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IMDbPro

Fong juk

  • 2006
  • R
  • 1h 50min
PUNTUACIÓN EN IMDb
7,2/10
10 mil
TU PUNTUACIÓN
Fong juk (2006)
Home Video Trailer from Magnolia Pictures
Reproducir trailer2:10
3 vídeos
41 imágenes
Gun Fu¿CrimenAcciónDramaThriller

Añade un argumento en tu idiomaA friendship is formed between an ex-gangster, and two groups of hitmen - those who want to protect him and those who were sent to kill him.A friendship is formed between an ex-gangster, and two groups of hitmen - those who want to protect him and those who were sent to kill him.A friendship is formed between an ex-gangster, and two groups of hitmen - those who want to protect him and those who were sent to kill him.

  • Dirección
    • Johnnie To
  • Guión
    • Kam-Yuen Szeto
    • Tin-Shing Yip
  • Reparto principal
    • Nick Cheung
    • Anthony Chau-Sang Wong
    • Francis Ng
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,2/10
    10 mil
    TU PUNTUACIÓN
    • Dirección
      • Johnnie To
    • Guión
      • Kam-Yuen Szeto
      • Tin-Shing Yip
    • Reparto principal
      • Nick Cheung
      • Anthony Chau-Sang Wong
      • Francis Ng
    • 41Reseñas de usuarios
    • 104Reseñas de críticos
    • 73Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 8 premios y 17 nominaciones en total

    Vídeos3

    Exiled
    Trailer 2:10
    Exiled
    Exiled
    Clip 1:16
    Exiled
    Exiled
    Clip 1:16
    Exiled
    Exiled
    Clip 1:54
    Exiled

    Imágenes41

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    + 35
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    Reparto principal26

    Editar
    Nick Cheung
    Nick Cheung
    • Wo
    Anthony Chau-Sang Wong
    Anthony Chau-Sang Wong
    • Blaze
    • (as Anthony Wong)
    Francis Ng
    Francis Ng
    • Tai
    Simon Yam
    Simon Yam
    • Boss Fay
    Richie Jen
    Richie Jen
    • Sergeant Chen
    Roy Cheung
    Roy Cheung
    • Cat
    Josie Ho
    Josie Ho
    • Jin
    Suet Lam
    Suet Lam
    • Fat
    • (as Lam Suet)
    Ka-Tung Lam
    Ka-Tung Lam
    • Boss Keung
    • (as Lam Ka Tung)
    Eddie Cheung
    Eddie Cheung
    • Jeff
    • (as Cheung Siu Fai)
    Ellen Chan
    Ellen Chan
    • Hooker
    Bing-Man Tam
    Bing-Man Tam
    • Uncle Fortune
    • (as Tam Ping Man)
    Shiu-Hung Hui
    Shiu-Hung Hui
    • Sergeant Shan
    • (as Hui Siu Hung)
    Ronald Yan
    Ronald Yan
    • Underground Doctor
    Wah-Wo Wong
    Wah-Wo Wong
    • Sergeant Shan's driver
    Libby Brien
    Libby Brien
    • Jin
    • (English version)
    • (voz)
    Philip Hersh
    Philip Hersh
    • Tai
    • (English version)
    • (voz)
    Jeff Cheung
    Jeff Cheung
    • One of Fay's Men
    • (sin acreditar)
    • Dirección
      • Johnnie To
    • Guión
      • Kam-Yuen Szeto
      • Tin-Shing Yip
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios41

    7,210K
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    Reseñas destacadas

    8connor-cox

    A highly polished film with an all round performance from its brilliant cast.

    Exiled is what i call a stylish film, it doesn't strive to be realistic it simply wants to entertain the audience. So if you're expecting a constant barrage of action, you'll probably be a little disappointed, however the high drama and acting make this film very enjoyable.

    The film has some well known faces like internal affairs Anthony Wong and Ip mans Simon Yam, both of these actors are great but i'd have to say Anthony Wong put on the most memorable performance in Exiled. Some of the action sequences are incredible, with dozens of extras in nearly every scene.

