PUNTUACIÓN EN IMDb
6,2/10
8,9 mil
TU PUNTUACIÓN
La ominosa lectura de un psíquico hace que la vida de un hombre caiga en picado.La ominosa lectura de un psíquico hace que la vida de un hombre caiga en picado.La ominosa lectura de un psíquico hace que la vida de un hombre caiga en picado.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 nominación en total
Steven Michael Quezada
- Mechanic Enrique
- (as Steven Quezada)
Julie Fergus
- Receptionist
- (as Julie Gawkowski)
Gurudarshan
- Psychic Woman
- (as Gurudarshan Khalsa)
Reseñas destacadas
FIRST SNOW involves a trade off. The action is slow, but there is a fairly compelling narrative. The story involves a brash young salesman who engages the services of a truck stop fortune teller, and finds that his life is nearly over. He's safe only until the first snow. Jimmy, played by Guy Pearce, must plan a course of action to determine the veracity of the prediction, and then act on his finding. FIRST SNOW creates a visual mood, and takes its' own sweet time to unfold. The film is a psychological thriller with the feel of a noirish foreign film. The two writers on this project collaborated on the far superior film, CHILDREN OF MEN, but FIRST SNOW makes a clever attempt to resolve the following conundrum. Our fate lies on whatever road we decide to take, yet nothing makes the gods laugh harder than when Man attempts to control his destiny. Guy Pearce's MEMENTO is a much better examination of the effect of predetermined events, but FIRST SNOW is certainly worth a look.
Judging from other reviews and comments, missing Guy Pearce's performance in 'Memento' helps appreciate 'First Snow'. Here he impressively fleshes out the script's thin characterization of Jimmy Stark, a traveling salesman and life-long huckster who becomes convinced his impending death was foretold by a roadside psychic. The chance encounter sets into motion events he torments himself and those around him to control, thrashing from one catastrophe to another uncertain of their significance. Ultimately everything matters, major and minor, past and present cleverly interlocking for a final resolution. It's a solid and memorable portrayal of a man simultaneously forced to face both his past and his fate.
As good as it is though it's trumped by J.K. Simmons' terrific and too-short portrayal of Vacaro, the middle-aged nomad living out a solitary existence with an old pickup and camper to show for his unique 'gift'. Here the film wonderfully avoids the usual dead Hollywood clichés (humourously contrasted and lampooned at one point) for a resigned true psychic who wants little more than to go fishing. Without histrionics or gesture Simmons is utterly convincing and engrossing throughout.
If only the same can be said of the sum. With two such strong performances focused on the universal question of fate vs. self-determination it's hard to put a finger on why the film never gels. The plot offers up enough clever and well though-out twists, events unfold naturally without reliance on astronomical coincidences to guide them, supporting characters are serviceable and the cinematography fine, yet the viewer is held at a disinterested distance. Part of the blame rests on the rushed and unsatisfying ending, some of it on where the film does rely on clichés to carry sub-plots - the usual romantic candle-lit tub scene for example to develop Jimmy's relationship with his live-in girlfriend. Only when Pearce and Simmons are on screen together did I care about the characters and those scenes were short.
Pearce and Simmons tack points on an otherwise promising but mid-pack film. 7/10.
As good as it is though it's trumped by J.K. Simmons' terrific and too-short portrayal of Vacaro, the middle-aged nomad living out a solitary existence with an old pickup and camper to show for his unique 'gift'. Here the film wonderfully avoids the usual dead Hollywood clichés (humourously contrasted and lampooned at one point) for a resigned true psychic who wants little more than to go fishing. Without histrionics or gesture Simmons is utterly convincing and engrossing throughout.
If only the same can be said of the sum. With two such strong performances focused on the universal question of fate vs. self-determination it's hard to put a finger on why the film never gels. The plot offers up enough clever and well though-out twists, events unfold naturally without reliance on astronomical coincidences to guide them, supporting characters are serviceable and the cinematography fine, yet the viewer is held at a disinterested distance. Part of the blame rests on the rushed and unsatisfying ending, some of it on where the film does rely on clichés to carry sub-plots - the usual romantic candle-lit tub scene for example to develop Jimmy's relationship with his live-in girlfriend. Only when Pearce and Simmons are on screen together did I care about the characters and those scenes were short.
