La senda del taekwondo

I am always amazed at how hard it is to make a decent low budget comedy. One would think that comedies and dramas would be the easiest genres to film on a limited budget, yet time and time again, they fail to deliver.

After hearing such amazing buzz for The Foot Fist Way, I was very excited to see if this "little comedy that could" would actually deliver. The result, however, was a very mixed bag.

The acting is very good for a film of this caliber, except for the woman who plays the adulterous wife. During several scenes at the beginning of the film, she is shocking bad, and it takes away from the believability of the scenes.

The comedy, when it hits, is very funny... but it is quite obvious why Will Ferell has put so much praise on this film. It is essentially a very vulgar no-budget version of one of his films. The Tae Kwon Do instructor is essentially playing Will Ferell, playing this character. At times, he's very funny - but its nothing groundbreaking.

The film really disappoints in its pacing. Every outcome is extremely obvious, and many scenes go on for way too long. One scene in particular, in which the instructor tries to come on to a female student, really outlasts its welcome and goes from mildly amusing to aggravating by its end. The final scene, meant to feel somewhat victorious, comes off flat and humorless.

The Foot Fist Way does deliver some very good belly laughs from time to time, but sadly comes out like most low-budget comedies. Its sad to say, but had this project been given a Hollywood budget, a script polish, and some stars, it would have been much more fun.

Skip it in theaters. Give it a rental if you're intrigued.

This is the type of movie that gets funnier each time you watch it, just like The Big Lebowski. It takes a while to get a feel for the level of realism (a bit more serious than Napoleon Dynamite), but when you're finally tuned in to the wavelength of the makers, you can almost instantly re-watch it (which will not take up too much time because it's refreshingly short). Once you know the characters are a bit silly, but not trying to generate cheap laughs or thrills (it must have been tempting to let Mr. Simmons totally snap, or have an all out brawl at the hotel room party, or let Mrs. Simmons show some more skin), the story becomes remarkably solid.

Surprise hit comedies are generally the ones that feature a relatively under-exposed actor with great comedic talent in a central role. That is what Danny McBride as Fred Simmons is supposed to be. It's not a bad movie, but it scratches the surface of what it could be. It feels like "The Foot Fist Way" is the very long pilot of a TV series that didn't get picked up: like there was something more that needed to happen and characters that needed to be developed.

The film is a small character-driven comedy created by a trio of friends who have been nurtured by the Will Ferrell and Adam McKay screwball character movie teat. Danny McBride, the star, Jody Hill, director and supporting actor and Ben Best, supporting actor, all wrote the story of Simmons, a tae kwan do instructor in Alabama who's full of himself yet humbly insecure.

There's really no plot until halfway through the movie, giving it that episodic "this should be broken up into smaller, fleshed out parts" feel. Supporting characters jump in and out rather than contribute to a flowing narrative. The only thing that stays solid is the rocky relationship subplot between Simmons and his tall-built bimbo wife (a rather untalented Mary Jane Bostic).

Admirably, these three amigos try and create a character for McBride that is both a verbal machine gun of ridiculous phrases and someone who uses that same egotistical technique to work out his emotional problems. In other words, someone who is supposed to be hilarious but self-revealing at the same time -- a complex goofball. Their first trial run is hit or miss on the comedic end and just short on creating a meaningful character. McBride is capable, but they don't really push the concept hard enough.

A glorified TV episode might be all it is, but there's talent in this group of aspiring comedy filmmakers.

I came to this movie with talk of it being hilarious, brilliant and having apparently been the toast of Sundance. I didn't totally believe all the hype, mainly because that's always what the majority of such talk is, but I did have hopes that the film would be good at what it tries to do. Taking its lead from the painfully flawed David Brent in The Office, The Foot Fist Way focuses on taekwondo teacher Fred Simmons as he leads his class to be (perhaps) as good as him, fails to control his cheating wife and idolises taekwondo champion and film star Chuck "the truck" Wallace. In terms of narrative flow there isn't really much that justifies discussion because, rightly, the story is only a frame within which to put the character study of an arrogant man who has zero self-awareness. In this there is a lot of potential and accordingly the best parts of the film are not specific events or plot points but just little moments that remind the viewer what a self-important and embarrassingly pompous man we are watching.

It is not something you'll never have seen before of course and the many other variations will show you how painfully funny (and painfully painful) that this sort of thing can be, whether it is Spinal Tap or David Brent. Problem is with the Foot Fist Way is that it feels like a really good idea that has not been fully carried out. So there are moments which are both painful and funny but then there are also lots of scenes that are just surprisingly straightforward, failing to either be funny or to be insightful in regards the character of Fred. It is a shame but it does mean that the film is distinctly average. Even at a short running time of 83 minutes, the film still struggles and surprised me by feeling much longer – it should have sprinted and been over before you knew what was happening.

No fault to McBride though, he feels natural and is convincing in his character. As one of those involved in the writing he does share some responsibility though because the script just doesn't give him enough to work with often enough. He is the whole film though and when he has the material then it is at its best. Bostic is a good "white-trash" cliché but is surprisingly wooden for the majority. Best's turn is funny and produces some narrative drive but also has the detrimental effect of jostling for time with the comedy character study which I thought the film should have stuck with. The style of delivery could have been different and, although some say it is overused, I think the "making a documentary" approach would have worked in the favour of the material as we have seen countless other times.

I wanted to really like this film because you can see the potential but sadly it is never fully realised. This doesn't make for a terrible film though and it does still have its moments where things work but mostly I felt like it was a big case of "close but no cigar" in regards the script and the delivery. It is OK and perhaps worth a look on television but there are much better versions of the same idea out there, many of which leave this film looking distinctively average.

Cute silliness about a local strip-mall Tae Kwon Do dojang owner who never grew up. From his abuse of his children pupils to his choice in wives he is stunted. It shouldn't be funny to see his pain but it's hilarious. Well done.