    A précis of this film is, Very Dramatic and a nostalgic eastern action movie, I really enjoyed it and i think you will to.
    7frankenbenz

    Lo Mein Western

    Mainstream Asian cinema owes as much to Hollywood as mainstream cinema anywhere in the world. Hollywood perfected cinematic storytelling in the 30's and 40's and its influence is still present in practically everything we watch. The transition from Hong Kong to Hollywood has elevated (or destroyed, depending who you ask) the careers of many directors and actors: Bruce Lee, Jackie Chan, John Woo and Tsui Hark to name a few. To his credit, one director has avoided the calling of the West and remained in Hong Kong not only to buoy HK cinema, but also to redefine himself as perhaps the most interesting of all mainstream Asian filmmakers.

    Johnny To may be the only HK filmmaker who possibly owes as much to Jean-Luc Godard as he does to Hollywood. As such, the similarities between To's films and Tarantino's are impossible to disregard and, like Tarantino, To elevates the tired clichés and conventions of genre pics (the same traits John Woo is (sac)religiously married to) into revisionist works of art. But To's influences don't begin and end with Godard and Exiled hammers this home since it is crammed full of references to Leone's famous Spaghetti Westerns and also to the classic John Ford Westerns that made John Wayne a household name. Make no mistake about it, Exiled is a Western and even though it masquerades as a HK triad shoot em' up, every single detail on the screen is cherry picked from Westerns.Exiled is a good example of how a film can, at first, smack of familiarity before taking off on a fresh, uncharted flight of fiction. Despite a few clunky sequences and some thin writing, Exiled will not only be hailed by To fans as one of his best films, it will also find converts thanks to its Triad trimmings (and those in search of a post-modern Western).

    In Exiled, the premise of a typical gangland hit evolves into a blossoming character study of five friends whose pasts unfold in increments alongside the growing chaos of present circumstances. While gun play cracks throughout, To's style is nothing like Woo's, where, instead of making the action the proud centerpiece, To uses it sparingly as an infrequent catalyst to propel our protagonists story arc from one escalating situation to the next. That's not to say the action isn't palpable, but the action is merely a flash of style that's deliberately trumped by the predominant substance throughout. Exiled makes a strong case that if John Woo were to permanently abandon the West for his homeland, he'd have some catching up to do with the current king of Kong.

    http://eattheblinds.blogspot.com/
    8valis1949

    Bad Company

    If you favor your gun play elegantly crafted and choreographed-EXILED is the film for you. This Asian action pix could have worked just as easily as a western for Sergio Leone had it been set in the American old West. And, Hong Kong cult director, John Woo has covered this same ground in many of his films. EXILED is set on the territory of Macao just before the Communist takeover in late 1999. Two groups of hit-men meet up again for a few bloodthirsty and challenging capers, yet we more than suspect that no one will get out alive. Johnny To, the director, has consciously placed the action in the forefront at the expense of the storyline. However, in these types of action/adventure yarns it is not the tale, but the execution which is of prime concern. The narrative is glacially paced, rather than suspenseful, yet the 'pink mist' of the stylishly orchestrated gunfights more than make up for it. In the case of EXILED, 'Style' trumps 'Substance', and it works!
    7Buddy-51

    great visuals overcome confusing narrative

    Good luck trying to make any kind of sense out of "Exiled," a largely incoherent Chinese mob drama that at least boasts exquisite photography by Cheng Siu-Keung and uber-stylish direction by Johnnie To to hook and enthrall us. In fact, so riveting are the movie's visuals that you won't even mind that you can't tell who's who without a program or figure out how any of the characters are related to one another in the context of the narrative. It all has something to do with a gang of assassins trying to protect one of their own from the very mob boss who has sent them on a mission to take the man out - but I'll be damned if I can explain anything more that happens in the movie.

    Suffice it to say that with its meticulously composed, wide screen framing, its stylized action scenes - kind of a cross between Quentin Tarentino and Robert Rodriguez - its visual correlatives, and its dark, velvety colors, the movie makes it hard for us to tear our eyes off the screen for a single second.

