Un juego de inteligencia

There is something when it comes to film and German, during their film history they have give us several of the best films ever made, but the latest decay film in German has only been about Tom Tykwer. Perheaps Hans Weingartner is the man to change that, his earlier film Die Fetten Jahre sind vorbei was a great comedy/drama. In this film he is using basically the same theory, but it is much better done. It is not about young people protesting against society, it is about a man that wakes up and discover that everything he stands for is "shit", and then gathering some folks to start a revolution against the entertainment industry and television companies. The film entertains until the end.

Someone said that if you want to know them you're funny, don't tell them you're funny, tell them a joke. In this case, the last laugh is on the audience. Hans Weingartner's movie is all telling and zero demonstration. Irrespective of temperament and motivation, his characters preach to the camera on the corruptive influence of mainstream television, the liberating powers of learning and movies as a moral institution. At no point in the story do we have any idea why the characters behave the way they do. Laughable. Three reasons to see "Free Rainer" anyway: Rainer's initial display of road rage that leaves even a group of short-tempered skinheads green with fear, an amusing portrayal of a nameless millionaire's wife, and the very lovely Elsa Gambard. It's obvious she can't act, but with face and grace like that, she should have no trouble at all finding work as a model. - Guest appearance by Sarah Kuttner. God knows what's gotten into her.

This film created quite some controversy. It really depends on how you see it. You shouldn't take it as a drama, that's for sure.

I just loved it! It has a great sense of humor. Many really dark humored scenes that made me laugh out aloud, just like the rest of the audience in the cinema I was in.

Some bourgeois critics didn't like it, but that for me is only a sign of the narrow mindedness of todays film critics. The film just doesn't follow any of today's rules of art-house cinema. Which is what made it such an refreshing experience to watch for me.

A crazy, wild piece of cinema with a strong political message. I liked it much more than "The Edukators", because it's more honest in a sense that it doesn't camouflage it's intent, and also because it's much more satirical.

Definitely fun to watch, positively a must-see.

We saw this film in a screening down at the film society. Loved it. This film is an excellent comment on the sick media world. Quite dramatic and brutal in the first part, warm and funny in the second. Full of mad ideas. A prankster movie and at the same time a political statement on the brainwash. Is it comedy? Drama? I don't know. Does it matter?

Definitely worth seeing. I also really loved it, because it's so different from the standard European art-house flicks. More fun, more diverse, crazier. A raw film. Moritz Bleibtreu, the male lead, seems to be one of Germany's finest. Camera is doc style, hand-held, but never nauseating.

I don't get where all these jealous people come from who are writing those bad comments... First of all, this is not a comedy, it's a drama about the modern television, how it manipulates us and our lives.

The actors, as in DIE FETTEN JAHRE SIND VORBEI are very well casted and do a pretty good job here, especially Bleibtreu. The photography is manily realistic and in a documentary style and so is the acting. Some might think that its a bit overdosed showing the TV-producers doing nothing else than sniffing coke and being assholes but those who work in the business will recognize most of it.

I really enjoyed watching the movie, even if it could have been a bit shorter and to the point. There are not many directors in Germany which are brave enough to write such explosive stuff!