The Tucson’s Loft Film Fest starts today and runs until Sunday October 25. The program will bring some of the best works from around the globe to Tucson, many of which will be have their local premier during the festival.
The acclaimed drama "Court," a quietly devastating portrait of political injustice involving an elderly folk singer facing persecution for his art, is India’s official Oscar entry for Best Foreign Language Film, as well as the winner of the Lion of the Future Award for director Chaitanya Tamhane at the Venice Film Festival. This is the film’s Tucson Premiere.
"Mustang" France’s official entry for the Best Foreign Language Oscar and winner of the Europa Cinemas Label award at the Cannes Directors’ Fortnight, is a haunting portrait of five young sisters struggling to come of age under highly unusual circumstances in a remote Turkish coastal village. The film makes its Arizona Premiere at The Loft Film Fest.
The Loft Film Fest 2015 will also showcase numerous top prize winners from major film festivals around the world, including Cannes, Sundance, Toronto, Venice and more.
The highly-anticipated new British drama "45 Years," directed by Andrew Haigh ("Weekend"), will have its Arizona Premiere at The Loft Film Fest. This riveting and melancholy tale of a long-married couple confronting a dark secret from their past, has generated major Oscar buzz and garnered the Best Actress and Best Actor awards at the 2015 Berlin International Film Festival for its celebrated stars, Charlotte Rampling ("Swimming Pool") and Tom Courtenay ("Doctor Zhivago").
The moving Italian drama "Mia Madre"from acclaimed filmmaker Nanni Moretti ("The Son’s Room"), stars Margherita Buy ( "Days and Clouds") and John Turturro ("O Brother, Where Are Thou?") and tells the story of a harried filmmaker juggling with production of her new film with caring for her dying mother. Winner of the prestigious Prize of the Ecumenical Jury at the Cannes Film Festival, the film will also have its Arizona Premiere at The Loft Film Fest.
"Taxi" the crowd-pleasing comedy/drama from Iranian filmmaker Jafar Panahi, ("The White Balloon") follows the filmmaker himself as he assumes the role of taxi driver for a number of diverse citizens in his home country, learning about their lives as he ferries them through the city. Winner of the Fipresci Prize at the Berlin International Film Festival,"Taxi" makes its Tucson Premiere at The Loft Film Fest.
Just a few of the other major international festival award winners hitting the screen at the Loft Film Fest include Pedro Costa’s "Horse Money" (winner of the Locarno International Film Festival award for Best Director); Sebastian Silva’s "Nasty Baby," starring Kristin Wiig (winner of the Teddy Award for Best Feature Film at the Berlin International Film Festival) and "In Transit," the final film from legendary documentary filmmaker Albert Maysles (winner of a Best Documentary Special Jury Mention at the Tribeca Film Festival).
Many more prize-winning features, documentaries and short films will light up the screen at The 2015 Loft Film Fest. In addition to acclaimed films, the fest brings an incredible line-up of filmmakers and special guests to Tucson! Rita Moreno ("West Side Story"), Alfonso Arau ( " Like Water for Chocolate.""Three Amigos"), Larry McMurtry & Diana Ossana (10th Anniversary Screening of "Brokeback Mountain"), Bobcat Goldthwait ("Call Me Lucky"), Michael Joplin (brother of Janis Joplin with the doc "Janis: Little Girl Blue"), Andrea B. Scott ("Florence, Az"), Francesco Clerici ("Hand Gestures"), Jessica Cox & Nick Spark ("Right-Footed") and Justin Johnson ("Double Digits") are among the guests who will be on hand to present films alongside critically-acclaimed films selected from prestigious festivals around the globe. For more information and to purchase tickets and passes, please visit: www.loftfilmfest.org.
The acclaimed drama "Court," a quietly devastating portrait of political injustice involving an elderly folk singer facing persecution for his art, is India’s official Oscar entry for Best Foreign Language Film, as well as the winner of the Lion of the Future Award for director Chaitanya Tamhane at the Venice Film Festival. This is the film’s Tucson Premiere.
