Añade un argumento en tu idiomaThe unimaginable happens. Sayuri is pronounced 'dead' by her doctor, but her body continues to function. Her wounds begin to fester and her body begins to rot. Her once loving mother, father... Leer todoThe unimaginable happens. Sayuri is pronounced 'dead' by her doctor, but her body continues to function. Her wounds begin to fester and her body begins to rot. Her once loving mother, father and sister are repulsed as their home starts reeking of decomposing flesh. Unable to bear... Leer todoThe unimaginable happens. Sayuri is pronounced 'dead' by her doctor, but her body continues to function. Her wounds begin to fester and her body begins to rot. Her once loving mother, father and sister are repulsed as their home starts reeking of decomposing flesh. Unable to bear it any longer, they corner Sayuri holding a can of gasoline.... She flees for her life, b... Leer todo
- Dirección
- Guión
- Reparto principal
- Nôfu
- (as Kansai Etô)
- Kurayami no Otoko
- (as Horiken.)
- Genin
- (as Mikku Iriki)
- Yuri no Yûjin
- (as Yuki'e Maeda)
Reseñas destacadas
It has some striking imagery, and doesn't waste much time, thanks to that runtime, so I almost get the appeal (and can't call it terrible). But I wasn't able to get a handle on the horror, feeling frustrating; to me, it was almost like watching a film in a language you don't speak without subtitles.
In one sense, the film plays off of a universal teenage-girl fantasy of self-pity: "I'm always so good, and look how they treat me. I really don't deserve this. If I dropped dead, they'd be sorry." But part of the horrible joke is that she does in fact drop dead, and instead of being mourned, she only becomes a garbage disposal problem. By twisting this daydream to ludicrous extremes, the film both amuses and horrifies. The images are both surreal and laughably gory. Good job!
Despite that smorgasbord, I actually like this all told. There is a bounty of smart ideas on hand that simply needed more careful consideration at the stage of developing the screenplay. (At least, I assume it's the screenplay; I'm not familiar with Hino's manga but presume it is tighter.) Shiraishi's direction would have unquestionably followed in turn. While some creative choices are more dubious either in and of themselves or in combination with others, there is much to appreciate in these abbreviated forty-odd minutes. It is beautifully shot at some points in its black and white presentation; the hair and makeup work, as applied to star Maeda Ayaka, looks pretty darn good. Maeda gives a commendable performance as beleaguered dead protagonist Yuri, and the supporting cast is just as swell. The practical effects are quite excellent. The somewhat whimsical music is a nice touch to complement the proceedings. In fact, compared to its sister movies, 'Dead girl walking' is rather well made.
Again, however: would that the tiny feature had a more singular, unified vision. It's sort of all over the place, trying to be many different things at different points, and the whole absolutely suffers as a result. It's a good horror picture as it exists, and with a smidgen more mindfulness in its conjuration, it could have been even better. Still, while hardly a must-see, the end product is darkly enjoyable when all is said and done, and sometimes that's all a title needs to be. Definitely don't go out of your way for 'Dead girl walking,' but if you do have the chance to watch and are open to such genre pieces that are far less than perfect, it's a decent enough way to pass some time.
¿Sabías que...?
- ConexionesFollowed by Watashi no akachan (2004)