¡Ave, César!

The Coen Brothers are heroes of mine. They travel from universe to universe remaining true to themselves. Hail, Caesar should have been , I thought, a familiar universe for them but they seem lost. A journey without a clear destination. There are, of course, a few pleasures along the road. The scene between Alden Ehrenreich and Ralph Finnes is a gem. Alden Ehrenreich is a breath of fresh air with vintage breezes that are exciting, compelling and totally disarming. The tap dance routine with Channing Tatum is also a lot of fun even if I can't quite get Channing Tatum. Great body and he can dance but he seems to be somewhere else. Impossible to connect on the screen with him. I hear he gets millions of dollars per movie so maybe it's just me. The opposite of George Clooney who launches himself body and soul to every moment he has on the screen. I will shut up now and wait for the next Coen Brothers movie.

I am a huge Coen Brothers Fan. Many of their films are hard core 10's in my ratings and I had an uneasy feeling going into this one. The trailer made me think of Intolerable Cruelty more than O Brother Where Art Thou or many of their other films.

It felt like a strung together series of little set pieces that didn't hang together as a whole. I won't mention the plot since there was virtually none and what there was was fairly flat and unimportant.

Normally the Brothers can overcome a weak plot (although strong plot-lines have driven several of their movies) with strong quirky performances and memorable cinematography.

Sadly, the dialog lacked snap, the film didn't pop off the screen looks wise, given that it's a period piece, and with such a strong cast, everyone looked tired - almost as if they had come in to film their parts after getting off their day jobs and they were just doing a favor to the Coen's.

Overall I've seen much worse but when you go to a Coen Brothers film, you just expect much more.

Caught this at a screening the other night, and wasn't very impressed. The laughs are infrequent, and it's downright boring in stretches. It does have its moments, though: My favorite was Brolin trying to get reassurance from an array of religious leaders that his new biblical epic won't offend anyone. And Ehrenreich, who I'd never heard of, was great as the clueless but sincere rodeo expert who has somehow fallen into serious act-ting... much to Ralph Fiennes' chagrin. Who knew a line like "if only it were so simple?" could generate such hilarity? Such moments are few and far between, though.

Overall, this is a C+ flick - I think it's getting over-rated by critics just cuz of the Coens' name. It's one of their weaker efforts.

Sure, a lot of people hate this movie, and I get it, it isn't for everyone. Your enjoyment of the film solely depends on your sense of humor, expectations, and background knowledge of Hollywood films of this era.

I had read into this film a bit before I saw it, and therefore my expectations were pretty much surpassed. I already knew that there wasn't going to be much plot and that a lot of the big name actors and actresses in the film were in it very little. But, no matter how negative some of the criticism I heard, I still eagerly wanted to see it. And I did see it, and I loved it!

One of the main reasons why I enjoyed it so much was because of my previous information of classic filmmaking. I knew plenty about classic epic, musical, and western cinema, and there's plenty of nods to various filmmaking techniques of that era that I noticed. A lot of this film kind of feels like it was made back in the 50s, so I have to give credit to the Coen brothers for that.

My biggest complaint was how little screen time various actors got. Many of the people who were top billed are barely in the film at all. I mean, Jonah Hill is literally on the POSTER and yet he was in the film for hardly even a minute! Couldn't his part have been a bit longer? Or maybe he simply shouldn't have been on the movie's poster! Other actors/actresses were in it disappointingly little to, such as Scarlett Johansson, Ralph Fiennes, Channing Tatum, etc. However short their appearances may be, all of the performances are extraordinarily well done, which is why I wanted to see more of these actors in the first place!

Other flaws I found were rather minor. Certain gags went on a little too long, although pretty much all of the gags worked very well for a remainder of their existence. There also isn't much of a plot for a lot of the film. While there is SOMETHING resembling a plot, there was very little of it. Of course, normally in a film (unless it is experimental or a documentary), I like a bit of plot and conflict, and in "Hail, Caesar!" there wasn't as much of it as the trailer may want you to believe. But, the film didn't really need much of a plot to keep me hooked and entertained.

There certainly were more positives than negatives from my point of view. When a gag in the film worked, it worked extremely well. And the entire film is shot beautifully as well!

There's plenty of entertainment value to be had. There's a bit of comedy, mystery, music, and even some elements of drama. I enjoyed "Hail, Caesar!" quite a bit, and look forward to seeing it once again in the near future! While there are a few problems, all the positives make up for them really well! This is a great satire that I'd recommend to people who really appreciate older films, have a somewhat dark sense of humor, and don't mind a film with very little plot

This film seemed to get quite a mixed response when it came out, and watching for myself I can understand why. On one hand it is a light bit of fun, which is professionally delivered in all aspects; however at the same time it always feels like it could easily have been more than this – and maybe could have delivered more along the lines of other Coen brother films. How strongly you feel about this will depend on the individual; for me I fell between the two stools.

As a comedy I enjoyed it. It had smart dialogue and characters, all with plenty of color and atmosphere. At the same time the film looked great from the cinematography through to the cast involved. This did work against it for me too then; mainly because it seemed to always harken back to other films such as Barton Fink, and other better films. This feeling is confirmed because Hail Caesar! is at its best in the moment, but doesn't really build or develop into something more satisfying. It is still funny, very well delivered, and enjoyable as part of the familiar Coen world, but they have done better, and it is hard not to think that while watching this.