PUNTUACIÓN EN IMDb
6,7/10
6,8 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaLuis enjoys the liberty of being single. He has a smell for perfumes and thus money. However, his 5 sisters and mom believe that at 43, he should be looking for a wife, not one-night stands.... Leer todoLuis enjoys the liberty of being single. He has a smell for perfumes and thus money. However, his 5 sisters and mom believe that at 43, he should be looking for a wife, not one-night stands. They find candi/dates. He hires a "fiancée".Luis enjoys the liberty of being single. He has a smell for perfumes and thus money. However, his 5 sisters and mom believe that at 43, he should be looking for a wife, not one-night stands. They find candi/dates. He hires a "fiancée".
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 4 nominaciones en total
Reseñas destacadas
Alain Chabat claims this movie as his original idea but the theme of reluctant lovers who finally get it together is as old, if not older, than Shakespeare.
Chabat is a "vieux garcon", happily single and not wanting any member of the opposite sex to disturb his life. He has a problem, 5 sisters and a matriarchal mum - the G7 - who decide he should be married. Enter the delightful, charming Charlotte Gainsbourg and what should be a simple plan. Charlotte has to pose as Chabat's girlfriend and then simply not turn up on the day of the wedding. No more talk of marriage from the G7. Of course the best laid plans have a habit of spiralling out of control.
There are very strong supporting roles from Lafont as the mother and Osterman as the tight-fisted brother of Gainsbourg.
There are some fantastic scenes as first Charlotte has to charm, then revolt the family. French farce with an English.
Chabat is a "vieux garcon", happily single and not wanting any member of the opposite sex to disturb his life. He has a problem, 5 sisters and a matriarchal mum - the G7 - who decide he should be married. Enter the delightful, charming Charlotte Gainsbourg and what should be a simple plan. Charlotte has to pose as Chabat's girlfriend and then simply not turn up on the day of the wedding. No more talk of marriage from the G7. Of course the best laid plans have a habit of spiralling out of control.
There are very strong supporting roles from Lafont as the mother and Osterman as the tight-fisted brother of Gainsbourg.
There are some fantastic scenes as first Charlotte has to charm, then revolt the family. French farce with an English.
I love love. I'm a sucker for romantic comedies and as of late, I've been on a foreign film binge. Enter stage left: I Do. While undeniably predictable, the film has its charms and throws in some obstacles I didn't expect and found myself smiling as I watched it unfold.
However, my main concern was the lack of chemistry between Luis and Emma. There were no looks of intrigue, scarcely any playful banter between the two - for the most part, their interaction seemed to be simply what Luis intended it to be - a business interaction. Perhaps I'm terribly picky, but I found the leap between the conspirers' platonic relationship to romance to be a sudden leap rather than one with a bit of a build up. In that case alone, I was mildly disappointed.
But with that aspect aside, the actors do do a good job with the script they're given. Luis's family, although somewhat irritating, are simultaneously charming and overbearing and I warmed up to them in the end. I really think the men need a bit more screen time as they were hardly in it and my favorite scene (the scene with the M6) happened to be one of their few. The wedding comes too quickly for my taste, but with a few more scenes to build character relationships, this film would've been a knock out. So not bad, but not exactly the best film either.
However, my main concern was the lack of chemistry between Luis and Emma. There were no looks of intrigue, scarcely any playful banter between the two - for the most part, their interaction seemed to be simply what Luis intended it to be - a business interaction. Perhaps I'm terribly picky, but I found the leap between the conspirers' platonic relationship to romance to be a sudden leap rather than one with a bit of a build up. In that case alone, I was mildly disappointed.
But with that aspect aside, the actors do do a good job with the script they're given. Luis's family, although somewhat irritating, are simultaneously charming and overbearing and I warmed up to them in the end. I really think the men need a bit more screen time as they were hardly in it and my favorite scene (the scene with the M6) happened to be one of their few. The wedding comes too quickly for my taste, but with a few more scenes to build character relationships, this film would've been a knock out. So not bad, but not exactly the best film either.
First this movie (with its ending) is a formula comedy romance but well done. European movies often take a standard American fare (Doris Day Phone Game or Emails) and add 15 IQ points and stretch it out in a way that leaves you guessing a little---which over all is a much more satisfying experience. Europeans are also a little more cynical and the Hollywood moral nanny= never can a bad guy get away is not a wall they won't cross.
