Papá Puerco

Hogfather for me is not as good as Going Postal, but it is better than the enjoyable but uneven Colour of Magic. I haven't read the book in a while, but I do remember it going delving into the story and characters more than this adaptation did.

Hogfather does look wonderful though. The sets are beautiful, as are the costumes and the photography and special effects are interesting. The music is also a plus, both haunting and beautiful, the writing is decent with some nice humour in the mix and the story is a great idea with some fun scenes.

The cast mostly do a very good job. Marc Warren does very nice work, David Jason is a warm presence and David Warner is very distinguished, but the standout was the late Ian Richardson's Death who is just brilliant.

Hogfather despite its strengths isn't perfect. The pace could have been a lot tighter than it was, I felt some scenes dragged. My other problem was that while Michelle Dockery looks beautiful and has some nice moments of acting her character is not explored as well as she could've been.

In conclusion, a good and enjoyable adaptation. 8/10 Bethany Cox

A very silly festive fairytale for children of all ages, with a no-nonsense (in the primmest, properest sense of the word), kick-ass heroine, set in a world that looks remarkably like ours, in a thaumaturgical, Victorian Gothic kind of way, considering it's actually a disc balanced on some elephants, which are balanced on a turtle.

'Tis the night before Hogswatch - a solar festival not dissimilar from our Christmas. But where is the Hogfather to deliver the presents? What on earth is Death doing? Just how DO you subdue the monsters in the basement with a poker? Not to mention those in the Tooth Fairy's castle. Who has been naughty and who has been nice? And can Susan save the Hogfather before it's too late? Like all the best 'children's' stories, there are a slew of adult jokes - from Ian Richardson's asides about House of Cards, to the 'Ant hill Inside' ('Intel Inside') visual jokes on the, er, 'computer' - modernity is folded subtly into this wonderfully alternate world of yore.

Good performances from the famous faces, but it is Michelle Dockery as Susan who is the highly pragmatic, utterly bewitching star of the show.

There are some nice unpatronising ruminations on the nature of belief, myth, right and wrong for those who like a moral but not entirely Christian worldview.

So - who's up for a bit of magic and believing?

Set on Discworld, Terry Pratchett's Hogfather novel is brought to life. Deranged Assassin Mr Teatime (with a bunch of thieves and a failed apprentice wizard) wants to "inhumme" the Hogfather (discworld's equivalent of Santa Claus) by destroying children's belief in him. By kidnapping and holding hostage the tooth fairy in order to use children's teeth to control their belief. The only being that can take his place? Death, a depressant Anthopomorphic personification, too caught up with humanity for his own good. Assisted by his foul servant Albert and his half-human (beacause some talents, like walking through walls or freezing time, are inherited "in the bone" rather than genetically), adoptive granddaughter Susan this is fantastic mash up of magic, monsters and fantasy.

Adapting Terry Pratchett's work for TV is a difficult task. Sure, he is a great writer and I had much fun reading all his novels at least 3-5 times but his writing style lacks a certain TV-compatibility. He uses much narrating and footnotes which is very hard (if not impossible) to transform into a movie. Having said this, I must admit, this adaption with real actors is probably as good as it can be. Sure, I missed a few funny character conversations (Like the "Give-the-Dean-a-bag-of-money-gnome" or the Cheerful Fairy), it also lacked certain elements of the book, including the YMPA, Igor's Bar or the Death of Rats (who is much more important in the book) but you cannot include everything from a 300 page novel into a say 100 page movie script. The producers did the best they could and they did a really great job. The characters looked almost as if Paul Kidby drew them into life and the acting was good. The only minor problem with the movie (which couldn't be prevented I guess) is that it's hard to follow for someone not knowing Pratchett's work before. If you never read his novels and watched this movie, I recommend you do so now. Trust me, the movie is great but the books are even better ;-)

Converting anything of Terry Pratchett's to film was always going to be difficult. Getting it right for everyone, impossible. However I was pleased to give this, made for TV, movie 8 of 10 for a sterling effort. The effects were a little crummy at times, Death's face was just a mask and the monster under the bed was just a bloke. Some liberties were taken with the plot, but overall the story was given the care it deserved and the the acting was solid. I liked Michelle Dochery as the singularly stolid Susan. It's hard to be that beautiful and still get Susan's character right and Marc Warren as Teatime was excellent for the job, possessing just the right amount of menace without overplaying it. Nicholas Tennant as Nobby, too, was brilliantly cast.

There were some scenes, particularly those with Death in them, where a little more care would have been good. The Hogfather's Grotto scene and the little dead girl scenes among them, but it's hard to act in an inflexible mask (Unless you're Darth Vader).

I know that there will be millions who will disagree with me because you just can't do justice to Pratchett's imagination in a movie, but I still think this movie made an excellent stab at it.