Pearce and Simmons tack points on an otherwise promising but mid-pack film. 7/10.
Intriguing but ultimately uneven film that has it's best moments when Guy Pearce and J K Simmons are on screen together. It does not work so much when they are not, which is the bigger part of the film of course.It is a bitty film and the biggest element against the film is the fact that, you don't care enough for Pearce's character.Not a bad film just very average.
FIRST SNOW is a relatively low budget vehicle for star Guy Pearce, attempting to plough the same sort of furrow as his superlative MEMENTO. The simplistic storyline sees the star given news of his impending death by a trailer-park psychic, at which point his life begins to unravel as he attempts to do all he can to avert impending disaster.
The story in this one is straightforward enough, but it's more of a mood piece than anything. The small town photography is excellent and there's a cast of eccentrics and seasoned professionals who help to bring the story to life; Shea Wigham, William Fichtner, and J.K. Simmons are the stand-outs here. Pearce is excellent, as he always has been, and the director builds a genuine sense of foreboding as the narrative heads for its inevitable conclusion. My only real fault is that the twist ending is way, way too obvious.
The story in this one is straightforward enough, but it's more of a mood piece than anything. The small town photography is excellent and there's a cast of eccentrics and seasoned professionals who help to bring the story to life; Shea Wigham, William Fichtner, and J.K. Simmons are the stand-outs here. Pearce is excellent, as he always has been, and the director builds a genuine sense of foreboding as the narrative heads for its inevitable conclusion. My only real fault is that the twist ending is way, way too obvious.
First Snow is a movie of which the plot can be outlined in a minute. A man (Pearce) is stuck in a little town on the side of the highway where the only attraction is the psychic (Simmons). He spits out some normal predictions, then freaks out and says he doesn't see a future for Pearce's character. Pearce laughs it off, but after all the other predictions come true, he goes back to the same guy. He says this time: "You will be safe until the first snow"
Of course, the clichéd plot line would be that he goes paranoid beyond belief, which for part of it is like this, but the film sets up multiple possibilities of his death that keep you intrigued. The film could have many alternate endings because of all the other ways he could die that are set up in the movie.
But the ending is perfect. The last shot of the film is the best I've ever seen except for Glory and maybe The Shawshank Redepmtion. I also feel J.K. Simmons and William Fichtner both gave performances worthy of a Best Supporting Actor Nomination, more Fichtner than Simmons, but since it is April it's doubtful they'll stand a chance in Oscar season. The screenplay is top notch and Oscar-Worthy as well.
But the movie fall short of a 10/10 because it no suspense is built. For this kind of film, suspense is necessary. But everything else is really good in this movie. But you should still see this movie, especially if you're into fate or destiny related movies
Of course, the clichéd plot line would be that he goes paranoid beyond belief, which for part of it is like this, but the film sets up multiple possibilities of his death that keep you intrigued. The film could have many alternate endings because of all the other ways he could die that are set up in the movie.
But the ending is perfect. The last shot of the film is the best I've ever seen except for Glory and maybe The Shawshank Redepmtion. I also feel J.K. Simmons and William Fichtner both gave performances worthy of a Best Supporting Actor Nomination, more Fichtner than Simmons, but since it is April it's doubtful they'll stand a chance in Oscar season. The screenplay is top notch and Oscar-Worthy as well.
But the movie fall short of a 10/10 because it no suspense is built. For this kind of film, suspense is necessary. But everything else is really good in this movie. But you should still see this movie, especially if you're into fate or destiny related movies
¿Sabías que...?
- CuriosidadesTodas las entradas contienen spoilers
- PifiasWhen Jimmy visits Mrs. McClure and pours himself a glass of Coke, the amount of Coke in his glass changes several times.
- Banda sonoraWorking Man
Written by John Fogerty
Performed by Creedence Clearwater Revival
Courtesy of Concord Music Group, Inc.
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- How long is First Snow?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- Títulos en diferentes países
- First snow: la primera nevada
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 8.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 214.864 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 15.189 US$
- 25 mar 2007
- Recaudación en todo el mundo
- 573.864 US$
- Duración1 hora 41 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was La primera nevada (2006) officially released in India in English?
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