"Mustang" France’s official entry for the Best Foreign Language Oscar and winner of the Europa Cinemas Label award at the Cannes Directors’ Fortnight, is a haunting portrait of five young sisters struggling to come of age under highly unusual circumstances in a remote Turkish coastal village. The film makes its Arizona Premiere at The Loft Film Fest.
The Loft Film Fest 2015 will also showcase numerous top prize winners from major film festivals around the world, including Cannes, Sundance, Toronto, Venice and more.
The highly-anticipated new British drama "45 Years," directed by Andrew Haigh ("Weekend"), will have its Arizona Premiere at The Loft Film Fest. This riveting and melancholy tale of a long-married couple confronting a dark secret from their past, has generated major Oscar buzz and garnered the Best Actress and Best Actor awards at the 2015 Berlin International Film Festival for its celebrated stars, Charlotte Rampling ("Swimming Pool") and Tom Courtenay ("Doctor Zhivago").
The moving Italian drama "Mia Madre"from acclaimed filmmaker Nanni Moretti ("The Son’s Room"), stars Margherita Buy ( "Days and Clouds") and John Turturro ("O Brother, Where Are Thou?") and tells the story of a harried filmmaker juggling with production of her new film with caring for her dying mother. Winner of the prestigious Prize of the Ecumenical Jury at the Cannes Film Festival, the film will also have its Arizona Premiere at The Loft Film Fest.
"Taxi" the crowd-pleasing comedy/drama from Iranian filmmaker Jafar Panahi, ("The White Balloon") follows the filmmaker himself as he assumes the role of taxi driver for a number of diverse citizens in his home country, learning about their lives as he ferries them through the city. Winner of the Fipresci Prize at the Berlin International Film Festival,"Taxi" makes its Tucson Premiere at The Loft Film Fest.
Just a few of the other major international festival award winners hitting the screen at the Loft Film Fest include Pedro Costa’s "Horse Money" (winner of the Locarno International Film Festival award for Best Director); Sebastian Silva’s "Nasty Baby," starring Kristin Wiig (winner of the Teddy Award for Best Feature Film at the Berlin International Film Festival) and "In Transit," the final film from legendary documentary filmmaker Albert Maysles (winner of a Best Documentary Special Jury Mention at the Tribeca Film Festival).
Many more prize-winning features, documentaries and short films will light up the screen at The 2015 Loft Film Fest. In addition to acclaimed films, the fest brings an incredible line-up of filmmakers and special guests to Tucson! Rita Moreno ("West Side Story"), Alfonso Arau ( " Like Water for Chocolate.""Three Amigos"), Larry McMurtry & Diana Ossana (10th Anniversary Screening of "Brokeback Mountain"), Bobcat Goldthwait ("Call Me Lucky"), Michael Joplin (brother of Janis Joplin with the doc "Janis: Little Girl Blue"), Andrea B. Scott ("Florence, Az"), Francesco Clerici ("Hand Gestures"), Jessica Cox & Nick Spark ("Right-Footed") and Justin Johnson ("Double Digits") are among the guests who will be on hand to present films alongside critically-acclaimed films selected from prestigious festivals around the globe. For more information and to purchase tickets and passes, please visit: www.loftfilmfest.org.
- 21/10/2015
- por Peter Belsito
- Sydney's Buzz
Film: We Have a Pope (Habemus Papam) (2011) Cast includes: Michel Piccoli (A Leap in the Dark), Nanni Moretti (The Son's Room), Margherita Buy (Days and Clouds) Director: Nanni Moretti (The Caiman) Genre: Light Drama | Comedy | Satire (102 minutes) Crowds gather in St. Peter's Square to pray and to wait. It's a sea of scarlet as 108 cardinals make their way to the Sistine Chapel for the conclave. Journalists struggle for scraps of information... a hopeless pursuit. Once they finally get the lights turned on in the Sistine Chapel, the cardinals get down to the task of voting. When each has written a name on his ballot, he signals that he's finished by tapping his pen. As the votes are counted, most cardinals have a similar silent prayer... "Not me. Oh Lord, please not me." Although Cardinal Gregory gets the most votes in the first round, the vote isn't decisive. The smoke is black.
