The Host

This is a movie which will go straight into "best monster movies" lists; it is ground-breaking in the way humorous and horror content has been intertwined by a master film director. It was the closing film, shown last night (July 30) in the Auckland International Film Festival. There was a packed house of which about 60% were Korean people living in New Zealand. The audience was very attentive and the reception given to the movie was justly big applause. The animatronic effects have been done scrupulously well and viewers can look forward to being enthralled by the skills of those who "made the monster". We got the print which had come straight from Cannes and apparently the film opened just two days before we saw it in Auckland. There is no doubt that this movie will go on to do very big business wherever people appreciate great horror films. My inclination to rate it 10/10 was tempered only by a little doubt about the pacing of some sequences, but it is certainly worth 9/10. Look out for when it comes to a theater near you.

It's a picturesque afternoon in the park near the river. Kids run gleefully as parents set up picnic lunches and enjoy the sunshine. Young couples lay together on blankets, friends toss a Frisbee - it's just about perfect... except for the giant creature hanging from the bridge.

Parkgoers quickly gather to gape at the mysterious something. They ooh and aah when the great beast slides into to water and eases its way over to the shallows, idling just beneath the surface. No one senses any cause for alarm. They lean closer and toss snacks into the river, as if it's a cute family of ducks.

But ducks don't have teeth like this thing.

The crowd erupts into panic as the monster reveals its lethal force and ravenous appetite. Among the crowd scurrying for their lives are an old food shack owner, his young granddaughter, and her dad. The dad displays his bravery by facing the monster, but he also displays also his imperfections by... well, I won't spoil that part.

Director and writer Bong Joon Ho cleverly details the family's dysfunction through subtle dialogue before the monster chase and in the aftermath. This family is a ragtag group without much clue about what to do, but they are nevertheless relatable and easy to root for.

Though the horror aspect is feature most prominently, the film contains layers beneath the surface for those interested in further examination. Bong Joon Ho manages to weave together elements of a family comedy, social satire, environmental conservation, and of course, a monster horror movie.

This is unequivocally Bong's movie. He expertly directs chase scenes with thrilling camera movements and engrossing framing choices that make you lean forward in your seat with excitement while you also partially cover your eyes in fear. It's a fascinating paradox.

In quieter moments, Bong unveils a novel's worth of background information through a few purposeful conversations between characters. Listen closely or you'll miss important details and have to watch the movie again. You'll probably want to anyway.

An American military base of Yongson releases toxic chemicals in the drain to the Han River under the direct order of an arrogant U. S. Army coroner. Six years later, a large monster appears on the riverbank to munch on fistfuls of passers-by. Stars Park Hee-bong (Byun Hee-Bong), a man in his late 60s. He runs a small snack bar on the banks of the Han River and lives with his two sons, one daughter, and one granddaughter. Hee-bong's elder son Gang-du (Song Kang-ho) is an immature and incompetent man in his 40s, whose wife left home long ago. Nam-il (Park Hae-il) is the youngest son, an unemployed grumbler, and daughter Nam-joo (Bae Doona) is an archery medalist and member of the national team. The enormous monster spreads panic and death, and Gang-du's daughter Hyun-seo (Ko Asung) is carried off by the monster and disappears. Others are also carried to its lair as snacks. Along the way, the motley family takes on lots of difficulties, risks, dangers to rescue the little girl. It is Lurking Behind You !. Man has made his newest predator !. Monsters are real !. You are what it eats !. Out of the darkness, something is ready to start feeding !. It's war!.

This creature feature is South Korea's all-time boxoffice champ to date, having been seen by 14 million of the country's 48 million inhabitants. Containing a ecologist denounce when careless pollution by the US military spawns a huge fleet-footed amphibian thingummy. Constructed around graceful digital effects (courtesy of San Francisco outfit, The Orphanage) , this movie skilfully strings together nail-biting scares , plucky heroism , jet black comedy as a dysfunctional family set aside their differences to rescue their daughter from the beastie's clutches. There'a a misfit group of roles among the family members who hold emotional volatility, but 'The Host' also moves beyond the genre formula, since it's rooted in burning indignation that the working class folk at the centre of events are simply ignored by high-handed authorities in thrall to the Americans -a significant issue in a nation where democracy has recently taken root.

The motion picture was well directed by Bong Joon Ho. He has directed a few but successful films such as : ¨Mother¨ , ¨Tokyo¨ , ¨Parasite¨ ¨Snowpiercer¨(filmed in seventy-two days , this is Joon-ho Bong's first English-language film) and The Host . His filmography is characterized by emphasis on social themes, genre-mixing, black humor, and sudden tone shifts. He first became known to audiences and achieved a cult following with his directorial debut film, the black comedy Barking Dogs Never Bite (2000), before achieving both critical and commercial success with his subsequent films: the crime thriller Memories of Murder (2003), and the black comedy thriller Parasite (2019), all of which are among the highest-grossing films in South Korea, with Parasite also being the highest-grossing South Korean film in history; Parasite also became the first South Korean film to receive Academy Award nominations, with Bong winning Best Picture, Best Director, and Best Original Screenplay, making Parasite the first film not in English to win Best Picture. The Host rating: 7/10. Better than average.

This movie took me by storm, it is by far one of the more interesting, fast paced, seat-gripping movies to come out of Korea.

When I initially picked up this movie, I was sort of sceptical, a monster movie from Korea? Going to be mediocre at best. But this is where I thought wrong...

Right from the beginning, this movie was interesting, and it never lets you go once it got you. Fast pace from start till end. And it really helps that the effects are awesome.

The movie mixes humour well with the "horror" part of it, as it is a monster movie. And it works well. Even if you are not a particular fan of Asian movies, you might want to check this out for the effects alone.

I have seen this movie a couple of times already, and it doesn't get boring. It is somewhat of a gem in Asian film history - at least I think so.

I have mixed feelings about this film. On one hand the first attack is one of the best creature feature sequences in film history in my opinion. The curiosity of the public to this big octopus looking creature in the water leading into the sheer panic and dread as the camera pans onto it charging towards the group from a distance without changing camera angles is purely brilliant and horrifying, and the ensuing madness (in particular a scene inside a large container) is truly terrifying to witness. However, after this initial attack, the film slowly devolves into a second rate family drama with less intense and spread out attacks from the continually less intimidating beast. The conclusion nearly wraps up the film but the expectations built up by the first 20 minutes lead to an ultimately disappointing viewing experience. That said, the film is far superior to the majority of Hollywood monster movies and is worth watching just for the harrowing opening scenes, so give it a watch if you're looking for an inconsistent but watchable creature feature.