Danny Ocean reúne a los chicos para un tercer atraco, después de que el dueño del casino Willy Bank traicionara a uno de los once originales, Reuben Tishkoff.Danny Ocean reúne a los chicos para un tercer atraco, después de que el dueño del casino Willy Bank traicionara a uno de los once originales, Reuben Tishkoff.Danny Ocean reúne a los chicos para un tercer atraco, después de que el dueño del casino Willy Bank traicionara a uno de los once originales, Reuben Tishkoff.
- Director/a
- Guionistas
- Estrellas
- Premios
- 1 premio y 5 nominaciones en total
Reseñas destacadas
Since I am a fan of the first two movies I expected a funny and thrilling film. What carried the viewer through its predecessors (great retro design, music etc.) now isn't enough for a really good movie. The story itself could be summed up too quickly. The preparation for the big thievery starts almost from the beginning of the film and it's justification is really poor. What can be really enjoyed are the colorful visuals and a bunch of stars that seem to enjoy themselves. All this prevents a worse vote. To me it seems that Hollywood is running out on ideas at the moment. Sequels are obviously attractive from a financial point of view but bear the risk that they are produced and conceived not careful enough.
"The robb'd that smiles, steals something from the thief." Shakespeare's Othello
Andy Garcia's wealthy Terry Benedict is financing Danny Ocean's Vegas heist from casino owner Willie Bank (Al Pacino) in order to get the last smile of vengeance, thief to thief, while Danny and Rusty Ryan (Brad Pitt) exact their own revenge. No honor among these slick reprobates, and good time is had by all the men and, this time, not Julia Roberts, but Clooney's real-life squeeze, Ellen Barkin, as Abigail Sponder, tough right hand to Bank.
I go to most movies as a film critic with my sensibility well-guarded against the fluffy confection of just another heist. But the Ocean's franchise, like the Bond's, has a cachet all its own with eye-pleasing duds, high-tech high jinx, and self-referential dialogue. Thus I am free to enjoy without feeling as if I'd sold out to crass commercialismI have, but willfully and pleasurably.
I guess I'm sucked in like everyone else at the movies, even with as many as I've seen and written about, because I want to go where the director, in this case the estimable Steven Soderbergh, wants to take me. In Ocean's 12, it was all over Europe; in Thirteen it's the entertainment Mecca of the Western world.
No deep thoughts come to mind, just summer mindlessness dressed up for partying (Pitt and Clooney very nicely decked out, understatedly). Clooney's musings about the changes in Vegas since guys like him had shaken Sinatra's hand serves as "change" leitmotif lighter than air. Twenty years from now we'll be talking about the iconic Pitt and Clooney in the same nostalgic way. Ocean's Thirteen reinforces its place in popular culture as a repository for our transitory adulation of movie stars and the escapes they gave us long ago.
At the end, Matt Damon exits with "See you when I see you," a fitting piece of noncommittal that may promise another Ocean's installment or just more star sightings. Clooney says goodbye to Pitt with an in-joke the world is in on: "Hey! Next time! Keep the weight off. Pitt retorts, "Have a couple of kids." This is typical of the low-key, sweetly narcissistic third installment.
Ocean's hits a lucky thirteen this time around without a big jackpot but a great deal of good will.
Andy Garcia's wealthy Terry Benedict is financing Danny Ocean's Vegas heist from casino owner Willie Bank (Al Pacino) in order to get the last smile of vengeance, thief to thief, while Danny and Rusty Ryan (Brad Pitt) exact their own revenge. No honor among these slick reprobates, and good time is had by all the men and, this time, not Julia Roberts, but Clooney's real-life squeeze, Ellen Barkin, as Abigail Sponder, tough right hand to Bank.
I go to most movies as a film critic with my sensibility well-guarded against the fluffy confection of just another heist. But the Ocean's franchise, like the Bond's, has a cachet all its own with eye-pleasing duds, high-tech high jinx, and self-referential dialogue. Thus I am free to enjoy without feeling as if I'd sold out to crass commercialismI have, but willfully and pleasurably.
I guess I'm sucked in like everyone else at the movies, even with as many as I've seen and written about, because I want to go where the director, in this case the estimable Steven Soderbergh, wants to take me. In Ocean's 12, it was all over Europe; in Thirteen it's the entertainment Mecca of the Western world.