- 6/4/2012
- por Leslie Sisman
- Moviefone
European Film Awards
Eleven ACE features (Ateliers du Cinema European) have been recommended for a nomination for the European Film Awards to be announced December 6, 2008! 'Moscow, Belgium' by Christophe Van Rompaey, produced by Jean-Claude Van Rijckeghem (A Private View), 'Eden' by Declan Recks, produced by Martina Niland (Samson Films), 'The Class' by Laurent Cantet, produced by Carole Scotta (Haut & Court), 'Giorni e nuevole' by Silvio Soldini, produced by Tiziana Soudani (Amka Films Productions), 'Home' by Ursula Meier, produced by Denis Delcampe (Need Productions) and Helena Tatti (Box Productions), 'I am from Titov Veles' by Teona Strugar Mitevska, produced by Diana Elbaum (Entre chien et loup), 'Lemon Tree' by Eran Riklis, produced by Bettina Brokemper (Heimatfilm), 'Love and Other Crimes' by Stefan Arsenijevic, produced by Herbert Schwering (Coin Film), 'Black Ice' by Petri Kotwica, produced by Steffen Reuter (Schmidtz Katze Filmkollektiv), 'Waltz with Bashir' by Ari Folman, produced by Roman Paul (Razor Film Produktion), 'Wolke 9' by Andreas Dresen, produced by Peter Rommel (Rommel Film).
Full list of recommended films: European Film Academy.
Full list of recommended films: European Film Academy.
- 29/10/2008
- Sydney's Buzz
London -- The European Film Academy unveiled the 44 movies on this year's long list for the upcoming European Film Awards, scheduled for Dec. 6 in Copenhagen.
The 44 titles come from 27 countries across the continent including four from the U.K.
Joe Wright's "Atonement," Nick Broomfield's "Battle for Haditha," Mike Leigh's "Happy-Go-Lucky" and Steve McQueen's "Hunger" will all hope to make the nominations' list with titles such as Kornel Mundruczo's "Delta" from Hungary and Andrzej Wajda's "Katyn" from Poland vying for a place.
In the 20 countries with the most Efa Members, members have voted one national film directly into the selection list.
To complete the list, a selection committee consisting of Efa board members and invited experts have included 24 other titles.
Over the next few weeks, the 1,800 members of the European Film Academy will vote for the nominations in the different award categories.
The nominations will then be announced Nov.
The 44 titles come from 27 countries across the continent including four from the U.K.
Joe Wright's "Atonement," Nick Broomfield's "Battle for Haditha," Mike Leigh's "Happy-Go-Lucky" and Steve McQueen's "Hunger" will all hope to make the nominations' list with titles such as Kornel Mundruczo's "Delta" from Hungary and Andrzej Wajda's "Katyn" from Poland vying for a place.
In the 20 countries with the most Efa Members, members have voted one national film directly into the selection list.
To complete the list, a selection committee consisting of Efa board members and invited experts have included 24 other titles.
Over the next few weeks, the 1,800 members of the European Film Academy will vote for the nominations in the different award categories.
The nominations will then be announced Nov.
- 4/9/2008
- por By Stuart Kemp
- The Hollywood Reporter - Movie News
A 'Days' work for Soldini, Movement
Film Movement has acquired the North American rights to the Italian family drama Days and Clouds, directed by Silvio Soldini.
The film revolves around Elsa and Michelle, a well-to-do couple who break up after the stress of Michele's unemployment wears on their relationship. Eventually, the two re-unite after realizing that their greatest possession is the love they've shared.
Set for a June release, Days was an official selection at the Toronto, London and Rome film festivals.
"It is a real honor to be able to add another beautiful film by Silvio Soldini to our collection," said Adley Gartenstein, president of Film Movement. " 'Days and Clouds' reaffirms Soldini's sensibility and talent for capturing the human spirit using both humor and heart."
The deal was negotiated by Gartenstein and Rebeca Conget, vp acquisitions and distribution, and Adriana Chiesa, of Adriana Chiesa Enterprises.
