Gangster

Gangster is definitely the most beautiful movie that has ever been made. It has emotions, suspense, great music and brilliant performances from Emraan, Kanagana, Shiny and also Gulshan Grover.

After watching this movie I can say with full confidence that Kangana is going to be a "STAR". I don't think any female in the film industry could have done this movie better than her. Awesome is not even a good enough word for Kangana's performance.

Emraan looked handsome with his new glasses look. He played a character very different from his other releases and has improved a lot as an actor. He is already a STAR but he is going to be a "SUPERSTAR"

Shiny didn't have much dialogs in this movie but he made his presence felt in a very difficult way which I don't think most actors could have done. He is so brilliant in the movie that you can actually feel the anguish and hurt that Daya was going through. Very Intelligent Actor. Its very difficult to hate him in the movie because his character is the pure definition of a "TRUE LOVER"

Scenes to take home with you are,

Scene at Seoul Station where Simran betrays Daya

Simran confronting Daya outside her apartment.

Daya crying on Simran's laps.

Akash at the Indian Embassy is a scene beautifully done and does provide a huge shock value.

Gangster music, is the best album this year. The meaning of each word in the song is very touching and beautifully done. Ya Ali, Bheegi Bheegi, Lamha Lamha and Tu Hi Mere Shab Hai are songs to remember.

10/10 Go watch it.

Slow paced in parts and doesn't have any major cast performances, but 'Gangster' is still a rather good film.

The premise and what it sets up means it remains interesting, even if it does move a little too leisurely in certain moments. The film takes a turn at some point, which actually did surprise me I won't lie - it's nicely done.

I can't say I'll remember the performances of Emraan Hashmi (Akash), debutant Kangana Ranaut (Simran) or Shiney Ahuja (Daya), but what they produce is satisfactory for the film itself - they all fit.

It gets drawn into the melancholy and musical numbers too much, while the run time is overly extended, but the thrill-ish action is fairly enjoyable. All in all, it's more than watchable.

'Gangster' was a wonderful and refreshing change from the typical romantic film as well as the underworld cinema that Ram Gopal Varma's camp dishes out. 'Gangster' is in a genre unto itself. This films proves that a tight script is king above all else. There have been many Bollywood films that claim to be love stories and claim to espouse the virtues of love. Here is one that spell-bindingly and mesmerizingly shows you what love really is. What it means to really sacrifice for another human being. What is even more remarkable about this film is that it shows you all this through a lead actor (Ahuja) who does not have much by way of dialogs. His role in the film, the message of true sacrifice that he portrays, is mainly via body language and facial expressions. And oh what language and expressions they are!

Anurag Basu has truly grown leaps and bounds from his 'Murder' days. The performances, direction, screenplay, cinematography, and music all form an organic union to become one cohesive, edge-of-your-seat story. This movie has its hold on you until the end. It goes by fast and yet slowly at the same time. The songs in the film weave a tale and progress the story along and make you feel for the characters even more rather than being an excuse for a five minute break.

As I said this film critically depends upon the script and the performances. I never would have guessed that this was Kangna Ranaut's debut into Bollywood. Hers was a performance of a seasoned actress. Her portrayal of a tormented alcoholic who is torn between the man she once loved and the man who can possibly fulfill her every dream was spot on. Having said that though, the film belongs to Shiny Ahuja. He had to convey love, passion, and the obsession he feels for a woman, mostly through non-verbal means. This can be a point of weakness in a film if not handled by the right actor. Fortunately, Mr. Ahuja was not only up to par but surpassed all expectations. He made you feel Daya's pain, anguish, conflict, and above all else, his love for a woman and how far he would go for that love. His performance in the scene at Seoul Station is one that should be kept in mind during awards time.

All in all, this is a must see film which will leave you speechless at the end. It shifts the idea of a Bollywood love story to a whole other hemisphere. If you like a movie that has been well thought out and well acted and does not insult your intelligence or emotions as an audience member, then I highly recommend this one. I hope to see more such diamonds from Messrs. Basu, Ahuja and Ranaut in the future!

