Jaane Tu... Ya Jaane Na

rarely do we see, a movie filled with freshness that feel real

The main leads, Jai and Nandini, Jai is a middle class charismatic guy who always has the right and peaceful answer for any situation. He's not Mr popular nor does he wants to be, but yet still he is because he just that charismatic. Nandini is not a conventional heroin, she's loud, rude, obnoxious, not the type of girl you'd wanna go for but yet grows on you and eventually makes you fall in love with her, because she's not polished.

Imran Many question are asked about the acting abilities of these youngster. Does he stand a chance in this cruel industry. Is he a contender against competition like Hritik, Ranbeer,... and others? He can give this industry a sure run for it's money with this performance he pulled off and he can surely be satisfied to be launched in a way that many newcomers dream about. Has he inherited his acting abilities from "aamir mamoon"? Well I'm sorry to break this to you, but no he hasn't. He might become a great actor, that depends on future projects, but one thing is for sure. This guy sure packs the goods to become a great actor.

Genelia This is a far more interesting review for me to write about, because before long there has been a more fierce competition between heroins in the industry then there has ever been between their male counterparts. When the elegance of Sri Devi, Rekha, Madhuri faded fresh faces like Karishma, Kajol,... came in when the seemed to have settled Rani and Pretty took their shine and nowadays it's an open invitation for anyone who wants to compete for the crown of Queen Bollywood. The requirements? Not just conventional good looks, a great voice,international presence and charisma is also required together with an acting ability that blows away any competetor. Genelia isn't any of these but that makes her so special, her unconventional approach to acting is just a joy to watch. She lights up the screen with her charisma yet her differ to all the sonam kapoors or the deepika's in the industry seems not to be out of place. She's looking at a bright future in this industry.

The movie Boy loves girl or the other way around, the typical "Bollywood" formula. Or is it? This time around it isn't because what makes this movie so special is it's reality, rare do we see characters utter words we recognize from conversations with our friends. Mostly it's actors having dialogue with each other which comes over extremely unnatural and forced. We are taken into the world of youngsters where life is all about "masa, party our pyar". What's important it's the freshness and the appeal of the youngster world in general. Things like colour pallets, fashion and style is extremely important to achieve the main goal. SRK & Kajol portraying youngsters in KKHH seems so unreal, yet Aamir and Saif pulled it off great in DCH.

What makes Jaane Tu... another great experience is the background music and score composed by the legend A.R. Rahman. From Kabhi Kabhi... to Pappu can't dance he's succeeded to put his stamp on this movie. The direction surely has it's flaws but doesn't every movie.

The Aamir Khan Factor Wel AKProductions has delivered yet again, in my opinion. It's very pleasing to see this company take shape into this industry finest production houses. Aamir has managed to create a company which has his persona and integrity all over it. Now what more can we ask for as movie-goers.

Aamir Khan lives up to the expectations of the new generations of Hindi Cinema goers again. Before this movie was released, there was a lot of suspense in the media that Aamir's new release would be mocking the muscle stars of Bollywood like Salman and SRK. And Mr. Aamir deliberately took joy in such speculations like a true professional. I believe all those channels who succumbed to the theories must be feeling embarrassed now as the movie has no element which can be considered offensive or insulting to other stars.

The movie is great in all parameters, from the selection of casts to the presentation of the story. Everything has been perfectly knitted to keep the audience occupied in the seat without a yawn (which often the latest Bollywood releases are doing). The title of the movie is very well selected. Rahman, as always has done great job for Aamir and seems if he was not the music director of this film, something would have been missing.

All in all, this is another good work yet by Aamir's production house and the money you spend won't pinch you.

As a long time fan of Imran Khan. I loved this film. It's a silly but impact movie with a predictable yet beautiful plot. I think that the characters were a little over the top and silly. They weren't realistic by any means but for a younger audience. This movie is a banger. I loved the expressions made by Imran Khan. The songs in this movie are also very meaningful to me. I feel like the creative team have done a fantastic job in making the characters likeable. The story is also very light-hearted and fun. Perfect for children and teens. I think that characters could have been a little bit more realistic and the dialogues were a little fake-ish but all in all it is a great move! 7/10! Perfect to watch with family.

To me, 'Jaane Tu Ya Jaane Na' surprisingly felt refreshing. I mean, from the looks of it (in teasers and trailers) and from the synopsis it seems like the clichéd love story with supporting friends and families. And you know what? That's exactly what it is. So what's new? Hmm, well it's the charming supporting characters who are wonderfully brought to life by the actors. But more on this later...

