PUNTUACIÓN EN IMDb
4,7/10
13 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaJoanna Mills, a traveling business woman, begins having nightmares of a murder that occurred 15 years ago. Soon she is drawn to an old farmhouse, where the murder took place.Joanna Mills, a traveling business woman, begins having nightmares of a murder that occurred 15 years ago. Soon she is drawn to an old farmhouse, where the murder took place.Joanna Mills, a traveling business woman, begins having nightmares of a murder that occurred 15 years ago. Soon she is drawn to an old farmhouse, where the murder took place.
- Dirección
- Guión
- Reparto principal
Johnny Bartee
- Cattle Auction Cowboy
- (sin acreditar)
Joe Basquez
- Mr. Marlin's Crony
- (sin acreditar)
Michelle Brew
- Club Dancer
- (sin acreditar)
Peter Cornwell
- Tavern Cowboy
- (sin acreditar)
Reseñas destacadas
I got to see the advance screening of this movie too, way in advance though it wasn't a star studded screening.
About the movie, one thing must be said is that this movie is really interesting and mysterious though it cannot be compared to other movies like saw, mindhunters as this movie does not have gore at all.
It can be compared to the butterfly effect as it has that supernatural kind of story which is very well written and i will go on to say that to me this was better than the butterfly effect. Most importantly the acting is top of the line from all the actors specially Sarah's. The way this movie is directed is also very intriguing and i really have to admire Asif's direction.
Well if you want to watch an amazing, interesting and kind of a thriller movie you must watch this as it is certainly worth a watch.
7/10
About the movie, one thing must be said is that this movie is really interesting and mysterious though it cannot be compared to other movies like saw, mindhunters as this movie does not have gore at all.
It can be compared to the butterfly effect as it has that supernatural kind of story which is very well written and i will go on to say that to me this was better than the butterfly effect. Most importantly the acting is top of the line from all the actors specially Sarah's. The way this movie is directed is also very intriguing and i really have to admire Asif's direction.
Well if you want to watch an amazing, interesting and kind of a thriller movie you must watch this as it is certainly worth a watch.
7/10
There are attractions to this film. One, it proceeds at its own pace specific to the revelations the main character achieves. Some would say it moves too slowly but, I think, this is only in contrast to recent genre films that rush to exploit thrills, sometimes fun, sometimes silly. The pace is more like that of classic mystery movies with a little film noir mixed in.
The atmosphere is somewhat reminiscent of recent Japanese horror films and remakes though the narrative is much more structured. This is emphasized by the "washed out" look of the photography even in direct sunlight. Of course, parts of Texas where much of this was shot appear a little washed out in reality. While this is not especially flattering to the actors, it underscores the uncertainty the characters must endure. (Congratulations to Ms. Gellar for acceding to this when most actresses are looking for every cinematographic advantage they can get!)
The film is more about character and the discovery of destiny than about complex plot or even surprises. As in many Hitchcock movies, the audience is supposed to know more about some things than the characters. Most horror and mystery fans will have a pretty good inkling of the answer the heroine is seeking well before all the loose ends are tied up. (As the "Robot Chicken" version of M. Night Shyamalan might say, "What a twist!")
Ms. Gellar must portray a repressed young woman suffering from more than one trauma from the past. She conveys effectively that her character is confused, haunted, resolute, scared, brave and smart enough to make her way in a good ole boy business world. She cannot accept help even from the few who are closest to her. Her premonitions (memories?) lead her to out of the way places and a man with a past as tormented as her own. There is solid support from the reliable Sam Shepard and from J.C. MacKenzie in a performance that is quite a departure from his usual roles.
The atmosphere is somewhat reminiscent of recent Japanese horror films and remakes though the narrative is much more structured. This is emphasized by the "washed out" look of the photography even in direct sunlight. Of course, parts of Texas where much of this was shot appear a little washed out in reality. While this is not especially flattering to the actors, it underscores the uncertainty the characters must endure. (Congratulations to Ms. Gellar for acceding to this when most actresses are looking for every cinematographic advantage they can get!)
The film is more about character and the discovery of destiny than about complex plot or even surprises. As in many Hitchcock movies, the audience is supposed to know more about some things than the characters. Most horror and mystery fans will have a pretty good inkling of the answer the heroine is seeking well before all the loose ends are tied up. (As the "Robot Chicken" version of M. Night Shyamalan might say, "What a twist!")
Ms. Gellar must portray a repressed young woman suffering from more than one trauma from the past. She conveys effectively that her character is confused, haunted, resolute, scared, brave and smart enough to make her way in a good ole boy business world. She cannot accept help even from the few who are closest to her. Her premonitions (memories?) lead her to out of the way places and a man with a past as tormented as her own. There is solid support from the reliable Sam Shepard and from J.C. MacKenzie in a performance that is quite a departure from his usual roles.