No deep thoughts come to mind, just summer mindlessness dressed up for partying (Pitt and Clooney very nicely decked out, understatedly). Clooney's musings about the changes in Vegas since guys like him had shaken Sinatra's hand serves as "change" leitmotif lighter than air. Twenty years from now we'll be talking about the iconic Pitt and Clooney in the same nostalgic way. Ocean's Thirteen reinforces its place in popular culture as a repository for our transitory adulation of movie stars and the escapes they gave us long ago.
At the end, Matt Damon exits with "See you when I see you," a fitting piece of noncommittal that may promise another Ocean's installment or just more star sightings. Clooney says goodbye to Pitt with an in-joke the world is in on: "Hey! Next time! Keep the weight off. Pitt retorts, "Have a couple of kids." This is typical of the low-key, sweetly narcissistic third installment.
Ocean's hits a lucky thirteen this time around without a big jackpot but a great deal of good will.
Again the Danny Ocean bunch with the biggest heist of all . Reuben (Elliot Gould) suffers a heart attack for a treason and as revenge Danny Ocean pull off a plan introducing the schemes for a new robbery venture and gathering the eclectic group for a new caper . This time , Benedict (Andy Garcia) agrees with Ocean backed by his motley gang to execute it , the group is the same people (Brad Pitt, Matt Damon, Don Cheadle, Scott Cahan, Bernie Mac, Casey Affleck , Carl Reiner, Qin) . Their objective is the ambitious Willie Bank (Al Pacino), owner of a luxurious Las Vegas hotel . He turns out their victim along with the hot woman manager (Ellen Barkin) . The crew back in action , in the inauguration day . They blew all the light , shutting off the electrify and provoke an earthquake on the hotel . The thirteen men team headed by mastermind George Clooney attempting to rob the game-table , jackpots from hotel casino proprietary of mogul Pacino , executing simultaneously . We never met a band like Ocean's thirteen . This rendition gets one of the greatest entertainment of the trilogy .
This thrilling as well as hilarious heist film displays from the beginning to the ending , comedy , suspense , plot twists along with limited action of varied manner . There appears special cameo by Oprah Winfrey , Julian Sands and Jerry Weintraub , he's trilogy's producer . The film contains an intelligent screenplay and ,of course, outstanding final surprise . The comic relief being developed during the amusing relationship between the several and motley characters and their jokes among them . Atmospheric musical score by habitual saga , David Holmes . Colorful cinematography though sometimes some dark about interior scenarios photographed by the same , as usual, Soderbergh . This is a funny and stylish following ,being well directed by Steven Soderbergh .
This thrilling as well as hilarious heist film displays from the beginning to the ending , comedy , suspense , plot twists along with limited action of varied manner . There appears special cameo by Oprah Winfrey , Julian Sands and Jerry Weintraub , he's trilogy's producer . The film contains an intelligent screenplay and ,of course, outstanding final surprise . The comic relief being developed during the amusing relationship between the several and motley characters and their jokes among them . Atmospheric musical score by habitual saga , David Holmes . Colorful cinematography though sometimes some dark about interior scenarios photographed by the same , as usual, Soderbergh . This is a funny and stylish following ,being well directed by Steven Soderbergh .
Normally the sequel to a movie is a let down. Especially if the first part was really good. I think that's what's happened with Ocean's 12 for many but l hope this doesn't mean that they won't be watching '13'.
I was happy to see all of the same characters and actors together again because that is one big cool cast. Not to mention Al Pacino...icing on the cake.Who could resist?
For those who are in doubt about Ocean's 13, i hope you're not affected by some bad reviews because history doesn't repeat itself with this one. It's got an interesting story and some fabulous actors and acting. Don't miss out.
I was happy to see all of the same characters and actors together again because that is one big cool cast. Not to mention Al Pacino...icing on the cake.Who could resist?
For those who are in doubt about Ocean's 13, i hope you're not affected by some bad reviews because history doesn't repeat itself with this one. It's got an interesting story and some fabulous actors and acting. Don't miss out.
I liked "Oceans 13," but I wanted to love it.
