Perhaps Love

Why do we like to put movies in categories? Why do we have to compare such a splendid movie with other musical movies? All movies are different. Just because Perhaps Love is not as musical as other musical movies does not mean it is worse than those movies.

I personally loved the movie. the characters performed beautifully, the songs were original and empathetic. The plot seemed simple, yet complex and deep. The idea of 'film making' in a film is clever and well fitted. The costumes were designed exceptional as we see clear contrast between the past in BeiJing and the present new Sun Na.

The introduction was philosophical. Life is a movie. you could be the protagonist on someone's movie, or just a glimpse of the face.

The love between the 3 people seemed simple yet extremely complex. and the twist at the end of sad yet realistic.

In conclusion, Perhaps Love is a masterpiece. it needs more explorations to be completely understand, but i think it's worthwhile. Good Job!

This movie is a stunning masterpiece that showcases a whole new versatility for Asian Cinema. It takes the brash exuberance of Moulin Rouge, the musical-bizaro world of Cirque du Soleil, the color palate of Amelie and ratchets up the imagery and the volume to achieve new heights in cinematography. Farah Kahn leaps to the top of the list of my favorite choreographers of this new century. Easily some of the smoothest vocalists of China's pop and ballad scene have been assembled plus a handful of triple-threat actors weigh in to truly pull off this brave work. This is a beautiful film and my favorite foreign film of the new year.

I love musicals.. somehow I have doubts for this one.

I expected to see a musical, albeit one without any plots. Musicals are born that way, actors sing to what they suddenly feel like. If you look for a plot in a musical, you're going into the wrong movie.

However, this film is.. I can't describe really what it is. It's a musical, yes, and there's a story. I didn't like the way the music is performed in the movie, though. They depended too much on the play-within-play idea to present the music. All the musical performances happened within the 'film' that the three characters were involved in. You can see that whenever the characters are singing, they are doing it in the 'film', and not in the real life situation. I was expecting a performance to come out from the feeling of that character - like Chicago, when Roxie feels like it, she would suddenly sing to the tune 'Roxie Hart' - of course then the song "All That Jazz" is still done in a 'performance' within the movie. In fact, Tsai MingLiang's The Wayward Cloud, sex and other things aside, would make a better musical - the leads would suddenly change clothings and sing whenever they feel like it.

Am i making sense here? Instead of that sort of thing, I wish that the characters would just sing when they're happy (like that scene in "Singing in the Rain") or when they feel sad, and not doing it because the characters are 'in a movie set'. It just takes the notion of Musical away.

Yes, there is a plot, probably better than other musicals, but then the plot is not strong enough on its own. The music is great, at times touching. Jacky Cheung is an amazing singer, and I didn't know Takeshi could sing that well either (plus good looking and can speak canto, oh my..) The slow love songs are the most beautiful. The cinematography are obviously beautiful and carefully arranged. There are many dancing scenes that are nicely choreographed (except that I wished the singers would dance with the background dancers too, instead of them singing in the middle, doing nothing). I wished also that there would be more singing done by more characters instead of just Jacky or Takeshi, and the other Korean guy, whats his name..?

Nevertheless, its a really good try by an Asian director trying to go global. I just wished it would be less Broadway and more unique Chinese/Asian (the setting are all 20s Harlem sort of feel).And I also really wished there were more people singing. I like the Korean guy's character because he's exactly what musical is all about - who that person is doesn't matter, what matters is that he sings whenever he wants to!

So I think it's a good watch, just to see how Asia can make a musical, too. Plus, the music/costumes/set/cinematography are just too nice to miss.

This is one of the most beautiful movie shot between Chinese mainland and Hong Kong. I was always looking forward to a "singing in the rain" of China. Now it is there.

In my memory, no one is to be compared to Chow yun-fat in Hong Kong movies. But this one really shaken me. Both main characters are to be praise by two thumbs up. The face is Hong Kong movie festival has awarded Zhou Xun with a best actress in a leading role, who acted as Sun Na in the film. Also the plot is fine, ranging between reality and music play. That is something that China has been lack of for years......

Passion will pass away instead of people, that is what I think, the saddest thing of this grown-ups' fairy tale.

Satisfying.... 8/10

I watched this movie during its recent release in Singapore. I'm not particular musical fan. But this movie is really worth to watch. It's simple story, about love triangle, but I guess the credit goes to its wonderful, simple and touching delivery. Its flashback delivery makes this movie unique. Frankly speaking, it was kinda confusing at the beginning but as the story flows, you may feel the movie touch slowly. Started with how Lin Jian Dong (starting Takeshi Kaneshiro) acts together with Sun Na (starring Zhou Xun) in musical love triangle show, that actually tells the story about their love journey a decade ago. And the movie director Nie Wen (starring Jacky Cheung)trapped in love triangle between the lead actor and actress.

With Takeshi's handsome face, Zhou Xun's good acting and not to mention Jacky Cheung's beautiful and clear voice, it's indeed a good movie to catch!