The ending seals this as stock kitsch/comedy but getting there had a lot of twists and good writer(s). I didn't find the main actor so great as the other reviewers did---he is too clownish rather repelling looking. One of my great puzzlements is why the French for less than handsome actors?? If you speak French the shocking bad language of the female actor makes it especially funny.
It so much the luck of the draw--I have Netflix streaming and they don't have most of the famous or popular titles...it is always a gamble. This one paid off.
If you want another good comedy try Mid August Lunch. It is totally unique and much better---or The Big Picture (in US) by this same director which is much better than this film. Well much higher production values and thriller story I like.
RECOMMEND
The ending seals this as stock kitsch/comedy but getting there had a lot of twists and good writer(s). I didn't find the main actor so great as the other reviewers did---he is too clownish rather repelling looking. One of my great puzzlements is why the French for less than handsome actors?? If you speak French the shocking bad language of the female actor makes it especially funny.
It so much the luck of the draw--I have Netflix streaming and they don't have most of the famous or popular titles...it is always a gamble. This one paid off.
If you want another good comedy try Mid August Lunch. It is totally unique and much better---or The Big Picture (in US) by this same director which is much better than this film. Well much higher production values and thriller story I like.
RECOMMEND
Behold the mighty off-screen presence of singer-actor Luis Mariano, the emerging patron saint of French comedy: Jaco van Dormael's touching "The Eighth Day" came first, then Djamel Bensalah's hilarious "Homeboys at the Beach", and now "How to Get Married". This one is more predictable than the other two, but it will keep lovers of happy endings satisfied without too much of a guilty conscience. If you are, however, like me and think romantic comedy is essentially a cuss word, this old-school vaudeville piece may be your one chance at reconciliation. Charlotte Gainsbourg, super-charming as usual, and Alain Chabat click as comedians and also make a very handsome couple. Oh, and *do* watch out for Virginie Bordes as Annick, the spicy waitress.
Didn't know anything about the movie before watching and I think it was the "no expectation" factor that helped me endure at first and later like it more than I anticipated.
The setting was interesting, strange but interesting. The storyline had gaps/jumps that I think throws the audience off a bit. There's no great soundtrack playing in the background, creating the "romantic" ambiance. BUT they all didn't matter.
The chemistry between Emma and Luis was simply exquisite. There was some inexplicable strange chemistry that I couldn't resist; I fell in love with it and here I am, writing this review. The subtle love portrayal by the two actors was superb, and I believe, that is the core of this movie.
This movie is not an everyday romantic comedy; in fact, not all of us will appreciate it. I had to sit a while and then slowly began to comprehend the little things I didn't catch at first. I cannot guarantee everyone will like it, but I hope YOU do.
The setting was interesting, strange but interesting. The storyline had gaps/jumps that I think throws the audience off a bit. There's no great soundtrack playing in the background, creating the "romantic" ambiance. BUT they all didn't matter.
The chemistry between Emma and Luis was simply exquisite. There was some inexplicable strange chemistry that I couldn't resist; I fell in love with it and here I am, writing this review. The subtle love portrayal by the two actors was superb, and I believe, that is the core of this movie.
This movie is not an everyday romantic comedy; in fact, not all of us will appreciate it. I had to sit a while and then slowly began to comprehend the little things I didn't catch at first. I cannot guarantee everyone will like it, but I hope YOU do.
¿Sabías que...?
- PifiasIn the scene where Emmanuelle is in the kitchen with Luis' sisters cutting the coriander, one of them corrects the way she is wearing her dress. They adjust it so it becomes off the shoulder on one side. The scene cuts to Luis and as soon as it cuts back her dress is back to being on both shoulders.
- ConexionesReferenced in La femme invisible (d'après une histoire vraie) (2009)
- Banda sonoraGimme Gimme Gimme (A Man After Midnight)
Written by Benny Andersson and Björn Ulvaeus
Performed by ABBA
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- I Do
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 8.900.000 € (estimación)
- Recaudación en todo el mundo
- 30.178.449 US$
- Duración1 hora 30 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Prête-moi ta main (2006) officially released in Canada in English?
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