Una inteligente pero sensata recién graduada consigue un trabajo como asistente de Miranda Priestly, la exigente editora jefe de una revista de alta costura.Una inteligente pero sensata recién graduada consigue un trabajo como asistente de Miranda Priestly, la exigente editora jefe de una revista de alta costura.Una inteligente pero sensata recién graduada consigue un trabajo como asistente de Miranda Priestly, la exigente editora jefe de una revista de alta costura.
- Dirección
- Guión
- Reparto principal
- Nominado para 2 premios Óscar
- 21 premios y 53 nominaciones en total
Reseñas destacadas
The movie stars Anne Hathaway, a writer who winds up applying for, and getting the second assistant position to the Editor-in-Chief of THE fashion magazine called "Runway." Her boss is played by the always fantastic Meryl Streep. While she gets less screen time in the movie, her mean looks and bitchy attitude makes her character stick with you. Also, the movie does give you some soft moments to make her a little more sympathetic than she was portrayed in the novel (or so my friend told me). I do wonder whether or not this movie would've worked if Meryl's character was male instead of female.
I won't bore you with the other plot details because it was actually fun to not know how it unravels. Without the novel to go by, it was fun to figure out what bad thing was going to happen to her next. I do have to say that the movie has achieved the balance of being cute but not corny. You also get to understand why she just takes it all instead of just quitting to begin with. It's funny enough to make you laugh out loud, but more importantly, it's a great film to escape to. Hey, at least for the majority of us, we can come out of the theater and say, "At least my boss isn't like that."
Or, put another way, it's essentially "The Princess Diaries" with much, much, muuuuuuuuuch better dialog and a slightly more sophisticated and dramatic story arc.
So while older audiences may feel the film is a bit formulaic, the hysterical, but occasional cruel, one-liners and zingers hurled at Anne Hathaway's Andy are sure to keep them entertained. Stanley Tucci and Emily Blunt get most of the barbs, and Blunt in particular is fantastic in the film.
Tucci and Meryl Streep, however, get to make the most provocative and stirring speeches in the film, and they deliver. Hathaway capably carried the movie, perhaps overacting, but she makes it work. Streep proves again that she's a gifted comedian. Emily Blunt, as Emily, is pitch perfect, and her performance here gives beautiful irony to her given name.
The film is just too long, however, primarily because the director feels obliged to explain everything -- every plot point is rendered obviously and painfully clear, and nothing left open for interpretation. That said, we're spared the "perfect ending" and left with a heroine who can truly stand on her own two feet, and in any shoes she might desire.
There are four and a half major stars here, and any part of this movie with any of them is really fabulous. I'm talking Streep of course, and Hathaway who has the main role. Add Tucci who is terrific (as always) and Blunt who is also terrific (as always) and you have he makings of a terrific movie.
So why the downer reviews and semi-dud status? I don't know, except the other parts without any of these, or with just Hathaway and her friends (her peers including her cute but dull boyfriend) are really dull stuff. This is partly the actors and partly the writing, which is truly filler. I can see some people grabbing their remotes at these points.
But let's get to the crux of the movie, which is actually pretty great fun. The parade of great fashion that whizzes by, the haughty power queen that Streep pulls off with such panache, the steady dribble of insults coming from Blunt's mouth, and the transformation of Hathaway, over and over, as she moves her way into this world are all really dazzling. It's a fairy tale with its feet firmly on the ground--but what odd, worldly, glitzed up ground to be standing on.
There are no depths here, just light romantic comedy. It's a situation many of us know--either by having to look good, or by having an impossible boss, or just seeing a relationship dissolve as you move on in your goals and maturity. Between the dreck there is a mostly wonderful idea made into an intermittently wonderful film.
¿Sabías que...?
- CuriosidadesOn the first day of filming, Meryl Streep told Anne Hathaway, "I think you're perfect for the role. I'm so happy we're going to be working together." Then she paused and followed it up with, "That's the last nice thing I'll say to you." And it was.
- Pifias(at around 1h 25 mins) When Nigel and Andy are toasting for Nigel's new job, they're each holding a glass. In the next scene, Nigel has no glass but Andy is still holding hers, then the camera shifts and Andy is holding both glasses.
- Citas
Jocelyn: [holding up two belts] It's a tough call. They're so different.
[Andy snickers; everyone in the room stops and stares at her]
Miranda Priestly: Something funny?
Andy Sachs: No... No, no, nothing's... you know, it's just... both those belts look exactly the same to me. You know, I'm still learning about this stuff and, uh...
Miranda Priestly: "This stuff"? Oh. Okay. I see. You think this has nothing to do with you. You go to your closet and you select, I don't know, that lumpy blue sweater, for instance, because you're trying to tell the world that you take yourself too seriously to care about what you put on your back. But what you don't know is that that sweater is not just blue, it's not turquoise, it's not lapis, it's actually cerulean. And you're also blithely unaware of the fact that in 2002, Oscar de la Renta did a collection of cerulean gowns. And then I think it was Yves Saint Laurent, wasn't it, who showed cerulean military jackets?
[turns to an outfit she is styling]
Miranda Priestly: I think we need a jacket here.
[Nigel nods, leaves the room]
Miranda Priestly: And then cerulean quickly showed up in the collections of eight different designers. And then it, uh, filtered down through the department stores, and then trickled on down into some tragic Casual Corner where you, no doubt, fished it out of some clearance bin. However, that blue represents millions of dollars and countless jobs. And it's sort of comical how you think that you've made a choice that exempts you from the fashion industry when, in fact, you're wearing the sweater that was selected for you by the people in this room... from a pile of "stuff".
- Créditos adicionalesThe credits have a sheen on them, like they've been given a coat of polish.
- Banda sonoraSuddenly I See
(2005)
Written and Performed by KT Tunstall
Courtesy of Virgin Records
Under license from EMI Film & Television Music
Selecciones populares
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- El diable es vesteix de Prada
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 35.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 124.740.460 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 27.537.244 US$
- 2 jul 2006
- Recaudación en todo el mundo
- 326.720.785 US$
- Duración
- 1h 49min(109 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1