PUNTUACIÓN EN IMDb
5,3/10
4,4 mil
TU PUNTUACIÓN
Dos hermanos se esfuerzan por mantener su start-up a flote en Wall Street en el 2001- un mes antes de los ataques terroristas del 9/11.Dos hermanos se esfuerzan por mantener su start-up a flote en Wall Street en el 2001- un mes antes de los ataques terroristas del 9/11.Dos hermanos se esfuerzan por mantener su start-up a flote en Wall Street en el 2001- un mes antes de los ataques terroristas del 9/11.
Joie Chen
- Newscaster
- (voz)
Reseñas destacadas
In "August," Josh Hartnett plays a cocky, twenty-something entrepreneur named Tom Sterling who, for the past several years (the movie is set in the early 2000s), has been riding the dot.com wave to easy fame and fortune - though he isn't quite prepared, either financially or emotionally, for the crash that is to come. Landshark, the company he founded with his brother, Joshua (Adam Scott) and of which he is currently CEO, has a couple hundred employees on its payroll, but pretty much everyone who works there is at a loss to explain just what it is the firm does or produces. Even worse, the company that was once valued at well over three-and-a-half million dollars is now worth just a paltry fraction of that amount, the "business model" having apparently failed to pan out as expected.
As written by Howard A. Rodman and directed by Austin Chick, "August" is essentially a cautionary tale set against the get-rich-quick hysteria that came to dominate in the early days of the internet, when virtually anybody with a half-baked idea and a smidgen of techno-savviness could become a high-stakes player on Wall Street. That many of these people were making their fortunes out of little more than the cyber equivalent of chewing gum and bailing wire – while producing nothing of any real substance or value in the long run – is what eventually led to disaster for so many of them and for the economy as a whole.
"August" does a reasonably effective job capturing the moral emptiness and emotional shallowness of the characters and the world they inhabit, but, when all is said and done, the movie lacks the dramatic heft and focus needed to turn it into a profound and major work. The minor characters are bland and insufficiently developed, and even Tom is deficient in the kind of depth and shading he would need to make him a representative "tragic hero" for our time. That being said, the movie does offer some intriguing insights into the way the business world works these days and into which type of individual typically succeeds in the new arena. And which type fails.
As written by Howard A. Rodman and directed by Austin Chick, "August" is essentially a cautionary tale set against the get-rich-quick hysteria that came to dominate in the early days of the internet, when virtually anybody with a half-baked idea and a smidgen of techno-savviness could become a high-stakes player on Wall Street. That many of these people were making their fortunes out of little more than the cyber equivalent of chewing gum and bailing wire – while producing nothing of any real substance or value in the long run – is what eventually led to disaster for so many of them and for the economy as a whole.
"August" does a reasonably effective job capturing the moral emptiness and emotional shallowness of the characters and the world they inhabit, but, when all is said and done, the movie lacks the dramatic heft and focus needed to turn it into a profound and major work. The minor characters are bland and insufficiently developed, and even Tom is deficient in the kind of depth and shading he would need to make him a representative "tragic hero" for our time. That being said, the movie does offer some intriguing insights into the way the business world works these days and into which type of individual typically succeeds in the new arena. And which type fails.
I like this film, takes the viewer into a strange world that had really existed Perhaps I'm too much of an insider to judge this film from a purely objective orientation, but as a quasi refugee of sorts from the dot com frenzy days, "August" does connect on multiple levels.
Sadly, I've met more than my share of "Tom" characters in real life, and for the most part, that entire world has faded away into obscurity. It was a strange time, when the real world seemed evermore like an episode of the Twilight Zone.
Though there might have been some minor glitches in the film, I think overall it captured the essence of that period and its odd collection of characters surprisingly well.
If there is any one film that is a portal into that culture and time, and does so in an entertaining but reasonably accurate way, this would be that film. It certainly deserves notice and the time it takes to watch, which is a lot more than can be said for some other attempts at this genre'.
Sadly, I've met more than my share of "Tom" characters in real life, and for the most part, that entire world has faded away into obscurity. It was a strange time, when the real world seemed evermore like an episode of the Twilight Zone.
Though there might have been some minor glitches in the film, I think overall it captured the essence of that period and its odd collection of characters surprisingly well.
