Not Going Out

Ah - this used to be genuinely funny and very clever - but alas, no longer.

The best of this series was when it featured Tim Vine (S1-5). Since then it has become tired, hackneyed, predictable and rather tedious.

There was a time when the episode scenario was at least faintly believable but then this moved into a new era where it did not matter what was happening so long as there was time for the usual jokes with their canned laughter accompaniment.

We could just about live with the dim character played by Katy Wix but after she left it became increasingly unfunny. The main characters were given children who seem to appear once in a blue moon and the series is frequently populated by morons who do not question the imbecility of what is happening.

Loved this once - now it has become embarrassing. Such a shame.

When I saw the write-up for 'Not Going Out', I was dubious - Friday evening on BBC1 isn't usually fertile ground for good comedy. I actually watched it almost by accident, but it turned out to be a happy accident, because 'Not Going Out' is an underrated gem.

Lee Mack ("always cheeky, never blue") is perfect and strangely charming as unambitious slacker, Lee, and Tim 'The Joke Machine-Gun' Vine is also excellent as his accountant best friend. Their friendship is really well-observed, even if they do spend much of the time trading in jokes and insults. Up against a pair of stand-up comedians, Megan Dodds has a tough job, but more than holds her own playing Lee's landlady (and Tim's ex-girlfriend) Kate. Dodds and Mack have a natural chemistry, and make you believe quite easily that an ultra-healthy Californian publisher could fall for an unemployed northern dosser. (It's interesting that comedian Catherine Tate was in the original pilot as Kate - somehow, I can't imagine it working so well without Megan Dodds. She and Mack play off each other so well.)

At times 'Not Going Out' seems like it's a framework for a bunch of stand-up jokes (and Mack does recycle some one-liners from his BBC radio show), but as the series goes on the story lines are getting better and the characters more engaging. It has genuine laugh-out-loud moments that stay with you for the next few days, and it's just refreshing to watch a comedy that doesn't mind being daft and isn't attempting to be political or subversive.

'Not Going Out' deserves a second series, because I know that Lee Mack and Andrew Collins have a lot more gags left in the tank - and I think the fall-out arising from a Lee/Kate romance could be pretty explosive, not to mention amusing!

The following remarks applied to the episode that went out on 13th October. I'm sorry to say the next week's episode was less funny, and just to confirm the trend, last night's episode hardly coaxed a smile out of me! Either I'm rapidly losing my sense of humour or the format and jokes have slipped into a rut in record-breaking time. A shame - we need something out-of-the-ordinary on a Friday - or any night, for that matter!

For the record, here's what I said after the first episode: Witty, quick-fire, funny! I liked it - good twists in the plot, nicely set up contrasts and conflicts between the main characters: Brits v Yanks, northern v southern, sloppy slacker v diligent plodder, male v female. The characters are likable and intelligent, but troubled, (like most of us), and they're a great relief from the witless slobs mostly featured in new sitcoms 'next door' at BBC 3. The scene with the shrink was superb. With a bit of luck this show will make it up there with 'The Office' and 'Men Behaving Badly'! I'd include 'The Mighty Boosh', except that that fine show will probably never appeal to prime time audiences. i understand the next episode features an Australian - yippee, more opportunities for 'incorrect' racism! North/South, Male v Female, Yank and Aussie seem to be the only areas where 'we' can get back at 'them' (and vice versa of course), without the stifling hand of correctness coming down! Let's hope it stays that way.

"Not Going Out" has a very simple set-up. Kate, a successful American lives with her friend Lee, a hopeless, almost unemployable layabout Northerner. Also on the scene is her ex-boyfriend Tim, a Southerner who cheated on her with a younger woman. Cynically the inclusion of an American sounds like a way of introducing it to the overseas market, but it works quite well as a large amount of the humour comes from the chalk and cheese relationship of the characters, especially between Lee and Kate. Most of the laughs come from fast-paced joke telling, no surprise to anyone who has seen Tim Vine on stage as he holds the Guiness World Record for the most jokes told in an hour. All the leads are very good at the delivery, with Megan Dodds managing to keep up well with the two stand-up comedians.

The first episode was pretty poor, but was just good enough for me to take a look at the second. I am extremely glad I did since the series improved continually from then on.

While being far from perfect, "Not Going Out" is rare these days for being an original comedy and one with some good laughs in it. With the schedules being clogged with sitcoms that stopped being funny a number of series ago (My Family, My Hero) and ones that were should never have got a second series (The Green Green Grass) and even those so-called comedies that were first aired on BBC3 because they are complete garbage (Tittybangbang) this stood out from the crowd.

I hope this gets another series as it is truly one of the very few new comedies in 2006 that I think deserves another chance. More work needs to be done on the story lines as there is often not enough narrative in each episode to carry it through without seeming forced, but there is the potential here for a really great comedy.

I have to agree profusely with some comments that have been made on this title. Watching the two series I have been compelled by the nature of the comedy-which I have accertained as a compromise between stand-up comedy and a sitcom. Rather than to shroud the characters true feelings, as has been done before, all characters speak their mind. This brings the result of a comedic 'battle' between them in which their unresolved disputes and generic arguments are turned to light-hearted funny quirks in the viewers perspective, as the drama unfolds for all those involved-namely for the unfortunate Lee, who seems to be at the tail-end of most decisions and seems to have most bad-luck.

Conclusively, I believe that the more unnatural stance on this genre is very effective for a wide audience, and makes a welcome change from your standard sitcom. Moreover, I believe that an entertaining show such as this does not need to develop further. As has happened in many American comedy shows, characters and plots have been killed off by over-running; but a good show should end whilst it is still laughed at and enjoyed by its viewers, as to bring it into a reputable class of British comedy.