Bajo el árbol del bosque

As the designer on the production I take exception to the comments displayed in the ALstubbino review of "Under the Greenwood Tree". I can tell the writer of the last review that great care and extensive research was undertaken to achieve the sets and decor on the production, down to the smallest detail. I don't know what or where or how he/she has based their negative opinion perhaps they would like to enlighten us all as to where we went wrong!!. I enjoyed the production and for a TV drama think the production value and direction excellent. Under the greenwood tree is a fine adaptation of the original Hardy novel , not the novel itself, and as a TV drama stands up well, I would recommend it to anyone as a good family film.

I wasn't going to watch this, as although I'm a fan of Thomas Hardy,most of his stories have an unhappy ending,and i thought for Boxing Day i wanted to watch something cheery.I was really delighted as the drama was lovely from beginning to end,and it did have the ending you wanted to see.A lot of thought went into this drama,the costumes,the class stereotypes were well presented,it really put you in touch with how people lived in those days and their strange customs.The script was well written and the acting first rate.I have never read this book,but i have read others by Thomas Hardy,and it seems to me that here he has stuck to a much simpler story,without getting carried away with his pen or quill as he some times did,although that is just my opinion.I hope there will be many more dramas like this on TV,i thought this was an excellent choice to show on boxing day,i don't know how any one could have found fault in it,okay so it may not have been accurate to the book,but then what dramas are 100% accurate to the books.I think most people would believe this was a nice story to watch at Christmas.

This is a gentle adaptation of one of Thomas Hardy's classic novels. The script is very well done by Ashley Pharoah, who despite his name is not an illiterate Egyptian who can't spell pharaoh properly, but a Somerset person, steeped in Hardy's country and perhaps cider as well, who knows. Keeley Hawes plays the young schoolteacher and organist named Fancy Day who gets all the local men excited by coming to town and casting her spell over them without even meaning to. There is nothing like one of those demure beauties to get Hardyesque men's hearts a flutterin'. A lot of the film was shot in Hertfordshire, which is shocking, considering how much there is of the West Country crying out for more Hardy adaptations to be made where they were meant to be. But as the Americans (WGBH) were involved as co-producers, they must have insisted on a budget which could not stretch as far as Wessex, not appreciating from their foreign perch the difference between the real thing and a substitute. Nick Laughland, primarily know as a television drama director, has done an excellent job of telling this story simply and with charm. The story also features the replacement of the church gallery orchestra with a harmonium, a theme stressed by Thomas Hardy more than once in his writings. It obviously greatly grieved Hardy that the charming old style of music in the country churches with violins and bass fiddle was suddenly eradicated by the rude intrusion of a device known as a harmonium, which is a kind of portable organ. This was one of the examples of heedless 'progress' wiping out centuries of the real thing and replacing it with something deeply inferior and humdrum. But as we are always being told by the politicians and business magnates that progress always equals improvement, who are we mere ordinary creeping creatures that we are to doubt such wisdom from on high and give way to cynicism? The portrayal of the little church orchestra here is a moving illustration of what was lost in transition. And as for the love story, well, that holds us in suspense till the end. Upon whom will Keeley Hawes bestow her heart? Will she marry for money and social position and wed the local squire? Will she wed the vicar and travel to Venice, which she has always longed to see? Or will she choose the earnest local boy who adores her? Three marriage proposals are made, but only one can succeed. Will she choose aright?

Being in the mood for a period romance, I was a bit cautious when I realized this was an adaptation of a Thomas Hardy story. They tend to end unhappily, especially when there are divided love interests. Fortunately, Under the Greenwood Tree is light, even humorous, in parts. Truly I had no idea who Fancy would marry, the wealthy farmer, the austere parson, or the poor (yet brash and handsome) harrier. In the tradition of Pride and Prejudice, Sense and Sensibility, there is the mix of position, miscommunication, and the delightfulness of authenticity of period. A treat to watch. The acting, script, and setting all played well together. If you adore period romances, then this should go on your list to watch.

I normally approach Hardy adaptations with extreme caution as they have the ability to tarnish the brightest of moods. I read some of the previews and persuaded myself to give it a go. To my joy and astonishment this was a fantastic Christmas treat which the reviewer above clearly failed to understand. Whoever wrote it has clearly no real authority on Hardy whatsoever. The pages of the novel came to light perfectly on the small screen. Hawes was a perfect Ms Day, playing delightfully and genially into the audience's hand. However, for me the performance that stole the show was Pemberton playing a fantastically funny Shiner. He portrayed it with both depth and humour and lit up the screen every time he graced it. The scenery was stunning, the plot had depth and kept me and my family gripped throughout. I thoroughly recommend it to anyone with a warm heart, as it certainly warmed mine.