

2006
1h 57min

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Bingbing Li and Kun Chen in Yun shui yao (2006)

Añade un argumento en tu idiomaA Taiwanese medical student defects to Mainland China due to Nationalist persecution, became an army surgeon during Korean War, and later went to Tibet as a doctor, while pining for his firs... Leer todoA Taiwanese medical student defects to Mainland China due to Nationalist persecution, became an army surgeon during Korean War, and later went to Tibet as a doctor, while pining for his first love who is still in Taiwan, and being persistently pursued by another girl. Compiled fr... Leer todoA Taiwanese medical student defects to Mainland China due to Nationalist persecution, became an army surgeon during Korean War, and later went to Tibet as a doctor, while pining for his first love who is still in Taiwan, and being persistently pursued by another girl. Compiled from several actual events.

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6,1/10

517

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Premios
- 19 premios y 13 nominaciones en total

Imágenes18

+ 12

Reseñas de usuarios4

6,1517

Reseñas destacadas

8jueyinwang

It tells you the history at least.

The love story may seem unbelievable nowadays, but remember it happened 60 years ago. You can't judge it with your own experience. But one thing for sure is that it tells you some history which is real. THe other thing is that there were/are people out there somewhere who are stubborn/faithful enough in terms of love: they found their true love, they lost it because of some historical problem (not because of themselves), but they still have hope and faith in their love and they never seize to look for it: one love in one life time. Remember it happened long time ago in a place that traditional thoughts dominated. We need to appreciate history. If there were no war, then the separation wouldn't be a separation of a life time and it wouldn't be such a tragedy.

3gabridl

Nationalist Soap

"The Knot" opens with a long, virtuoso shot reminiscent of Hitchcock, Antonioni, and De Palma. Don't get your hopes up. The rest of the movie is cheese, with comic characters, awkward dialog, sappy lighting, and an absurd story. Even the score is derivative in the silliest way, at one pointand I'm not making this upreprising the theme from "Star Trek." Most disturbing, though, is the film's unrelieved nationalism, evidenced in the locations, the final image, and the symbolism of the story, none of which differentiate the film from propaganda.

On the plus side, the director did create a beautiful village with a really old tree and some very clean peasants.