Añade un argumento en tu idiomaA masked lumberjack stalks anyone who enters his woods. Throughout the film we get a variety of people who come in contact with the killer and they don't live to regret it.A masked lumberjack stalks anyone who enters his woods. Throughout the film we get a variety of people who come in contact with the killer and they don't live to regret it.A masked lumberjack stalks anyone who enters his woods. Throughout the film we get a variety of people who come in contact with the killer and they don't live to regret it.
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Mad Mutilator (1983)
* 1/2 (out of 4)
Bizzrre French film that tries to cash in and pay homage to the American slasher. A masked lumberjack stalks anyone who enters his woods. Throughout the film we get a variety of people who come in contact with the killer and they don't live to regret it.
This French film from writer-director N.G. Mount never really makes too much sense and I'd argue the plot is extremely thin to say the least. I'm not sure what the budget was for this film but it was obviously extremely low and while the film isn't a good one, it's at least somewhat interesting because you have to give the young filmmaker credit for attempting to do something like this and it does deliver what most people are going to be wanting from it.
What would that be? The gore and violence level is quite high because the lack of plot means that people just randomly show up in front of the killer. More times than not he just chops them up without any questions asked and this includes children. The special effects certainly aren't the work of Tom Savini and more times than not we just see the aftermath but this is just a part of low-budget filmmaking and especially during the era of the slasher.
Believe it or not, Jess Franco regular Howard Vernon shows up at the end and that alone makes this worth sitting through at least once. The film's biggest problem is that the pacing is rather bad and it's quite long considering there's no real plot. The film has a hard time keeping the viewer's attention and the lack of sound (it's dubbed) is another issue.
Still, if you enjoy the weird and bizarre then MAD MUTILATOR is worth watching once.
* 1/2 (out of 4)
Bizzrre French film that tries to cash in and pay homage to the American slasher. A masked lumberjack stalks anyone who enters his woods. Throughout the film we get a variety of people who come in contact with the killer and they don't live to regret it.
This French film from writer-director N.G. Mount never really makes too much sense and I'd argue the plot is extremely thin to say the least. I'm not sure what the budget was for this film but it was obviously extremely low and while the film isn't a good one, it's at least somewhat interesting because you have to give the young filmmaker credit for attempting to do something like this and it does deliver what most people are going to be wanting from it.
What would that be? The gore and violence level is quite high because the lack of plot means that people just randomly show up in front of the killer. More times than not he just chops them up without any questions asked and this includes children. The special effects certainly aren't the work of Tom Savini and more times than not we just see the aftermath but this is just a part of low-budget filmmaking and especially during the era of the slasher.
Believe it or not, Jess Franco regular Howard Vernon shows up at the end and that alone makes this worth sitting through at least once. The film's biggest problem is that the pacing is rather bad and it's quite long considering there's no real plot. The film has a hard time keeping the viewer's attention and the lack of sound (it's dubbed) is another issue.
Still, if you enjoy the weird and bizarre then MAD MUTILATOR is worth watching once.
Everything about this is so incompetent it's hilarious. The editing is atrocious and looks like it was done by a mental patient with safety scissors. Everything is shot in wide coverage so there's a lot of 10-15 second long shots of people running towards the camera. The whole film resolves around chase scenes that have all the dramatic tension of an episode of Who's The Boss. The big bad villain just looks like a dumpy hobo and is less scary. Not to mention that it badly and blatantly rips off The Texas Chainsaw Massacre. That said: it's hilariously bad. Like, Manos: The Hands of Fate level bad, and in fact the camera work and editing is very similar.
Only for the most well-versed of cinemasochists, MAD MUTILATOR (a.k.a. OGROFF) is one of the unique Z-grade chillers of the 1980s that is inept enough to transcend the barriers of this world and exist in a reality completely its own.
Almost completely silent, MAD MUTILATOR doesn't have a plot, per se. There's a forest. There's a killer in the forest. Random people without names happen to find themselves in the forest and then get killed. But plot isn't the point here. The point is the almost-psychedelic atmosphere of a film possessing no talent, an atmosphere that seems not to be part of the world as we know it.
No, MAD MUTILATOR isn't set on Earth, it's set in an alternate universe only tangentially like Earth. A universe where people do not act like normal human beings. One where instead of helping screaming women, civilians in cars get out, curse at them in French and keep driving. Minimal synthesizer music showers the fields like rain, and potential victims of Ogroff are just as likely to consensually sleep with him as be killed by him. It is an existence outside our own, one where sense is not taken into account.
It is delightfully bizarre, but is often a bit of a drag. For every axe/chainsaw fencing match, there is a 5-minute scene of an old scrap car being destroyed. The film decides at the one-hour mark that it is now a zombie flick, and everything after that is wasted celluloid (except for the truly out-of-the-blue ending). Probably worth a watch if you're into movies like BOARDINGHOUSE or THINGS, but it won't mess with your sanity nearly as much as those two films will.
Almost completely silent, MAD MUTILATOR doesn't have a plot, per se. There's a forest. There's a killer in the forest. Random people without names happen to find themselves in the forest and then get killed. But plot isn't the point here. The point is the almost-psychedelic atmosphere of a film possessing no talent, an atmosphere that seems not to be part of the world as we know it.
