Un detective de la policía, un ladrón de bancos y una poderosa bróker entran en negociaciones de alto riesgo después de que el brillante atraco del criminal se convierta en una situación de ... Leer todoUn detective de la policía, un ladrón de bancos y una poderosa bróker entran en negociaciones de alto riesgo después de que el brillante atraco del criminal se convierta en una situación de rehenes.Un detective de la policía, un ladrón de bancos y una poderosa bróker entran en negociaciones de alto riesgo después de que el brillante atraco del criminal se convierta en una situación de rehenes.
- Director/a
- Guionista
- Estrellas
- Premios
- 5 premios y 12 nominaciones en total
- Chaim
- (as Bernard Rachelle)
- Bank Guard
- (as Rodney 'Bear' Jackson)
- Director/a
- Guionista
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
Reseñas destacadas
No ordinary film maker, Lee taps his expertise in film making, applying superior cinematography, editing, and direction skills.
Headlining the film is Denzel Washington as the good guy cop, and Clive Owen as the highly intelligent robber (with the screen-play thankfully avoiding the crazy/insane cliche' Bond movie villain characterization).
"Filling-in" as good as one will find in bank robber caper films are the superior supporting cast performances of Christopher Plummer (who has never delivered anything sub-par in his career), Jodie Foster (effectively playing against her "type"), Willem Dafoe (over-due for an Oscar), Chiwetel Ejiofor (perfect subtle side-arm detective partner to Denzel), and across the board good performances by the entire supporting ensemble cast.
Lee doesn't try to play out the big surprise ending cliche', but instead allows one to piece things together as the film unfolds, letting us "in" to the narrative piece by piece. This is refreshing and elevates the film overall.
Really hard to find any critical piece missing in the film. Editing and pacing excellent, and even the potentially preposterous story idea works. Yes there are a few "identifying the magician's tricks" moments inside what could have been a perceived as an over the top narrative, but one overlooks those because this is quite the entertaining film and it is put together so well - Witty dialogue delivered by some of the all-time great actors who were perfectly cast on their parts.
Bravo to all concerned👏, and two thumbs up!👍👍
One major quibble: Jodie Foster's character is more archetype than person so it's to her credit that she pulls it off as well as it does. However, don't let that deter you from enjoying one of the best movies of the year. I'm glad to see Spike Lee tackle another genre film. He brings a re-invigorating approach to what, in other hands, would be a tiresome rehash. That liveliness seems to have worked on him, too -- this is his best film in several years.
If you've seen the trailer or heard anything about this pic, you have been misled. Everything I heard left me feeling like yeah, OK, I'm going for Denzel. Denzel vs. Clive Owen will be interesting.
From the first shots and opening credits, you are submerged in artistic vision, and a finely honed piece of work the likes of which I haven't seen in years. I'd almost give this one a ten.. and I don't hand out tens freely. I do not want to spoil this. You have to walk in cold, and let this film grab you by the short and curlies.
This is one film where there isn't a spare frame or wasted cheap shot. Every zinger zings, and there are laughs too, laughs at merciful intervals to break the tension and remind an audience on the edges of its seats that movie-going's supposed to be entertaining, dammit. The cinematography is brilliant, and the music is fantastic - true cinematic score, true genius. I can't praise this one enough.
Christopher Plummer is superb, in what is (perhaps coincidentally) an ironic bit of casting. Jodie Foster rises to a challenging persona with aplomb and ease, and my only complaint of the entire exercise is that her character's name 'Madeline White' is perhaps a little cliché. Beyond that, there isn't a filmmaker alive who brings New York to the screen with anything approximating Spike Lee's vision.
It seems there hasn't been a lot of junket for this one, and that Spike Lee's presence has been downplayed... as if the studio downplayed the fact that this is a Spike Lee film slightly, until the word was out that this film is over and beyond what an audience might already expect from one of his films.
So... let me just say.. man o man this is a cinematic mind-blowing amazing one and a half hours... it's brilliant, tight, funny, articulate, intense, and high time the academy gives Spike Lee some respect.
What I liked about Inside Man was the style it was made. It is choppy, but not so choppy that it's annoying (cough, Domino, cough, Man on Fire), so you get a sense of tension, and it seems very high paced. The plot is good, and very intriguing. There are some things you have to figure out throughout the film, which makes it more interesting. My only problem was that after the bank robbery was over, the film continued for another half hour, and it started to drag a bit. The dialogue in the movie is very cool. There's some humorous and some awesome lines that come out of the character's mouths.
The acting is very good. Denzel Washington is good as always as Det. Keith Frazier. Clive Owen gives a solid performance as Dalton Russell. I liked Willem Dafoe and Christopher Plummer. Jodie Foster wasn't as good as she usually is, but she's not in the movie a whole lot.
Overall, the movie lags toward the end, but it's intriguing and has an awesome plot.
7/10
Banda sonora
¿Sabías que...?
- CuriosidadesThe scene in the coffee shop was improvised. On the DVD commentary, Spike Lee states that when Denzel Washington ad-libbed the line "I'll bet you can get a cab though," he nearly ruined the take by laughing so loud at Washington's line.
- PifiasThe cops are supposedly fooled when the gang play part of a speech in Albanian by the late Enver Hoxha to fool their listening devices. But even though they don't know the language, they ought to notice that it sounds like a monologue by one man rather than a possible conversation between four bank robbers, one of them female.
That's not how human comprehension works. When listening to a torrent of unfamiliar comprehensible sounds, after a while, the brain treats them like white noise, unable to recognize them or sort them into discrete parts of a conversation.
- Citas
Dalton Russell: I'm no martyr. I did it for the money. But it's not worth much if you can't face yourself in the mirror. Respect is the ultimate currency. I was stealing from a man who traded his away for a few dollars. And then he tried to wash away his guilt. Drown it in a lifetime of good deeds and a sea of respectability. It almost worked, too. But inevitably, the further you run from your sins, the more exhausted you are when they catch up to you. And they do. Certain. It will not fail.
- Créditos adicionalesMost unusual for a feature film, all orchestra musicians are credited individually with their respective occupation.
- ConexionesFeatured in Inside Men: Denzel & Spike - Man to Man (2006)
- Banda sonoraChaiyya Chaiyya
Written by A.R. Rahman, Gulzar
Performed by Sukhwinder Singh, Sapna Awasthi
Courtesy of Venus Records and Tapes Pvt. Ltd, India Talkies Pvt. Ltd & A.R. Rahman
Orchestral Arrangement by Terence Blanchard
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- El plan perfecto
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 45.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 88.513.495 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 28.954.945 US$
- 26 mar 2006
- Recaudación en todo el mundo
- 186.003.591 US$
- Duración
- 2h 9min(129 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1