Let's start with the cons: 'Jaane Tu Ya Jaane Na' starts off with a group of friends telling the love story of Jai and Aditi. That's pretty much how the rest of the film proceeds (in a sort of flashback format). It could have easily done without this entire sequence. Not only does it resemble Aziz Mirza's 'Chalte Chalte' but the actors are simply annoying. At several points, the movie moves at a lethargic pace and this friends-narrating-story-outside-the-airport sequence only further slows things down.

Tyrewala does a fairly decent job with directing but an even better job with writing. For example, I loved how Meghna's character was written especially how Tyrewala cleverly shows the truth behind Meghna's 'What's this?' game. Initially, to the viewer, it looks like a silly game of visualizing one thing as something else but one realizes that this is Meghna's way of seeing things in life. There are many other scenes that I really enjoyed watching such as Aditi's relationship with her brother, Jai's relationship with his mother and many more and the sequences with Jai's parents were laugh out loud funny. But at the same time, here too, there are some flaws for instance, Aditi's boyfriend is portrayed as the typical violent insecure NRI. The scene where he slaps Aditi looks forced.

The background score is quite interesting as it varies from jazz (I liked that), to rock (seems a little out of place at times), to other things. I would never have thought that A.R. Rahman composed the soundtrack because this is totally different from anything he's done. Unfortunately, it's also one of his least memorable albums.

Imran Khan makes a confident start. I'm glad that unlike many of the newcomers who pump up themselves with steroids (perhaps to cover up their lack of talent), Imran with his simplicity allows his acting to speak. Let's see what the future holds for him as he's already made a fine start. Genelia D'Souza is loud and hyper in the beginning and her diction is quite awkward but her acting gets better along the way. Perhaps Tyrewala wanted to show her character transform from the bratty child to a mature young woman. It's just that the 'child' was a little too loud. Manjari Fadnis delivers quite a natural performance. Though her screen time is limited, she has a strong presence. Pratiek Babbar is quite likable as the goofy brother. Ratna Pathak Shah is simply amazing. What a comeback to the big screen!

Apart from that, there are some very welcome cameos. Naseeruddin Shah is hilarious. 'Just loved the interactions with his wife and he's talking to her from a painting! Sohail Khan and Arbaaz Khan are actually more than tolerable here, yes they too provide some fantastic comic relief. Anooradha Patel, this woman does not seem to get old, has a great presence. And, Paresh Rawal is back as a villain but this time with a pleasant touch of comedy.

The central love story feels a bit like the Rahul-Tina-Anjali story (of 'Kuch Kuch Hota Hai) meets Akash-Shalini-Rohit angle (of 'Dil Chahta Hai') but it is the little moments that show the relationship between the mother and son, the brother and sister among other such fine moments that make 'Jaane Tu Ya Jaane Na' a refreshing experience. Overall, among the recent crop of films, this is quite a pleasant welcoming surprise.

You just need two words to describe the flick. Truly Amazing! It's a movie which has already carved its own niche on the first day of its release as a very low budget movie getting an opening the superstars can also dream of. This is the advent of the new age bollywood where superstars don't matter. What matters is performance.

The performance is surely above the par in all sections of this project. The highlights of the movie are script and music. The fundamental story is not new to the bollywood cinema-goer but the treatment is truly unique. The urban, youthful and honest adaptation reinstate your faith in Hindi cinema. It is the perfect combination of friendship, love, and comedy bollywood has long forgotten. Abbas Tyrewala must be applauded.

A R Rehman continues to prove himself. The music has a simplistic honesty to every tune and suits perfectly. "Kabhi kabhi Aditi..." and "Pappu can't dance.." will be remembered.

Every actor/actress is appropriately cast in their role and is fantastic. Imran Khan in the role of Jai Singh Rathore is believable and does complete justice to the role. Genelia D'Souza is fresh, beautiful and natural in every frame. Both the lead actors have surely secured a place in the industry. Naseeruddin Shah in a cameo is excellent and takes the movie to a different level. Ratna Pathak Shah should surely replace the bollywood mother. Everybody else has given an up to the mark performance.

Amir Khan is setting a new benchmark in bollywood. This is maybe the best movie to come out after Dil Chahta Hai in last seven years in that genre.