No, MAD MUTILATOR isn't set on Earth, it's set in an alternate universe only tangentially like Earth. A universe where people do not act like normal human beings. One where instead of helping screaming women, civilians in cars get out, curse at them in French and keep driving. Minimal synthesizer music showers the fields like rain, and potential victims of Ogroff are just as likely to consensually sleep with him as be killed by him. It is an existence outside our own, one where sense is not taken into account.
It is delightfully bizarre, but is often a bit of a drag. For every axe/chainsaw fencing match, there is a 5-minute scene of an old scrap car being destroyed. The film decides at the one-hour mark that it is now a zombie flick, and everything after that is wasted celluloid (except for the truly out-of-the-blue ending). Probably worth a watch if you're into movies like BOARDINGHOUSE or THINGS, but it won't mess with your sanity nearly as much as those two films will.
Meet Ogroff,the most bestial and savage backwoods killer in the history of French horror genre.This masked psycho randomly butchers random people doing random things in the forest including men,women and even kids.Extremely cheap and awful French slasher with tons of inept gore.The editing is extremely amateurish and there is often no sound.Even the voices have been added later.There are some random zombies thrown in for a good measure.The killings are nasty and inane including the scene in which the guy gets the hatchet in his face."Mad Mutilator" rips off "The Burning" and "The Texas Chainsaw Massacre" and it surely looks like Nathan Schniff's ultra low-budget gorefests.If you are into crude dismemberment,axe masturbation and leather masks watch this utter trash and be amazed how ridiculous it is.5 axes out of 10.
Let's suppose that you have at least half a dozen friends who are just as crazy about splatter films as you are and who also want to make a movie of their own. Let's say that, between the lot of you, you have an almost non-existent budget and zero professional equipment. Let's also say that none of you have any prior film-making or acting experience, and have very little idea for a story. I still think that you would be hard pushed to make a film quite as awful as Ogroff The Mad Mutilator.
A completely inept French splatter crap-fest, Ogroff opens with the titular killer—a masked maniac brandishing an axe—slaughtering a family, including a little child who is chopped in the chest, and later has her head sawn off. Mean spirited, perhaps, but also completely inept, with horribly shoddy effects the likes of which make the work of fellow home-made horror hacks Nathan Schiff, Andreas Schnaas and Todd Sheets look masterful in comparison.
The film then proceeds to follow Ogroff as he attacks anyone he should meet in the woods, including a trio who are relaxing playing chess while listening to bad electronica, a man cutting trees with a chainsaw (which leads to an incredibly unconvincing 'axe vs power-tool' duel), and a pretty young woman who actually turns out to be Ogroff's lover.
The film then takes a completely unexpected turn when Ogroff's woman accidentally releases a horde of zombies from the killer's cellar, and an elderly vampire (played by Euro horror star Howard Vernon, who must have been a friend of the family) kidnaps the girl, with the axe-waving Ogroff in hot pursuit on a motorcycle. That's right this is a splatter slasher with zombies AND a vampire!
With all of that, one might expect Ogroff to be an entertaining mess despite the amateurish nature of proceedings, but the terrible direction, random editing, god-awful performances, and lousy audio (any sound was clearly added after filming, since very little of it matches the action), the whole thing manages to be a total bore. I rarely say that 'I could do better' since I was involved in the making of some pretty shoddy super-8 horror shorts myself in the '80s, but, in this case, I could definitely do better.
A completely inept French splatter crap-fest, Ogroff opens with the titular killer—a masked maniac brandishing an axe—slaughtering a family, including a little child who is chopped in the chest, and later has her head sawn off. Mean spirited, perhaps, but also completely inept, with horribly shoddy effects the likes of which make the work of fellow home-made horror hacks Nathan Schiff, Andreas Schnaas and Todd Sheets look masterful in comparison.
The film then proceeds to follow Ogroff as he attacks anyone he should meet in the woods, including a trio who are relaxing playing chess while listening to bad electronica, a man cutting trees with a chainsaw (which leads to an incredibly unconvincing 'axe vs power-tool' duel), and a pretty young woman who actually turns out to be Ogroff's lover.
The film then takes a completely unexpected turn when Ogroff's woman accidentally releases a horde of zombies from the killer's cellar, and an elderly vampire (played by Euro horror star Howard Vernon, who must have been a friend of the family) kidnaps the girl, with the axe-waving Ogroff in hot pursuit on a motorcycle. That's right this is a splatter slasher with zombies AND a vampire!
With all of that, one might expect Ogroff to be an entertaining mess despite the amateurish nature of proceedings, but the terrible direction, random editing, god-awful performances, and lousy audio (any sound was clearly added after filming, since very little of it matches the action), the whole thing manages to be a total bore. I rarely say that 'I could do better' since I was involved in the making of some pretty shoddy super-8 horror shorts myself in the '80s, but, in this case, I could definitely do better.
¿Sabías que...?
- CuriosidadesThe opening credit "OGROFF" was achieved by pasting the title on a piece of transparent glass, placing it in front of the camera, having the actor stand behind it and then pouring blood on it.
- Banda sonoraMad Mutilator - Rasta Reaper
(uncredited)
Written by Jean Richard
Performed by Michel Desangles
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- How long is Ogroff?Con tecnología de Alexa
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- Duración1 hora 30 minutos
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