Batalla en Seattle

As we settled into our seats in Screen One in the Savoy Cinema, Dublin, Ireland, we wondered how on earth Stuart Townsend could exposit the intricate workings of the World Trade Organisation (WTO) to an audience who probably had no idea that it even existed.

We were not disappointed. From the breathtaking opening sequence, to the exhilarating ending, we were on the edge of our seats.

There were some outstanding performances – André Benjamin as Django (from the band Outkast) and Michelle Rodriguez as Lou (best-known in Europe for the TV series 'Lost') in particular were superb as two of the demonstrators. André injected an unfailing sense of humor and light relief into this serious topic, and managed to turn his unusual headgear into a clever statement about endangered species. Michelle gave her character exceptional depth and feeling, and handled a complicated emotional sub-plot with a mixture of both detachment and passion that worked so well on screen.

Charlize Theron played an innocent bystander, Ella, who was trapped in the violent maelstrom, with horrific consequences for both her own character and her character's husband.

During the Q&A with Stuart and Charlize at the end of the movie, an audience member stood up – an employee of the World Bank. She began by saying how cautious she was about coming to a movie about the WTO, but that she had to applaud Stuart for handing such a difficult subject so fairly. Her comments were echoed by a Trade Advocacy officer from a well-known Irish development charity, who congratulated him on creating a movie which managed to be both factually accurate and entertaining.

For anyone who has ever wished that this world was a better place, this movie is a must-see. For everyone else, this is a heart-warming movie about the power of the human spirit to overcome, to work together and to forgive.

(And as a footnote, Stuart gave free passes to the screening to protesters from the Campaign to Save Tara, who are still demonstrating against the construction of a new highway, the M3, in the historical valley at the Hill of Tara in Ireland. Stuart walks his talk.)

This is the 1999 WTO conference in a fictionalized format. It's not totally necessary, there are a half-dozen documentaries about the protests in Seattle in 1999. It seems a lot of the content from this movie was directly lifted from the documentary "This is What Democracy Looks Like". There are shots which have been recreated and even quotations by some of the protesters. One for instance is when one of the pro-environment protesters compares the crowds to people coming out of nowhere "like in the Michael Jackson 'Thriller' video" Yet this is a good movie with some wonderful acting. Harrelson and Liota stand out in their roles as a riot cop and the mayor of Seattle. Although I was most struck by Martin Henderson as Jay, a protest organizer whose brother was killed in a forestry protest and has two strikes against him and could spend a long time in jail if he gets arrested again. Having been to protests in Seattle and in Ottawa against globalization I recognized his character as a common person we see in this movement. The romantic plot line with another protester did almost feel forced at times. It wasn't necessary but for the most part this movie wasn't necessary.

If the movie accomplishes anything I hope it will bring younger people who were too young to be politically aware at that time into the fold and fight against corporate and state tyranny.

The movie definitely captured the feeling of these anti-globalization protests and how they represented a multitude of voices from environmentalism to labour leaders. I just wish they had focused more on the anarchists who seemed to be the only ones to get the short end of the stick in this movie. Why not show their story and who they are? Are hippie leftist protesters more interesting. Perhaps next time when someone makes a movie out of the 2001 protests against the FTAA in Quebec City. Battaille en Québec.

This docu-drama about the WTO riots in Seattle in 1999 is made in the same style as "Bloody Sunday", "United 93", and "Battle for Haditha": it just shows events in real time without comment. We follow everyone here from the ground up; the protest groups, the cops on the street, their commanders, city officials, a news reporter, and innocent bystanders. Maybe the scenes with the news reporter are the least fleshed out, but that's a fairly minor complaint for a movie that is very involving and entertaining and thought-provoking. Woody Harrelson and Charlize Theron are very good, as usual, and Michelle Rodriguez is perfectly cast. One of the big surprises here is Andre Benjamin, from Outkast fame, who delivers a fine supporting performance; he's irreverent but very smart. Ray Liotta is very effective as the mayor, and the film does a great job of seeing the complexities in elected officials as he struggles to please all sides; he is looking for the protesters to behave while also wanting the WTO to address important issues.

The audience I saw this with at the Toronto Festival gave it an ovation that lasted all through the credits. In terms of pure audience satisfaction, this movie was up there with "Juno" and "Body of War" and "Eastern Promises" as the fan favorites.

I just came back from watching the film at the Toronto International film festival, and I absolutely loved it. It is brilliantly made and brilliantly acted. Stuart Townsend is a very talented man; he is sure to win a few Oscars before the end of his career. Battle in Seattle is a great work which simply tells the story of the WTO riots in Seattle, without an obvious bias (at least in my opinion). The film also uses real footage during some parts which really help those who were not present during the riots see that the film isn't exaggerating how horrific people's actions were (on both sides). I highly recommend this film for anyone who loves films that entertain and teach.

"Labour itself is but a sorrowful song, The protest of the weak against the strong."

Frederick William Faber

As a liberal, I empathize with the protesters in the 1999 World Trade Organization meeting in Seattle. And I do empathize. The need for world organizations and big companies to consider the health of poorer countries before appropriating their resources is paramount.

In Battle in Seattle, director Stuart Townsend uses the stock devices of the docudrama: smoothly inter-cutting between scenes of police and protesters and expertly interspersing authentic footage with the dramatized. The feel is as if the audience is participant; the dilemma of how far either side should go in keeping the peace or disturbing it is palpable.

The drama is enhanced by fictionalizing the opposing forces through the lens of policeman Dale (Woody Harrelson) and his wife, Ella (Charlize Theron), both caught up in the escalating violence and too neatly tied to the issues of each side. The challenges of the protesters are also too deftly tied to a romance of the leader and a follower.

This facile mixing of truth and fiction leaves me a bit cold, as if I were the victim of a fraud because the reality of the historic event seems trivialized by clichéd romances and tragedies. I am always dismayed by the Michael-Moore-style loading of the left to the exclusion of the right's point of view: What are the purposes of the WTO? Has it been successful? How? These questions are rarely explored any more than the complicated motives and lives of the protesters.

But the docudrama succeeds in illuminating the WTO and its critics. As history has written, little progress has been made during the intervening decade even though the talks were stopped in Seattle. But as one of the combatants points out, only by small steps and persistence can the battle be won. And so went the Battle in Seattle.