Film Movement also distributed Soldini's 2004 romantic comedy Agatha and the Storm.
The film revolves around Elsa and Michelle, a well-to-do couple who break up after the stress of Michele's unemployment wears on their relationship. Eventually, the two re-unite after realizing that their greatest possession is the love they've shared.
Set for a June release, Days was an official selection at the Toronto, London and Rome film festivals.
"It is a real honor to be able to add another beautiful film by Silvio Soldini to our collection," said Adley Gartenstein, president of Film Movement. " 'Days and Clouds' reaffirms Soldini's sensibility and talent for capturing the human spirit using both humor and heart."
The deal was negotiated by Gartenstein and Rebeca Conget, vp acquisitions and distribution, and Adriana Chiesa, of Adriana Chiesa Enterprises.
Film Movement also distributed Soldini's 2004 romantic comedy Agatha and the Storm.
- 11/3/2008
- The Hollywood Reporter - Movie News
Days and Clouds
RomaCinemaFest
ROME -- Silvio Soldini, best known for his multiple award-winning Bread and Tulips from 2000, may have toned down his lyrical ways in Clouds and Days, but he has not strayed from his favorite subject matter -- a middle-aged couple in crisis. Here Soldini forgoes his trademark fairy tale or literary touches (such as in 2002's Burning in the Wind) for austere naturalism, complete with handheld camerawork that may not be entirely justified but lends itself to the film's verite feel.
A universal story with which almost anyone can identify, the film was released domestically Oct. 26 on 176 screens, coming in fifth at the boxoffice with nearly €725,000 grossed from its opening weekend -- over half of what Soldini's previous title, Agata and the Storm (2004), took in overall at home.
In the U.S., Days will be most-successful among highbrow audiences with a taste for smart European fare and the Italian realism of a bygone era. It should also win back European audiences -- in particular in Switzerland and Germany, where he has a large following -- ready for a more mature story from the director.
Although Michele (Antonio Albanese) has a solid marriage, he waits until his wife Elsa (Margherita Buy) has obtained her art history degree to tell her that he was fired two months earlier by the company he helped create. They will have to sell their lavish home immediately. Reeling from shock over the abysmal state of their finances, she quickly finds part-time work as a telemarketer while he goes on fruitless job interviews for positions for which he is overqualified.
Depressed, Michele begins skipping the interviews to do menial work, first as a moped messenger then as a handyman with two of his former employees (Giuseppe Battiston and Antonio Carlo Francini). Eventually, he refuses to get out bed, forcing Elsa to accept a full-time office job and take over his role as the family breadwinner. As their life of privilege slips further away, they start taking their frustrations out on one another and their 20-year-old daughter Alice (Alba Rohrwacher).
The intelligently crafted plot (by Soldini, his longstanding collaborator Doriana Leondeff, Francesco Piccolo and Federica Pontremoli) is balanced by comedic moments that keep it from becoming bleak. The film relies more on nuance rather than dramatic peaks. One particularly gripping, wordless scene comes when Alice, oblivious to her parents' problems, pulls up next to Michele, who is on a moped delivering a package, at a stoplight.
Soldini also reigns in Albanese (a renowned comic prone to hamming it up) and Buy (who has perfected the role of the neurotic urbanite), drawing from them two sober, highly credible performances that reflect how life's unexpected struggles can wear away at even the most loving relationships.
However, two hours on the exhaustive, day-by-day fallout of these struggles weighs down rather than heightens the tension and threat to Elsa and Michele's livelihood and love (even when she begins flirting with a co-worker). At times Days seems more of a social commentary on the shrinking middle class than the will-they-or-won't-they-make-it story at the heart of the film.
