Reseñas de Metacritic

It's a delightful piece of filmmaking with a marvelous cast topped by Meryl Streep in one of her smartest and most entertaining performances ever.

Before plunking down your cash for a ride on the Mamma Mia! express when it pulls into town, just ask yourself one question: Do I really dig ABBA?

Scribe-creator Catherine Johnson (also in her first screen outing) and theater-opera vet Lloyd can't seem to find the right tone or style for their globally celebrated material.

Cute, clean, camp fun, full of sunshine and toe tappers. Guaranteed to put grins on tweenies who are in to High School Musical, grans with a pair of platforms still at the back of the wardrobe, and a lot of people in between tone.

It's tempting to say that Mamma Mia! has the worst choreography of any big-screen musical in history, though that would imply that what happens in the film IS choreography.

It's little more than droopy ditties draped around a threadbare plot.

I COULD do without "Dancing Queen" stuck in my head, but that will unstick soon enough, and with any luck so too will the memory of Streep noodling on an air guitar.

It's funny what you buy completely onstage and resist completely, or nearly, on-screen. Case in point: Mamma Mia!

All singing! All dancing! All squealing! The money-minting Broadway musical has been adapted into the year's most aggressive chick flick, with a score of irresistibly catchy ABBA tunes sweetening the dumb story like peaches in cottage cheese.

Seyfried (of Big Love and Mean Girls) is a radiant object and can sing, but I'd like to forget the others--especially Brosnan, whose singing is the best imitation I've heard of a water buffalo.