Añade un argumento en tu idiomaChinese-Canadian Eve Eng was born in 1966, in the year of the fire horse. In Chinese culture, fire horse children are notorious for being troublesome. In 1975, nine year old Eve is looking f... Leer todoChinese-Canadian Eve Eng was born in 1966, in the year of the fire horse. In Chinese culture, fire horse children are notorious for being troublesome. In 1975, nine year old Eve is looking for some meaning for her life, especially after her mother, May-Lin Eng, miscarries, and he... Leer todoChinese-Canadian Eve Eng was born in 1966, in the year of the fire horse. In Chinese culture, fire horse children are notorious for being troublesome. In 1975, nine year old Eve is looking for some meaning for her life, especially after her mother, May-Lin Eng, miscarries, and her paternal grandmother passes away, the latter event particularly concerning not so much f... Leer todo
- Premios
- 11 premios y 9 nominaciones en total
- Uncle #8
- (as Joseph Siu Kin Hing)
- Goddess
- (as Jennifer Cheon)
Reseñas destacadas
It balances reverence and playfulness, and the essence of being a child who finds joy and magic in spirituality as much as it does the cultural conflicts within religion. The story literally brings to life the religions in question as well as extrapolating how a child processes myth and faith, especially from a very different culture, emphasizing what's alien, and what's similar, if not the same.
The direction and plot make the story accessible without dumbing itself down for the audience. It mixes languages and uses subtitles so the characters interact authentically in a household mixing immigration and acclimated generations.
beautiful, unexpected, very witty. narrated through the eyes of a young Chinese girl growing up in canada. her vivid daydreams seamlessly blend with reality, adding a charm and humor that lingers long after the film is over.
Visually, this film is a treat--sometimes unexpected, yet always appropriate, it enhances and expands the emotion of the story. music, dialogue are well-crafted; the rare subtitle here and there manages to leave the flow of the movie uninterrupted.
phoebe kut is wonderful as eve; her interaction/relationship with her predictably "wise" older sister as they weather the unpredictable difficulties of merging Chinese superstition and Buddhism with Western culture and Catholicism is very believable.
yu ching, as eve's mother, perfectly evokes emotion as she quietly bears sorrow and heartache and strives to enlighten her children with love and laughter.
try to catch a screening of this film somehow--it's a gem!
Mom figures that it can't hurt to have both in the same house. Double protection, you know. I can understand that; having been baptized a Catholic as a child and a Baptist as an adult. I have both sides covered, even though I now claim neither. You know, once saved, always saved.
One daughter becomes a Catholic, while the younger one goes along with her, but clings to the Buddhist beliefs. It is funny and touching and will make you think about both religions and how they are similar in their superstitions.
Check it out.
It's a typical coming-of-age film with an Asian bent, nonetheless. It's buoyed by two fine performances by Kut and Lo. There's nothing unexpected or unpredictable about it, but it delves into a culture that is alien to most Americans. And it deals very well with the clash of cultures - or, in this case, religions - and the confusion that arises as these young kids try to deal with life.
Writer-director Kwan takes her time to set up her story and then unravel it. We get to know these characters and appreciate their motivations. The humor is nothing outrageous; this is the sort of film that brings a smile to one's face rather than, say, a loud guffaw or two.
What works in the film is the relationship between the two sisters. From the opening scene of them on the wall, we believe these two are not only related, but very close.
There are some fine supporting performances. Vivian Wu is brilliantly understated as the children's mother, and Chit Chan Man Lester brings the right amount of pathos and humor to his role as their father.
One of the film's failings is a rather obvious narration. I'm not averse to voice-over narrations in films such as this. But many of the moments in the narration could have been shown and not told.
"Eve & the Fire Horse" is a pleasant film, one that could've been better, but works nonetheless. Its charm comes from its two young actors who seem so natural that we're drawn into their colorful worlds and imagination. It says a lot about families; it also says a lot about religion. I'm not sure if Kwan endorses proselytizing, but the film does seem to make a statement about the commonality among religions. And that's certainly not a bad thing. It's a sweet, tender film that makes for a nice afternoon at the movies.
ALSO: I believe member named: Vecanoi, Misspoke: 'A person WITH a proper religion guide will become tangled and lost!'
Oh, almost forgot ~ I believe this film depicts the realism of Catholics trying to force religion down anyones and everyones throat; Especially those who don't want it.
GREAT MOVIE: It's A Definite Recommended Film!
¿Sabías que...?
- CuriosidadesFeature film debut of Alexander Ludwig and Jennifer Cheon Garcia.
- PifiasIn one of the classroom scenes, the capital of Ontario, Canada is marked as "Ottawa". Ottawa is the capital of Canada, but Toronto is the capital of Ontario.
- Banda sonoraThe Red Chamber Dream
From the recording "The Red Chamber Dream"
Songs belong to the Chinese People
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Csodavilág
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 1.500.000 CAD (estimación)
- Duración
- 1h 32min(92 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1