In THE RETURN, a businesswoman is drawn to a small town where a woman was murdered 15 years before. The murderer was never caught although suspicion fell on the slain woman's beau. The businesswoman, played by a dark-haired and rather subdued Sarah Gellar, sees the face of this woman in dreams and even in mirrors. She tracks down the woman's boyfriend, whom she seems to know, and eventually they sort out the mystery and uncover the real killer. The ending contains a twist that most murder mystery fans will have guessed much earlier, but it came as a shock to me, as I am not particularly good at this kind of thing (although I knew what happened in THE SIXTH SENSE as soon as Don Wahlberg shot Bruce Willis, the result of my years working as an ER orderly). Gellar is low-key and acts just unnerved enough by all the odd doings to be believable. The film is shot mostly in monotone, and this adds to the brooding atmosphere. Sam Shepherd has a small role as Gellar's dad.
The restless sales representative of a transport company Joanna Mills (Sarah Michelle Gellar) travels from Saint Louis to Texas in a business trip. She is haunted by violent visions and after meeting her client, she visits her lonely father. On the next morning, she decides to visit La Salle, a small town where she has never been before, but she had recollections of many locations. She lodges in a hotel and later she meets and is befriended by the local widower Terry Stahl (Peter O'Brien), who helps her from an aggression. Her daydreams and nightmares increase and she becomes obsessed for disclosing the truth about her visions of a brutal murder of a woman in a barn. Along her investigation, Joanna gets close to the killer and feels that her life is in danger.
I bought this DVD first because I am a huge fan of Sarah Michelle Gellar, the eternal Buffy, and also because I like supernatural stories. Fortunately I have disregarded the low IMDb User Rating since this film is an underrated supernatural thriller. The plot explores the concept of reincarnation in an adequate pace, unraveling the mystery in the last scenes. The direction is sharp and Sarah gives credibility to her character. My vote is seven.
Title (Brazil): "O Retorno" ("The Return")
I bought this DVD first because I am a huge fan of Sarah Michelle Gellar, the eternal Buffy, and also because I like supernatural stories. Fortunately I have disregarded the low IMDb User Rating since this film is an underrated supernatural thriller. The plot explores the concept of reincarnation in an adequate pace, unraveling the mystery in the last scenes. The direction is sharp and Sarah gives credibility to her character. My vote is seven.
Title (Brazil): "O Retorno" ("The Return")
I watched "The return" yesterday and I have mixed feelings about it. People who come to this movie expecting a horror flick, or an action-packed thriller, will be bitterly disappointed. I would define it as a drama based on supernatural elements. And, as a drama, it's a very slow-paced one, so be prepared for it.
What I appreciated most about this movie is the director's style. It's a brand new way of making a horror movie. It relies on the settings and the personality of the characters to create an atmosphere of anguish and claustrophobia. And in this, it succeeds. The movie actually transmitted me feelings of loneliness, menace, and doom, and if it does the same for you, you should just let yourself go with those feelings, because that's the power of the movie.
Other than that, the central mystery is pretty meager and easy to see after a while. The ending might be a shocker for some, but I don't think it will be for the majority of people. If you're looking for a powerful story based on surprise and shock, I certainly don't recommend this movie.
However, it can be a delightful experience for those who are interested in new styles of making movies in the overexploited genre of horror and mystery. Also, the acting is very good; I especially liked Sarah Michelle Gellar, and her fans should see it too.
What I appreciated most about this movie is the director's style. It's a brand new way of making a horror movie. It relies on the settings and the personality of the characters to create an atmosphere of anguish and claustrophobia. And in this, it succeeds. The movie actually transmitted me feelings of loneliness, menace, and doom, and if it does the same for you, you should just let yourself go with those feelings, because that's the power of the movie.
Other than that, the central mystery is pretty meager and easy to see after a while. The ending might be a shocker for some, but I don't think it will be for the majority of people. If you're looking for a powerful story based on surprise and shock, I certainly don't recommend this movie.
However, it can be a delightful experience for those who are interested in new styles of making movies in the overexploited genre of horror and mystery. Also, the acting is very good; I especially liked Sarah Michelle Gellar, and her fans should see it too.
¿Sabías que...?
- CuriosidadesWhen asked at the beginning of the project who she wanted to play her father, Sarah Michelle Gellar jokingly responded that she wanted Sam Shepard. Months later it was confirmed, to Gellar's disbelief, that Shepard agreed to take the role.
- PifiasWhen Joanna's truck goes off the road near the end of the film, the engine revs as if the drive wheels have left the road, but her pickup is a rear-wheel drive vehicle and the rear wheels were still on the bank.
- Citas
Joanna Mills: [talking to Terry] This farmhouse, you, the town, they're all connected to me somehow.
- Créditos adicionalesWhen the credits first start to roll, everyones name's turn and blur away to the next name which does the same. This represents the characters Joanna and Annie and how they co-existed in the same body.
- ConexionesFeatures Winchester 73 (1950)
- Banda sonoraJolly Coppersmith
Traditional
Arranged and Performed by Patrick J. Donaghy & Louis Bilton
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- El regreso: el pasado nunca muere
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 15.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 7.749.851 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 4.776.000 US$
- 12 nov 2006
- Recaudación en todo el mundo
- 11.994.195 US$
- Duración
- 1h 25min(85 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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