En el punto de mira

I was lucky enough to watch it during an event of a company I work for. I really enjoyed this movie, because of it's editing, wonderful actors and full packed action.

The movie tells the same story from 8 different persepectives, most of them from a character view, makes the puzzle clear till the end. Some puzzle parts can be guessed but this makes the movie so fun to watch.

Matthew fox acting could be better, but the others are convincing. Cheers to Ayelet Zorer, an Israeli actress who surprises again with her beauty and acting.

If you like thriller, action and car chases all in same movie then this movie is for you.

What can I say? This film is a gimmick film that relates the same event through the eyes of eight different characters that each hold a piece of the puzzle. The film stops and rewinds back to 20 minutes before the event for each character. It gets a little annoying because each time it stops, the audience is left on a cliffhanger which carries the film's tension into the next character.

As for what the film promises, it promises a good puzzle, suspense and intense action. It delivers on all accounts. This plot has twists and turns and is completely logical. Half way through this movie, if you think you got it all figured out, you haven't got a clue.

The action is fairly balanced through out the film and keeps the film moving. The car chase in this film is one of the better ones I have seen in a long long time. It had some shots in it that I think were a small homage of the original The Italian Job (1969) car chase scene.

Even though I personally thought that some of the characters were paper thin, many of the actors gave strong performances that made the characters believable. Forest Whitaker was the best. I had a little problem with Dennis Quaid's character, Secret Service Agent Thomas Barnes, starting out as the thinnest of all the characters but he grows in the film. Of course, Edgar Ramirez, Saïd Taghmaoui, and Eduardo Noriega were right on and make the film (but not as much as Whitaker).

The premise of this film makes a refreshing change from the ordinary style of mainstream movies.

I enjoyed the movie. Dennis Quaid and Forrest Whittaker carried the movie and made it an enjoyable experience. For anyone that is easily made motion sick, the camera work is very shaky during the chase scene and had it lasted much longer would have detracted from the overall experience for me personally. The way the story was told was different but kept me engaged right to the end. I would recommend seeing this film if you get the chance.There is a little something for everyone here. Action, drama, a couple of jokes, and some nice views. There are some actors in this movie that may not be well known, but overall I think everyone in it did an adequate job. If you are a fan of Dennis Quaid you should really like this movie.

Dennis Quaid and William Hurt star in this action thriller with a twist (or better yet, gimmick): the events leading up to the attempted assassination of an American president who is visiting Spain are told from several individuals' points of view. These include Quaid as a Secret Service agent, Hurt as the president, Forest Whittaker as a camcorder-wielding tourist and Edgar Ramirez (a Javier Bardem lookalike) as a Spanish cop. Bruce McGill is the president's hawkish adviser. VANTAGE POINT is fine if you can take the constant rewinding of events to show them from each character's perspective. Personally, I would have preferred fewer rewinds. For my money, Whitaker's overly excited tourist walks away with the movie.

One crime, multiple vantage points. Sounds cool right? Yes. But "Vantage Point" never really pulls it off quite how it sets itself up to. The result is a cool action flick with some clever storytelling that sort of fizzles in the end.

In "Vantage Point," the President of the United States (William Hurt) arrives in Salamanca, Spain to give a speech on global terrorism efforts and ties with Spain to improve them. He gets shot and then a bomb goes off killing many people. We get this story through the eyes of a variety of characters and by the end of the film know exactly what happened.

The cast is a solid mix of familiar and old faces. Dennis Quaid, Forest Whitaker, William Hurt, Matthew Fox (of LOST fame) and even Sigorney Weaver give this film the star power it requires. The terrorists are entirely new faces, which is no real surprise.

As the film first presents the vantage point concept, the first thirty or forty-five minutes develop a redundancy. You do get many new perspectives, but seeing the same events happen over and over again and the cheesy rewind sequences to establish a change in POV really gets a bit boring. Sometimes you're not really seeing something new, just the same old thing in a new way that doesn't really bring more insight into the plot. Sometime it does and it really helps the film, but mostly it's not the vantage points, but cutting the story off at pivotal moments and clues into the mystery so that when they're revealed in another perspective you can get excited. It's just good storytelling, nothing unique.

The film really loses its appeal, however, with the "final perspective." In fact, it's not really anyone's perspective. The writers sort of realized that adding five more perspectives to reveal the full mystery (which is what it would have taken) would really bother viewers and get absurdly repetitive, so they combined them all into a final twenty minute action sequence that is like any other normal action movie.

Was deviating from the concept in order to please viewers and keep the film short the best course of action? For this film, yes. Sticking to the concept would have made it bad considering the complexity of the plot. But even the ending can also be seen about 15 minutes prior to when it happens, so it's not really all that great. This film would have been better, however, if it could both stay true to the structural concept and please the viewer, which means first-time writer Barry Levy stretched his idea just a bit too far. ~Steven C

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