    Almost a textbook case of style triumphing over substance, "Exiled" is a true cineaste's delight. And hang the story.
    8mcnally

    As finely tuned as a Swiss watch

    I saw this film at the Toronto International Film Festival. Among lovers of Hong Kong cinema, Johnnie To is legendary. He had three films showing in this year's festival (Election (2005) and Election 2 (2006) screened together, as well as this film) and this was my first experience seeing one of his films. I'll be seeking out some others. Exiled is an incredibly well- constructed film. It's like a Swiss watch, with every scene precisely set up and choreographed and nothing wasted. To has created a self-contained world and set his characters loose in it. Set just around the time of Macau's reversion to the Chinese government, it concerns a group of hit men who come together when their boss orders a hit on one of them. Two pairs of men arrive at the target's new home. The first to warn him, the second to kill him. After a kinetic set piece involving three shooters, precisely 18 bullets, and the target's wife and infant son, the group ends up helping still-alive Wo move furniture into his new place, before settling down to eat.

    The mixture of action, comedy, and sentiment is probably a staple of Hong Kong gangster films, but I found it fresh. The plot continues when the assassins agree to give Wo some time to carry out one last job to make some cash for his soon to be widowed wife and orphaned child. Things don't go as planned, however, and the film bumps along from set piece to set piece until an inevitable but satisfying end. Each choreographed set piece is set up in such a way as to heighten the anticipation, and you almost don't mind that none of these trained killers seems to be a very good shot. It's enough that they're all ludicrously macho, swilling scotch from the bottle and smoking as they fire bullets at each other.

    Seeing this one on the big screen is a must, just for the sound. The musical score, by Canadian Guy Zerafa, veered between James Bond and spaghetti westerns, with a bit of mournful harmonica thrown in. It worked perfectly, as did the fact that the viewer can hear every single shell casing hit the ground throughout the film. Even the gunshots themselves seemed different from those in American films, with less blast and more metallic sounds. It certainly helped create atmosphere. While this and the choreographed gunplay never let you forget you're watching a created thing rather than any semblance of reality, that actually made me more appreciative of the creator. He's certainly created another Johnnie To fan.

    Más del estilo

    Election
    7,1
    Election
    Hak se wui: Yi woo wai kwai
    7,4
    Hak se wui: Yi woo wai kwai
    PTU
    7,0
    PTU
    The Mission
    7,5
    The Mission
    Dai si gin
    6,7
    Dai si gin
    Drug war: La guerra de la droga
    7,0
    Drug war: La guerra de la droga
    Mad detective
    7,1
    Mad detective
    Fuk sau
    6,5
    Fuk sau
    San ren xing
    5,9
    San ren xing
    Yau doh lung fu bong
    6,9
    Yau doh lung fu bong
    Con los días contados
    7,3
    Con los días contados
    Duet ming gam
    6,9
    Duet ming gam

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      For the film, actress Josie Ho did not work with a script. Director Johnnie To wanted the actors to come to the set with their minds clean, so he could draw whatever he could on them. Ho did not find this method of improvisational acting difficult.
    • Pifias
      The version shown in US theaters in 2007 includes a subtitle reading "He took the wrap for me". It should be "rap".
    • Versiones alternativas
      Hong Kong version was edited to avoid a CAT III rating. Removed was the scene where Boss Keung and Boss Fay shake hands - with their left hands. According to Hong Kong Film Censorship Authority this is a distinctive mark of the triads and therefore not suitable for youngsters.
    • Conexiones
      Featured in Johnnie Got His Gun! (2010)
    • Banda sonora
      CAMILLE
      Co-composed, Arranged, Orchestrated and Recorded by Guy Zerafa and Dave Klotz

      From the recording entitled 'Azul'

      Performed and Composed by Diego Marulanda

      2000

      Unpublished

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    Preguntas frecuentes19

    • How long is Exiled?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 19 de octubre de 2006 (Hong Kong)
    • País de origen
      • Hong Kong
    • Idiomas
      • Cantonés
      • Inglés
    • Títulos en diferentes países
      • Exiled
    • Localizaciones del rodaje
      • Macau, China
    • Empresas productoras
      • Media Asia Films
      • Milky Way Image Company
      • Newlink Development
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 35.000.000 HKD (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 51.957 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 15.502 US$
      • 2 sept 2007
    • Recaudación en todo el mundo
      • 1.230.135 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 50min(110 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.35 : 1

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