War Dance

Just shocking!! I have not attempted to write any comments on this web site (just lack of time maybe) but after seeing this movie, I felt that had to write about it. It is so touching and natural that I could not help crying while I was watching this film. I felt guilty on my part to share this wild and cruel world, creating so called wars , killing humans and leaving millions of orphans behind... And even the most merciless tran of the war lords can not overcome with love of music and dance. Movie gives a clear idea of how miserable lives are lived at the heart of black Afica. Everybody must see this movie to get insight about war and humanity..

Nominated at the 2008 Oscars in the Best Documentary category, it is easy to see why WAR DANCE was on top of that list. Although it lost out to TAXI TO THE DARK SIDE, War Dance need not hang its head.

Little known subjects are a great thing to learn about, and this is War Dance's biggest strength. The civil war in Uganda has raged for over 20 years, but few know what it's about or its effects on the population. One look at War Dance will give you some chilling insights.

Focusing on three children within the Patongo refugee camp of northern Uganda, all of the kids have lost at least one parent, sibling or family member to the horrors of the war, and have been forced into this government protected camp for basic survival. Life is dank, depressing, and full of fear. Until one day the children discover that their little school has qualified for the finals at the annual Kampala Music Festival. And with them will go Dominic, a boy forced into being a child soldier for the rebels and desperately trying to locate his lost brother. A gripping scene between himself and a rebel leader tells Dominic much of what he already suspected. Nancy, a tough young lady, will go the Kampala, too. And with her she brings the hopes and dreams of her father who was hacked to death by machetes (the visit to his grave is sure to have many reaching for the tissue box). Then we have Rose, the soft-spoken one who is obviously in a funk of depression. But to watch her dance is to see the lights burst forth from her eyes.

The documentary is exceptionally well put together. The cinematography of the surrounding jungle is awe-inspiring, as are the tough scenes where children are put in front of the camera and asked to explain how they feel ("I can't wait to see what peace looks like," says one of them as they prepare to compete in Kampala).

Shown as a sort of David and Goliath tale, one can't help but see the infiltration of Christianity on these people's lives, too. Their clothing, their "prayers", and many other aspects speak to the westernization of their culture. One of the competition categories is even called "Western Choral Music." But the big winner in the categories is obviously the native dance sequence where Dominic shines as the xylophone player, Nancy dances and spins with delight, and Rose comes back to life. The other schools, initially sneering at this "tiny school from the north", begin to respect them.

But can these first timers win anything at a festival where they compete against schools of much greater renown? You'll have to watch and find out. And you should. The tales of torture mixed with the joy of music and dance are something everyone should see. And you might even learn something you didn't know about in another part of the world.

This superb documentary shows Acholi children from one village in the war zones of northern Uganda, who diligently prepare for the national musical and cultural competition in far-off and far-safer Kampala, the capital of Uganda.

While they try hard to succeed, they are beset by the constant danger of abduction at the hands of the Lord's Resistance Army (MRA), which is led by a religious fanatic (and part-time mystic and fortune-teller) named Joseph Kony, who started an uprising against the Ugandan army in 1986, pledging to turn the country into a theocracy with a constitution loosely based on the Ten Commandments.

Kony's army has abducted more than 30,000 children in northern Uganda and forced them to be soldiers and killers of their own tribal members. More than 200,000 children in northern Uganda have been orphaned because their parents were murdered. The LRA's 20-year war against the central government's Ugandan People's Defence Forces (UPDF), has left at least two million Ugandans displaced from their homes. Meanwhile, even in so-called 'safe camps,' where countless thousands live amid squalor and disease and depend on the United Nations food program, the UPDF still doesn't provide adequate protection.

It is wonderful to watch these determined children turn on their smiles and their brilliant talents as they prepare for, and participate in, the national competition. When they arrive in Kampala (southern Uganda, where no warfare takes place), they are overwhelmed to see skyscrapers; they had never seen buildings before.

Writers/directors Sean Fine and Andrea Nix have done a great job of conveying the wondrous dreams of young people, along with the terrible ordeals they face in a savage, senseless war that sees no end. One youth, in a stunning story of barbarism, recounts how he was ordered to butcher three farmers with a hoe, and if he looked away at any time, he himself would have been murdered. Such is the barbarism that exists in northern Uganda today, much of it all but unknown to us in the West.

To make matters worse, there is blatant corruption in the central government itself, which enacted legislation in 2005 that will allow the corrupt lowlife Yoweri Musevini (elected in 1986) to be president-for-life. There are strong hints that he and Kony have an 'arrangement' to continue the war because it advances both of their 'causes,' although those 'causes' are not always readily apparent. Neither of these two lunatics appears to give a damn about the terrible pain they have inflicted on their own people.

Another equally powerful documentary on this same subject is 'The Other Side of the Country' (2006), by Quebec filmmaker Catherine Hebert. This very disturbing film concentrates more on the older (and even aged) northern Ugandans who are displaced from their homes by war and forced to live out their lives in teeming, treacherous 'relocation' camps, which are really nothing more than disease-infested examples of the worst kinds of slums.

I had the pleasure of viewing this film at Sundance, and it is phenomenal. Outstanding film making, and a compelling story that can only come from real life. My heart went out to the children, and I was incredibly inspired by their stories. Documentary film making at it's best. It won the Outstanding Director Award, and with good reason.

What I found most compelling was how the film showed the resilience of the human spirit in the worst of circumstances. At the end of day, we all want to be loved and to contribute to our society. These children and their families rose above the atrocities of war to achieve greatness within their community and their country. They did it not because it was the "right" or "nobel" thing to do, but because it made them feel good and helped to wipe away their pain. A very important lesson for us all.

Much like Gore's film, War/Dance is a great cinematic contribution to the world. Bold statement. This film has less urgency and less catastrophe than Gore's but still, it must be watched. I really like the style of storytelling: they allowed the three main subjects--three children: Rose, Nancy, & Dominic--to do all of the storytelling (without any provided narration). The result is three intimate and soul-wrenching revelations of turmoil and perseverance, and most importantly, of hope. Children can be very profound; these three definitely are. They have that look of war veterans in their eyes. Amazingly captured in the cinematography. The shots, presentation of political & social subject matter, emotional content--all excellent. You will walk away informed & attached, and wanting to take action; you don't feel like you've just read yesterday's newspaper or received some second or third-generation information. This film is moving in so many ways. Go.