Todo el mundo odia a Chris

I'm in the same wavelentht with Chris, being 40 and busing to my own "Corleone JHS" mines was Brooklyn's Hudde JHS. In reality the crap that Chris would have endured would have been between 1978~80. The racial tension was heavier then. My 14 y/o son enjoys the show and so do I. Why do I think they chose to use 1982 as the main time line? Is because before 82' nothing was really going on in sense of music and fashion. We were more into the funky wear and funky music like the Commadores. Chris does a great job reminding us of what Brooklyn was like. I hope it stays on for awhile.

Do or Die Bed Sty! :)

...in fact,I'd say that most people who get to know Chris Rock should end up loving him. Or at the very least,liking him.

Sort of a 80s,urban take on "The Wonder Years",this is also an era show(since I grew up during this period,I am very glad to see a show like this),with the early to mid 1980s and Brooklyn,New York as the backdrop. Chris Rock,circa 1983 thru 1985,is hardly the Chris Rock we seem to know now: he's a very average,neurotic kid who worries about impressing the girls,being a good student and NOT incurring the wrath of his parents(among other things).Rock narrates as an adult,and Tyler JAmes Williams plays him as the pre-teen. Being a sitcom,of course there is plenty of the easy,comedic rhythm that you'd expect out of a show of its make,only the just a touch of sharp,knowing sass and a 21st century sensibility to it.

A very fine supporting cast sports Terry Crews and Tichina Arnold as CHris' dad and mom,Imani Hakim as his younger sister and Tequan Richjmond as his older(?)brother,and Vincent Martella as is his best friend. I've only FINALLY nailed down when this show runs(and where the local CW is located on the dial),so I must confess that I've only seen a handful of shows,but what I've sen is quite good. Perhaps its' Rock's guidance that makes this show wise,sharp yet gentle,but I think all the right elements are at play here. I think I can say that I've ran across a show that's set in the '80s that actually gets the cultural and time elements right,not merely smoosh them together so as to create instant recognition("That 80s Show",anyone?). Worth the half-hour investment.

I really love this show. The characters are really well developed and memorable. It's quite funny how famous this show is in Brazil. I've asked a lot of people from other countries, and it's mostly unknown by them, while here most people know their catchphrases by heart. I think this is explained by three factors: 1. It was broadcasted by an open channel several times per day for years, and we don't have many good content available on TV; 2. Brazilians can really relate to the situations lived by Chris and his family. A lower middle class family trying to survive lack of money, prejudice and other adversities of life in a very positive way. 3. The dubbing of this show is REALLY good.

I've seen two shows and it is decided that It is my favorite comedy presently. I didn't even think I would like it. Pam is great in her understated role of Chris's mother. In actuality, no one really hates the boy, although it would be a comical spin seeing that there are some kids who teachers and neighborhood adults hate and chastise for no apparent reason. The father, best known as the Jungle Fever muscle man from White Chicks does his usual visual comedy. The theme song "EVERYBODY HAA ATES CHRIS" is adorable and peppered throughout the show at cliff hangers right before commercials. As the show gets slammed by critics I see it as a gem that appeals to me taste whereas Everybody Loves Raymond never did. I could so relate to the coach who heavily woos the young strapping buck to be the star player as it happened to me at age 9 with basketball 15 with wrestling and even 19 with the military track and field team. I was laughing out loud as the coach hunted him down. I look forward to seeing more episodes of this.

Lots of shows are funny, but few are as creative as Everybody Hates Chris. There are countless segways, not unlike Family Guy, but these are live action. Not easy to produce in a weekly series. And thank you Chris Rock for using one camera as opposed to three cameras in front of a live audience. And also for your witty narrations. Especially when he refers to himself as now being famous. Every actor and character is full of personality. I wish the show ran longer.