If there is any one film that is a portal into that culture and time, and does so in an entertaining but reasonably accurate way, this would be that film. It certainly deserves notice and the time it takes to watch, which is a lot more than can be said for some other attempts at this genre'.
Josh Harnett's portrayal of Tom, a super confident ballsy CEO of an internet start-up who sees it all go wonky is much better than expected.
The film scores even more points for avoiding simple messages and instead turns a captivating tale of an internet start-up bankrolled to the hilt who finds its IPO is going south fast into something richer, a true character study.
The relationships, family, work, ex-girlfriend are all handled with a nice touch of real human values, the conversations (mostly) ring true.
And yes, Bowie is great, if rather brief.
All in all, a real surprise, beautifully shot, and well-crafted, and who knew, Josh Harnett can deliver complex characters...
Recommended
The film scores even more points for avoiding simple messages and instead turns a captivating tale of an internet start-up bankrolled to the hilt who finds its IPO is going south fast into something richer, a true character study.
The relationships, family, work, ex-girlfriend are all handled with a nice touch of real human values, the conversations (mostly) ring true.
And yes, Bowie is great, if rather brief.
All in all, a real surprise, beautifully shot, and well-crafted, and who knew, Josh Harnett can deliver complex characters...
Recommended
Perhaps its because i don't really know anything about the stock market and my ignorance in that area relates to how much i enjoyed the film, maybe if i knew anything about stocks i would have enjoyed the film as much as some of the other people who have commented...but i didn't. I am a fan of josh hartnett and thought the acting was good i just don't think he and the rest of the cast had anything to work with. Perhaps if there was more information about there struggling company as well as more general background info i would have spent less time staring blankly at the wall and more time staring at the film.
i wouldn't recommend this film to someone like me who knows nothing about wall street but then again i wouldn't recommend this even if you worked on wall street, without more background i think this film has greatly reduced its target audience which could have been potentially every one to a small percentage.
i wouldn't recommend this film to someone like me who knows nothing about wall street but then again i wouldn't recommend this even if you worked on wall street, without more background i think this film has greatly reduced its target audience which could have been potentially every one to a small percentage.
This movie has some problems but overall captures the moment better than any other movie i've seen...better than the over-rated Wall Street or Boiler Room and ten times better than margin call.
The sub-story w the family didn't work at all and shd have been cut. the whole brother thing was stupid.
The final scene (set in the real-life Pussy Cat Lounge. 96 Greenwich St., New York, NY, 10011) is a work of genius...as the movie closes the news coverage of the plane crash of the almost-star Aaliyah comes on the bar's TV, and this sets the time, the few days before the Sept 11, 2001 terrorist attack on the WTC and Pentagon.
The movie doesn't even mention the terrorist attacks, so the audience has to remember themselves the time for this to be effective...but if they remember it just kills.
btw, my old girlfriend workd on Aliyah's make-up the month before her death and dremt about her returning to her for make-up after her crash...this was spooky as hell.
The sub-story w the family didn't work at all and shd have been cut. the whole brother thing was stupid.
The final scene (set in the real-life Pussy Cat Lounge. 96 Greenwich St., New York, NY, 10011) is a work of genius...as the movie closes the news coverage of the plane crash of the almost-star Aaliyah comes on the bar's TV, and this sets the time, the few days before the Sept 11, 2001 terrorist attack on the WTC and Pentagon.
The movie doesn't even mention the terrorist attacks, so the audience has to remember themselves the time for this to be effective...but if they remember it just kills.
btw, my old girlfriend workd on Aliyah's make-up the month before her death and dremt about her returning to her for make-up after her crash...this was spooky as hell.
¿Sabías que...?
- CuriosidadesThe film takes place in August 2001.
- ConexionesFeatures Un perro andaluz (1929)
- Banda sonoraSweetness
Written by Warren Fischer, Casey Spooner
Performed by Fischerspooner (as Fisherspooner)
Courtesy of Fischerspooner
Under exclusive license to Capitol Records
Under license from EMI Film & Television Music
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- How long is August?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Ağustos
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 3.400.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 12.636 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 8092 US$
- 13 jul 2008
- Recaudación en todo el mundo
- 12.636 US$
- Duración
- 1h 28min(88 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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