Best of the year so far? Yes - easily. It has a few issues, so let me get them out of the way first: Gangster has some shoddy acting by it's main character, the girl at the crux of a Love Triangle. She has a bad accent, and a stunted way of speech. Her arms are around one Emraan Hashmi who does lip-lock. But with all your pre-conceived notions of him, he is not easy to dislike. And the pay-off for that is pretty nice. And as is usual for Bollywood movies, the movie does go through some unnecessary melodrama, but thankfully these are just three short ones.

What really is good about this movie is the writing. Director Anurag Basu has written the movie with a very clear idea about what he intended to depict. Yes, we have a gangster, we have foreign locales, and we have a "sexy pair", but the movie religiously sticks to its story-telling without once stopping to over-sell violence or sleaze. The whole narrative plays like a solo violinst playing through a single-long piece with its share of happy/sad portions and a few crescendos at the right times with some recurring themes. So much so that it is easy to be sucked into the whole flow and go along with where the director takes you.

Anurag Basu is good. His second movie (I thunk), but he clearly has his own language of cinema. From the shot-arrangements and camera angles to the score and songs, this man plays it like he cares for his movie, and not for the producer's coffer. He tells us the story mostly in flash-backs - but with decent inter-cuts to make it not entirely linear. The movie moves along a relaxed yet fast pace. It reminded me of cruising in a luxury car at 180Kmhr. You are speeding, but very comfortably.

The movie follows the story of one-girl (Bar dancer, yawn!) who a Gangster falls for, rebels against his gang, goes on the run, then puts her away safe and stays away to keep her safe. After holding-on for years she, in her loneliness, falls in love with another man - just when the gangster comes back. Clashes, loyalties, retribution, betrayal, vengeance.

Shiny Ahuja shines (sorry, couldn't resist) as the titular Gangster. His going from unspoken emotionless man to unspoken jilted lover to unspoken "karma-yogi" works very well mainly for his intensely masculine persona. How good is he as an actor will take something against his type to prove. But he fits here perfect, and within the world of this movie, the man is like the writer's imagined.

Watch this movie if you can catch it sometime soon. It's worth at least that much respect.

Rating --> 4 of 5

I always wonder how come a talented director called Anurag Basu making mediocre films viz. Murder/ Saaya/ Tumsa Nahi Dekha etc when he proved his mettle in TV so well. But with "Gangster" which is definitely his best till date he surely comes up on his own. Another thing, Anurag belongs to that rare species of new generation outside directors who are from small town with neither a film background nor any great film connection or even belonging to a highly privileged class, the descendants of which we see all around in film industry, but a modest struggler who climbed the steps of success with sheer hard work and determination and even fought with blood cancer to win back his life. Such passion is seen in his this work. A love story of underworld Gangster told from point of view of a woman (normally known as moll to others) which is definitely a fresh approach and icing on the cake is the impeccable narrative and innovative style introduced by the director turns it into a passionate drama, which has pace and rhythm to held you captive.. There is a effort to explore how and under what circumstances a woman strays, which is more humane than what you saw so far in Murder or such stuff. How come love brings down a hardcore criminal to his knees and how come same love can be used as a weapon to serve mean purposes is something which should be watched out. An essentially character based film, among actors newcomer Kangana Ranaut and Shiny Ahuja are surprise packets. Debutant Cinematographer Bobby Singh with his highly imaginative framing caught the trauma and turmoil of the characters so effectively that it makes you rooted to your seats. Yes, there are flaws too, viz. how come the woman who is so much in love can't herself preposition her lover to make love to her (gone are the days when men initiate the process) or why a police man mastermind such a complicated plan to nab a criminal rather than directly hold his love interest captive, are things which the script writers know better. Music is another highlight whether it is picturisation or the track itself, just add the required lyricism to the film. I don't want to reveal much but it is definitely a surprise from Bhatt camp too, therefore go catch it as it is definitely one of the best films of this year.