DAYS AND CLOUDS
Lumiere & Co., Amka Films, RTSI
Credits:
Director: Silvio Soldin
Writers: Soldini, Doriana Leondeff, Francesco Piccolo, Federica Pontremoli
Producer: Lionello Cerri
Executive producer: Tiziana Soudani
Director of photography: Ramiro Civita
Production designer: Paolo Bizzarri
Music: Giovanni Venosta
Costume designers: Silvia Nebiolo, Patrizia Mazzon
Editor: Carlotta Cristiani
Cast:
Elsa: Margherita Buy
Michele: Antonio Albanese
Alice: Alba Rohrwacher
Vito: Giuseppe Battiston
Riki: Fabio Troiano
Nadia: Carla Signoris
Salviati: Paolo Sassanelli
Luciano: Antonio Carlo Francini
Running time -- 117 minutes
No MPAA rating...
ROME -- Silvio Soldini, best known for his multiple award-winning Bread and Tulips from 2000, may have toned down his lyrical ways in Clouds and Days, but he has not strayed from his favorite subject matter -- a middle-aged couple in crisis. Here Soldini forgoes his trademark fairy tale or literary touches (such as in 2002's Burning in the Wind) for austere naturalism, complete with handheld camerawork that may not be entirely justified but lends itself to the film's verite feel.
A universal story with which almost anyone can identify, the film was released domestically Oct. 26 on 176 screens, coming in fifth at the boxoffice with nearly €725,000 grossed from its opening weekend -- over half of what Soldini's previous title, Agata and the Storm (2004), took in overall at home.
In the U.S., Days will be most-successful among highbrow audiences with a taste for smart European fare and the Italian realism of a bygone era. It should also win back European audiences -- in particular in Switzerland and Germany, where he has a large following -- ready for a more mature story from the director.
Although Michele (Antonio Albanese) has a solid marriage, he waits until his wife Elsa (Margherita Buy) has obtained her art history degree to tell her that he was fired two months earlier by the company he helped create. They will have to sell their lavish home immediately. Reeling from shock over the abysmal state of their finances, she quickly finds part-time work as a telemarketer while he goes on fruitless job interviews for positions for which he is overqualified.
Depressed, Michele begins skipping the interviews to do menial work, first as a moped messenger then as a handyman with two of his former employees (Giuseppe Battiston and Antonio Carlo Francini). Eventually, he refuses to get out bed, forcing Elsa to accept a full-time office job and take over his role as the family breadwinner. As their life of privilege slips further away, they start taking their frustrations out on one another and their 20-year-old daughter Alice (Alba Rohrwacher).
The intelligently crafted plot (by Soldini, his longstanding collaborator Doriana Leondeff, Francesco Piccolo and Federica Pontremoli) is balanced by comedic moments that keep it from becoming bleak. The film relies more on nuance rather than dramatic peaks. One particularly gripping, wordless scene comes when Alice, oblivious to her parents' problems, pulls up next to Michele, who is on a moped delivering a package, at a stoplight.
Soldini also reigns in Albanese (a renowned comic prone to hamming it up) and Buy (who has perfected the role of the neurotic urbanite), drawing from them two sober, highly credible performances that reflect how life's unexpected struggles can wear away at even the most loving relationships.
However, two hours on the exhaustive, day-by-day fallout of these struggles weighs down rather than heightens the tension and threat to Elsa and Michele's livelihood and love (even when she begins flirting with a co-worker). At times Days seems more of a social commentary on the shrinking middle class than the will-they-or-won't-they-make-it story at the heart of the film.
DAYS AND CLOUDS
Lumiere & Co., Amka Films, RTSI
Credits:
Director: Silvio Soldin
Writers: Soldini, Doriana Leondeff, Francesco Piccolo, Federica Pontremoli
Producer: Lionello Cerri
Executive producer: Tiziana Soudani
Director of photography: Ramiro Civita
Production designer: Paolo Bizzarri
Music: Giovanni Venosta
Costume designers: Silvia Nebiolo, Patrizia Mazzon
Editor: Carlotta Cristiani
Cast:
Elsa: Margherita Buy
Michele: Antonio Albanese
Alice: Alba Rohrwacher
Vito: Giuseppe Battiston
Riki: Fabio Troiano
Nadia: Carla Signoris
Salviati: Paolo Sassanelli
Luciano: Antonio Carlo Francini
Running time -- 117 minutes
No MPAA rating...
- 31/10/2007
- The Hollywood Reporter - Movie News
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