Entre vivos y muertos

I saw this film at Fantasia quite recently and it completely blew me away. Me and my girlfriend were gonna take in The Lost afterwards but were so exhausted that we just went an' had a few drinks afterwards. This is an extremely unusual film - about a retarded kid who looks after his really ill mom when the dad goes away on business - and incredibly bold an gutsy I think. It starts slowly using locked off wide shots, establishing characters etc, kind of like a poor man's Merchant Ivory (the family in question are on their last legs and so there's next to no furniture etc), and then when you think you've got a hold on it Rumley says f**k you and takes it in a completely stylistic direction with crazy editing, music, camera etc. Initially this is quite jarring but it works within the context of the characterisation and the mental break-down that the retarded kid's going through that in the end I thought it's quite a brilliant device. Ultimately the film is a real emotional grind and deeply tragic but it tackles, albeit in an extreme, visceral way, what most of us at some time, I guess, will have to go through and that's having to look after ailing parents or relatives. There's no monsters in the closet or serial killers here, it's just a very stark consideration of the scariest thing around: the reality of death. This film disturbed the s**t out of me - and I wouldn't recommend it to the feint-hearted but definitely check it out if you're hard enough

Imagine a retelling of "The Shining" (1980) by Stanley Kubrick - but instead of Steven King's menacing snow storm and ghosts of the dead at the Overlook Hotel - this nuclear family is threatened by the bankruptcy of the landed aristocracy by health care, death by terminal cancer, and an over-protected adult son who is permanently child-like and requires vast infusions of anti-psychotics. Add to this helplessness, depression, anxiety, guilt, anger, and an oedipal-complex repressed by English manners, and you have the explosive makings for "The Living and the Dead" (2006).

Kubrick's famous emotional distance from the story is replaced by Rumley's intense personal need to pull the audience into the madness which modern medicine creates with false hopes and budget efficiencies, and especially, its patent inability to assist the emotional needs of both the terminal patient and their families. Rumley succeeds where others fear to tread by plunging the audience into the thick of it.

Ignore the previous comment by 'perisho', but I would take something from the others thereafter, both positive and negative.

Firstly the negatives - yes there are gaping holes in the plot, seemingly situations that wouldn't happen, possibly too long for its plot subject. Right, the positives - great acting, good use of dialogue (often repetitive and therefore affecting), good use of ambiguity (which helps convey the mental health issues that the family have) and possibly explain the seemingly apparent plot holes (is all we see really occurring?), brilliant cinematography, and it's a brave attempt at a all too often patronised subject matter.

Furthermore, it is made on a tight budget in Britain. A rare commodity nowadays. Only a handful of directors in the UK work outside of the mainstream, and Rumley's effort should be applauded. Even the film factory that is the Hollywood machine can't achieve this level of skill (A Beautiful Mind, Rainman...please!). Only say Keane, Devil & Daniel Johnston and Julien Donkey Boy have we seen schizophrenia in the manner with which we see here. Yes, not everything works, but when it does, this film is powerful and touching as anything else in cinema dealing with mental illness.

Well done to the director and may your second feature be as strong.

This is possibly the worst film i have ever seen. I actually saw the premiere in Rotterdam Film Festival, and whilst many people walked out I stayed to the bitter end. But that was mainly because I didn't want to lose my friends. Self indulgent is a word often overused in the arts, and some of the best music and film is incredibly self indulgent, but behind that indulgence there is often genius. Unfortunately here there is nothing, not even a plot. The mistake the director Simon Rumley makes is to dwell on the suffering of the characters, all in a kind of 'gross out' adolescent way, without any insight, or any freshness. All the best films now tend not to be so mawkish, making The Living and The Dead seem like a bad student project from the 1970s. There's no lightness of touch here and no humour. Perhaps we're supposed to laugh at mentalist James in the same way we laugh at Julian Donkey Boy. But he's just not that funny and he has none of the demented hilarity of Donkey Boy. Like the rest of the cast, he's just a stereotype, an extremely annoying stereotype. All you'll learn from The Living and The Dead is that some people clearly have much more money than sense. And I'm not talking about any of the characters in the film here.

I thought this movie was great, A lot of people commented on it falling short of the 'horror' genre, but I don't think it was ever meant to be one. Watch it as a tragic drama, and these disappointments fade. I think Leo Bill did a fantastic job and I felt drawn into his character even further by the camera's exceptional use as he moves about the house. I don't want to spoil anything, so suffice to say it was a well acted movie with great camera-work, an exceptional cast and the overlying doom which permeated throughout the movie drew me in sometimes - enough to identify with some the universal aspects of the story and at times feel a shudder through my back, more so than any 'horror' show I've seen in the last few years.