La escritora novata de 13 años Briony Tallis cambia el curso de varias vidas cuando acusa al amante de su hermana de un crimen que no ha cometido.La escritora novata de 13 años Briony Tallis cambia el curso de varias vidas cuando acusa al amante de su hermana de un crimen que no ha cometido.La escritora novata de 13 años Briony Tallis cambia el curso de varias vidas cuando acusa al amante de su hermana de un crimen que no ha cometido.
- Director/a
- Guionistas
- Estrellas
- Ganó 1 premio Óscar
- 52 premios y 150 nominaciones en total
Felix von Simson
- Pierrot Quincey
- (as Felix Von Simson)
Charlie von Simson
- Jackson Quincey
- (as Charlie Von Simson)
- Director/a
- Guionistas
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
Reseñas destacadas
Comprising recognisable, realistic and outstandingly beautiful performances, set within an uncomfortably believable and heartbreakingly tragic story, it will leave a mark, a scar, a wound on your soul; especially if you have an ounce of humanity, understanding and empathy for the circumstances within which it is told.
I deeply appreciate Atonement for other reasons and while the films are about 10 years apart I am utterly perplexed by how Nolan's Dunkirk became the critical darling it is, especially since this film exists. This film isn't about the evacuation of Dunkirk or WWII (those elements form the background for a fully realized troubled romance and family drama) and YET this film spends about 20 minutes on Dunkirk and it conveys the horror, defeat and dread of it it far sharper and more resonant than Nolan's film does for its entire run time. There is a one very long shot of soldiers on the beach that even manages to capture the whole what is time when facing your death thing better than Nolan's film.
With that being said I most appreciate the soft, luminous cinematography and the very atypical score in this film. Indeed atypical flourishes-the split perspective, the inserted fiction within the narrative, what's being atoned for etc.-greatly elevate a sweeping romance that might have been too conventional if the film played it straight up. It is really the details-sometimes as small as word choice-that really make this film a ravishing epic.
Doomed romances rest on their casting and I can say that both Knightley and McAvoy don't disappoint. McAvoy especially is really sexy, beautiful and emotional in this in that perfectly restrained British way. It may be his career best performance. Good film. It is much better than No Country for Old Men.
With that being said I most appreciate the soft, luminous cinematography and the very atypical score in this film. Indeed atypical flourishes-the split perspective, the inserted fiction within the narrative, what's being atoned for etc.-greatly elevate a sweeping romance that might have been too conventional if the film played it straight up. It is really the details-sometimes as small as word choice-that really make this film a ravishing epic.
Doomed romances rest on their casting and I can say that both Knightley and McAvoy don't disappoint. McAvoy especially is really sexy, beautiful and emotional in this in that perfectly restrained British way. It may be his career best performance. Good film. It is much better than No Country for Old Men.
This film packs a major punch.
Would strongly recommend this film to anyone.
I typically like "period" piece films and since this is set in the 40's, it was right up my alley.
The performances were exceptional and brilliant. James McAvoy & Kiera Knightley are wonderful and relatable, they captivated audiences with their chemistry and likability.
The storytelling was breathtakingly beautiful, and had a sense of mystery in a dram-romance genre.
Although I have not read the book, from what I read this film adapts the books flawlessly.
I walked out of this film speechless and wanting to read the book, so I purchased the book.
Please watch this film, you won't be disappointed.
Would strongly recommend this film to anyone.
I typically like "period" piece films and since this is set in the 40's, it was right up my alley.
The performances were exceptional and brilliant. James McAvoy & Kiera Knightley are wonderful and relatable, they captivated audiences with their chemistry and likability.
The storytelling was breathtakingly beautiful, and had a sense of mystery in a dram-romance genre.
Although I have not read the book, from what I read this film adapts the books flawlessly.
I walked out of this film speechless and wanting to read the book, so I purchased the book.
Please watch this film, you won't be disappointed.
Well, from the trailers I could tell this would be an epic film before I was even able to see it. I managed to attend a gala screening of the film last night and I thought it was amazing. Despite my constant dislike to Keira Knightly, I was unable to disapprove of her acting in this film. She has improved massively since the first pirates film. The film itself has an intriguing plot line which keeps you hooked throughout. The film includes humour at the start and fascination by the end. I loved watching this film and I enjoyed the smartness of the story. The film is cleverly done with jumps in time and different perspectives of events throughout which will leave you understanding the motives of each character more. The music is composed beautifully, the orchestral tunes accompanied with the clatter that a typewriter makes creates a beautiful piece of music that fits perfectly with the film itself. I have since begun to read the book, the only thing that the film lacks is the character depth that a book can write about but a film simply can't explain. I feel that the film shows what happened but the book is able to explain a little more as to why the events occurred. Overall the film was beautiful, brilliant and emotional.
I usually don't like watching novels turned into movies (specially when I liked the novel as much as I liked McEwan's "Atonement") but this was a really pleasant surprise. The plot is extraordinarily well adapted, leaving out what cannot possibly be included in a two-hour film, changing very few details to translate literary language to cinematographic language but sticking to the essence and the spirit of the novel.
I really believe that if you enjoyed McEwan's novel, you will fall for this beautiful film. If you have never read McEwan, you will fall for the intriguing and thrilling story written by this wonderful English novelist.
Please, don't miss this one!
I really believe that if you enjoyed McEwan's novel, you will fall for this beautiful film. If you have never read McEwan, you will fall for the intriguing and thrilling story written by this wonderful English novelist.
Please, don't miss this one!
¿Sabías que...?
- CuriosidadesDirector Joe Wright had wanted Keira Knightley to play the role of Briony in her late teens, but Knightley immediately liked the character of Cecilia, and also wanted to get away from playing girls on the brink of womanhood and play a more mature character for once.
- PifiasAny apparent continuity errors in the fountain scene - the position of the vase, the tennis shoes, Robbie's sitting position, Cecilia's strap slip, the buttons on her blouse etc. - are not what they seem: we are seeing the same event in different ways through different pairs of eyes.
- Citas
Cecilia Tallis: I love you. I'll wait for you. Come back. Come back to me.
- Créditos adicionalesThe title types itself out like on a typewriter.
- ConexionesEdited into Atonement: Deleted Scenes (2008)
- Banda sonoraClair de Lune
Written by Claude Debussy
Performed by Gordon Thompson
Courtesy of Sanctuary Records Group Ltd
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Expiació
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 30.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 50.927.067 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 784.145 US$
- 9 dic 2007
- Recaudación en todo el mundo
- 129.266.061 US$
- Duración
- 2h 3min(123 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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