Life in Flight

Patrick Wilson seems born to these sensitive professional male roles that require a rethinking of the smooth path the character is on. Director Tracey Hecht has a firm hand on an interesting and large cast and her script meshes the characters deftly,creating some drama without knocking heads. The film is realistically and interestingly placed within the world of architectural design and construction while at the same time offering an older New York office milieu kind of story. Without being cliché wealthy types, the main characters are likable genteel professionals on the way up, but reconsidering some avenues of personal and professional fulfillment. Amy Smart is charming, Wilson spot on, and Lynn Collins solid. Cinematography is excellent as are sets and locations. It's a truly unpretentious film and so may not be exciting enough for some.

I liked this movie. The dialogue felt natural, the conversations unforced and believable. The story explores, in a subtle, non-judgmental way, two people at an emotional crossroads. The wife didn't strike me as shrewish, but rather as oriented to success, not the best match for her husband, who was more reflective, more questioning. I've been there in my own way, so I can relate. I liked the ending. Like the rest of the movie, it felt natural, unforced, organic. The casting was good, with the exception of Fred Weller, who is distractingly obnoxious, which, according to what I've seen him in so far, seems to be his default role. In spite of that, this quiet study made me think, and do some questioning of my own.

Great movie despite the mediocre cast. Inspiring, shows that life is more than the chase for a dollar and selling out in order to feel like you can become someone. The movie is about staying true to nature of being human. I thought it was great because it inspires the search for something real not materialistic but soulful in the concrete jungle where the human connection has been displaced by sensual pleasures and the endless chase for the next big thing and happiness thats never found. The movie inspires stepping back and evaluating life's values, slowing down, smelling the roses and hearing the long lost voice of the yearning soul within self as well as someone else. I recommend this movie to everyone.

Saw this at Tribeca Film Festival and was surprised by the wretched writing. The cast is professional, and the photography, set and production design are all first class. The problem is a script that presents a somewhat dopey male lead, an unredeemable monster (b*tch) of a wife, and a seven-year-itch scenario.

The result is good actors reciting bad lines in overwrought scenes. We bought these tickets expecting that a cast including Patrick Wilson, Amy Smart and several other fine actors would deliver a good result. Tied to that script, they couldn't stay afloat.

The movie inspires me to create a new rule for young filmmakers: don't write a script with an architect as your main character, unless you are remaking "The Fountainhead." And don't remake "The Fountainhead."

It was great seeing the locations around NYC, but it was a seriously boring, going nowhere, total disaster of a movie.

How the talented cast said the words, deserves some appreciation, but the film said nothing, and never had an iota of cleverness, or humor.

It seemed more like a film school project, then an actual film.

How Patrick Wilson and Amy Smart got to star in this, is a bigger mystery and more thought-provoking then the actual movie.

Anyone who grew up in NYC, and has been away for a while, might be able to enjoy the various places the film was shot, but, there's many better films to watch.