Marco Polo

I rented this movie as I love history. I had not heard of this made for TV movie and so based on past experience (ie when movies have no reviews or decent advertising campaigns or they go straight to DVD)I did not hold out much hope for it.

Unfortunately I was proved right. Whilst I give full marks to the wonderful settings and locations which were extremely good the acting was poor with no apparent eye to detail. It seemed the movie was rushed and what started out as a potentially good premise soon had me cringing. I battled through because I wanted to know more about the adventures of Polo. I have since looked him up on Wikipedia so something positive came out of it :) The person responsible for casting Dennehy as Khan needs to be fired.I thought Khan was from Mongolia and was oriental? It was laughable. Also ethnic Chinese who speak fluent English with an American accent just doesn't cut it. This doesn't make sense when other Chinese characters in the movie spoke speak Mandarine/Cantonese with no sub titles.

I am assuming their were liberal interpretations of the truth as to historical accuracy but then most supposedly true stories do this as well so I don't have any issues there.

Had so much potential but sadly let down. I guess the production ran out of money.

I'm amazed-- did Dennehy never see or hear of "The Conqueror", starring John Wayne as Genghis Khan? Dennehy never get the belly laughs that John Wayne elicited, but-- why Brian, after such a stellar career???? The rest of the movie seems more than anything else a movie made by committee. My guess: somebody had a really brilliant idea, came up with a great story line, secured some of the greatest filming locations on Earth, and the future was very bright. Then one by one, people in the production process kept altering the plot, putting in formulaic details that were successful in other movies but inappropriate or laughable in this production (the martial arts fighting scenes come to mind), hiring on actors who were not at all fit for the parts, and the end result was this production that nobody actually owns or would really wish to own. It has so many great ingredients, but the movie should be a cautionary tale of just how bad of production can come from such great raw material. My condolences to all involved.

(having had a couple of days to think over the post): I don't want to be too hard on the actors in this production. Hollywood is filled with world-class talented actors who will find themselves acting in just about anything to keep working. All the lead actors in this production have shown phenomenal performances in other roles, and likely would have done wonderful things here if allowed. This movie is such a turkey because it's so badly produced and directed (and, yes, acted), and everyone in the production process can probably point out reasons why they personally were not responsible for the parts that suck. I really do offer my condolences to the cast, this could and should have been a world-class production.

My social-science take: high-budget turkeys like this are symptomatic of an organization where access to power and resources is become disconnected with any proved talent at using those resources wisely.

The Travels of Marco Polo is a vast and informative account of a fascinating journey. The book was, anyway. The movie was a pretty film, but I think the only thing it had in common with the original account is some of the character's names and China itself. It was like a PC morality play rather than a portrayal of the events in the book. All the fascinating things Polo did and saw and all we got is that silly movie?

I am not going to complain about the acting. There was no soul in the script. I thought the young man who played Marco Polo was as good a fit as I would have expected, physically. I don't know what they were thinking of with Dennehy. He is a fine actor, but I don't think they did justice to the Chinese people by having an Irishman play one of China's major historical figures.

What hope is there when even the films buyer/screener doesn't know the plot as the Plot Summary indicates - "Marco Polo is abandoned in the mountains when the priests, doubting the very existence of China, turn back. Polo eventually pushes bravely forth alone toward the fabled count - Written by Hallmark Channel". It seems they didn't even bother to watch the first 10-15 minutes to know that his father and uncle still accompanied him after the two priests (possibly the worst actors in the whole show) turned back.

Like others I agree the script, acting and casting was pretty atrocious for the European and 'name stars' and were mismatched to the possibly great movie that could have been if the production locations and costuming were better matched. I thought the era of trying to pass off Europeans (Dennehy) as Orientals had ceased and it was obvious the Asian actors were far better than the so called stars. At least back in the 50's and 60's all the actors and extras looked fake when playing foreigners of a different race. It is even more glaring when they are used alongside far better actors of genuine racial type.

However it did improve a lot after the first 30 minutes which had nearly made me switch it off.

Given the fact that the makers had access to plenty of money, good costuming, and even to the locations (or convincing computer-generated substitutes), this could have been a very good historical movie.

Alas,the derogatory comments on this site regarding script, acting, and casting are perfectly valid. Who on earth cast Brian Dennehy as an oriental? There are established oriental actors who look the part — John Lone would be an obvious choice.

The real Marco Polo could speak Italian and French, and on his way to meet Kublai Khan may well have learned Turki, the language Kublai sometimes used in his written communications. But the ridiculous scene where they meet bears not the slightest resemblance to Marco Polo's real-life account, in which the great ruler was the soul of courtesy. Dennehy's grumpiness was pure fiction, like so much else in this tedious production.

The question that begs to be asked is: if one wants to make a historical epic, why present bad fiction instead of interesting fact?