I love the handsome stars, the great clothes, the nifty sets, the music -- David Holmes' score is a really fun, retro trip back to 1965. I love the deadpan delivery of funny lines: "I just bit into a pepper," a man says, when caught tearing up. I love the payoff when scams reach their climax.
But I wanted this movie to thrill me as the previous "Ocean" movies have, and, while it was a slick good time, it wasn't memorable.
There is less character development here than in previous movies. Ocean is not pursuing Tess. Linus has pretty much proved himself.
There wasn't the spectacular stunts as performed by Shaobo Qin in "Ocean's 11" or Vincent Cassel in "Ocean's 12." "Ocean's 13" doesn't fully exploit Las Vegas -- we've seen this movie's Las Vegas before.
Al Pacino is kind of blah as the villain. I wasn't afraid of him; I just kept wondering why he had orange hair. Andy Garcia is more juicy in a smaller, ambivalent role.
The movie resuscitates the film career of Ellen Barkin. She looks spectacular: flat stomach, legs to die for, magnificent cleavage. And then what do they do? Humiliate her and make a bitter comment about how she is a woman "of a certain age." "Oceans 13" would have been a better movie if it had made better use of this hot actress. A sex scene between her and the ever cool Matt Damon would have perked the movie up.
I love the handsome stars, the great clothes, the nifty sets, the music -- David Holmes' score is a really fun, retro trip back to 1965. I love the deadpan delivery of funny lines: "I just bit into a pepper," a man says, when caught tearing up. I love the payoff when scams reach their climax.
But I wanted this movie to thrill me as the previous "Ocean" movies have, and, while it was a slick good time, it wasn't memorable.
There is less character development here than in previous movies. Ocean is not pursuing Tess. Linus has pretty much proved himself.
There wasn't the spectacular stunts as performed by Shaobo Qin in "Ocean's 11" or Vincent Cassel in "Ocean's 12." "Ocean's 13" doesn't fully exploit Las Vegas -- we've seen this movie's Las Vegas before.
Al Pacino is kind of blah as the villain. I wasn't afraid of him; I just kept wondering why he had orange hair. Andy Garcia is more juicy in a smaller, ambivalent role.
The movie resuscitates the film career of Ellen Barkin. She looks spectacular: flat stomach, legs to die for, magnificent cleavage. And then what do they do? Humiliate her and make a bitter comment about how she is a woman "of a certain age." "Oceans 13" would have been a better movie if it had made better use of this hot actress. A sex scene between her and the ever cool Matt Damon would have perked the movie up.
¿Sabías que...?
- CuriosidadesMatt Damon's London street scene--showing Linus walking through London speaking on the phone--was shot while Matt Damon was in London filming "The Bourne Ultimatum". The Ocean's Thirteen production took advantage of this happy coincidence as they wanted the character Greco to be a British classmate of Roman Nagel. Thus Linus's being in London played well to the story.
- PifiasWhen Yen places a bet on the roulette wheel, he covers numbers 11,12 and 13, to fit in with the previous statement that the 'fixed' ball could be assumed to land on one of three numbers. 11,12 and 13 do not appear consecutively on a roulette wheel. If you wanted to cover a bet on '12', for example, you'd need to place chips on 12, 8 and 29 on an American table.
- Citas
Terry Benedict: [referring to Danny donating Terry's share of the money to charity] You think this is funny?
Danny Ocean: Well, Terry, it sure as shit ain't sad.
- Créditos adicionalesEach of the logos from the studios involved in the opening sequence is colored a dull blue color, a throwback to the original studio cards from "Ocean's 11"
- Versiones alternativasTwo versions are available, depending on your location, the original theatrical release and an edited cut in Croata. Runtimes are "2h 2m (122 min)" and "1h 54m (114 min) (Croatia)", respectively.
- Banda sonoraDon't You Want Me
(1981)
Written by Jo Callis (as John Callis), Phil Oakey (as Philip Oakey), and Philip Adrian Wright (as Adrian Wright)
Performed by Martin Blasick
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Greatest Character Actors of All Time
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The talented actors totally transform for their roles. How many do you recognize?
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- Ocean's thirteen
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 85.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 117.154.724 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 36.133.403 US$
- 10 jun 2007
- Recaudación en todo el mundo
- 311.312.624 US$
- Duración
- 2h 2min(122 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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